While Inara has her annual physical check up on the core planet Ariel, Simon proposes an elaborate heist to the crew of the Firefly; the catch being that they must sneak he and River into an Alliance medical facility so he can diagnose her mental problemsmoreless
9.8
"Superb"
The stress between Jayne and the Tams skyrockets when River inexplicably slashes Jayne across the chest with a large kitchen knife. Mal finds himself with in a dilemma as he tries to quell Jayne's protestations that River be taken off the ship, all the while trying to figure out exactly a solution concerning the crew's safety.
Before long, Simon sees a possible way to give Mal a valid reason for allowing he and his sister to stay on Firefly. Since Inara's annual companion physical is due at a core world called Ariel, the opportunity arises to somehow find a way to use the Alliance medical facilities there to figure out what the government did to River's head. He reasons that his knowledge of the hospital would allow him to give the crew a chance to score a big job by stealing high value medicine. Any time now I'm expecting to see Peter Graves walk around a corner. Or Kaylee to pull at her hair to reveal she's wearing a mask and is actually Barbara Bain. In essence the show has suddenly become Mission: Impossible. No, not the Tom Cruise I-AM-A-ONE-MAN-ARMY crap, but rather the calculated trickery of well thought out stealth and clockwork precision executed by a team (it was the Mission: Impossible TEAM, that was the very essence and mystique of the 60s show). BTW, I'm complimenting Firefly with this comparison.
The crew disguise themselves as medics, disguise some junk as an ambulance and Simon eventually disguises himself as a doctor. Yeah, no kidding (Sean Maher once again demonstrates his ability to expand on his character's depth). Brought in through the front door inside bodyboxes (? - they're not coffins...) the Tams are secreted past security. Once they're out of the body... (OK, I looked it up, they're referred to as corpseboxes - I think my title rings better. Perhaps I'm merely falling for the allure of alliteration) Jayne stays with them as they work their way to the lab where Simon can diagnose River's condition.
Meanwhile Simon's pass cards and codes allow Mal and Zoe to get to the pharmaceutical storeroom and fill the now empty CORPSEBOXES with the pilfered drugs. Remember M:I, they're on a specific timetable. "bum bum ba da dum"* That's it. No, really... Alright, there's a lot more. But if you've seen it I'm just yapping away in redundancy. If you haven't seen it, I believe I've given you enough to whet your appetite. If I see you in the next life, thank me for not spoiling it. The episode is great. The acting is as good as ever and Summer Glau gets a chance to go beyond "spooky" into to full-fledged unhinged Manic. Note the capital "M." I guess Sean Maher is sort of a Peter Graves character here. He's the only one that really has a clue has to how everything will work. For once he's not the proverbial "fish out of water." The acting is evenly good across the cast. As far as problems I might have with the episode... two come to mind. The one late in the action will remain a secret (gotta maintain the veneer of secrecy).
The earlier objection I have is the fact that they're all worried about the big bad Alliance, they feel as if they're always under scrutiny - they could be arrested - Mal lose his ship - River end up with medicare provided lobotomies - ETC. What does the staunch ever duty-first, tight upper-lip Zoe do after exiting the hospital? The natural thing all ambulance medics do outside the front door - make outwith Wash right in the open. Besides that, most anything else fits well (hey, future mechanic techniques and advanced spray painting will allow people to Mickey Mouse a working air-ambulance in a jiffy. I still recall this IS science-FICTION).
Though most Firefly episodes could be watched as stand-alone stories, they all belong in a line of continuity due to the fact that the series might just as well be considered a serial. The stories are interwoven to one extent or another. There is an arc moving forward layer by layer, leaving a novice viewer progressively more in the dark with each installment missed. The same could be said of many other TV shows (including Joss Whedon's Buffy and Angel). The difference is that by being canceled far short of a full season, we are left with a cliffhanger of sorts.
We must wait for the adventure to continue. The film Serenity has grabbed the baton, so to speak. Still that's just making the best of a bad situation. A very sad thing happened via a total tsunami inflicted by the fickle gods of Business and Art. With the news that the series would be cut mid-season everything unravelled after War Stories. The next three episodes weren't broadcast, which quite frankly seems fitting, given the circumstances.
They are the weakest shows and I believe two of them look as if the wind had been blown out of the production, cast and crew's collective sails. There are continuity issues in story and simple prop management (Jayne's amazing hat: it grows and molts straw in the blink of a camera angle change). The stories just aren't as tight or engaging. Yes, they have their moments, and some of what takes place moves the series' story along. Yet miss them and it's really no big deal. As if to add insult to injury the network aired the pilot at the end of the shows run - DOH! (yeah, I know Homer "works" for Fox).
What does all this have to do with a review of Ariel? well I believe had the series NOT been truncated, the rest of the season's episodes would have been better crafted. As it is, the high quality of Objects in Space sticks out - then again I can understand why it worked - it was a deep yet uncluttered tale with only one character beyond the regular cast (the only such entry in the series). Less sets, props, camera coverage needs...
With a full season, more character development would have evolved. The back stories would have built up. It is my contention that Ariel would have become a "must see" episode as far as its influence of later events. Now that fact is magnified. Out of Gas and War Stories carry a lot of baggage also. Ariel by some Ouija board shenanigans Ariel is the central pivot episode. Note the list, it was the 8th episode aired. Two more episodes in the "appropriate" time line followed, then the wastrel two part pilot and finally the three unaired ones - a total of seven after Ariel. Some might contend that motion pictures could alter that dynamic, picking up where the series dropped off. Sorry, as much as I love the cinema, a full length film hasn't the space to propel the character arcs at the pace of a weekly television show. Everything flips, the action for a particular event is given more time in a film, at the expense of the gradual awareness the viewer gains from TV.
To see the crew of Firefly evolve at the rate of the series, we'd have to wait through at least twelve more years, as movies go.
So as I consider the DVD collection as is, Ariel becomes mighty important. Thus it's a blessing that it's so damn good (my apologies to Jehovah witnesses for that statement). It is full of challenges, achievements and it leaves the viewer with perhaps the biggest secret of the series. Six of the characters are in the dark (River is, once again, a special case).
*"bum bum ba da dum" is my approximation of the beginning of the Mission: Impossible theme.moreless