Fringe

Season 2 Episode 10

Grey Matters

7
Aired Friday 9:00 PM Dec 10, 2009 on FOX
SUBMIT REVIEW

Episode Fan Reviews (11)

9.3
out of 10
Average
523 votes
  • Grey Matters

    7.5
    Warning: mythology. Yes, may mark on your calendar fringeniano that this is one of those days that matter. One of those numbers with a fat red circle around it. And the mysteries of the brain is that this number ten is formed.



    At the end of the episode, Olivia (Anna Torv) has a very interesting conversation with Broyles (Lance Reddick), which perfectly mirrors the current situation of "Fringe" and its problems as a product of entertainment:



    Olivia: All we have is more questions. Who is Paris? How does Newton (Sebastian Roch) knew the memories of Walter (John Noble)? And because Walter left to live?

    Broyles: I suspect that things will be. The more responses we have more questions they lead.

    Olivia: But we did not get any answers!



    Well, dear Olivia, now everything you said. Let's see what we knew before the episode: Walter has previously built a portal to another universe and used it to go get your "other" son. , Due to his madness he does not remember as it did, there is an army of beings on the other side who want to open a door in the final between the two spaces; William Bell asked Olivia to protect this passage. In this episode we see the leader of the so-called first wave, the one whose head was so sought after and later docked, to remove small portions of the brain of three distinct persons. These people that after such an intervention come to his madness or obsession paid.



    What are then three pieces of three different people? To find out how Walter designed and put up such a portal. In reality, these are portions of the brain scientist's hidden in other people's thoughts, in order to protect this secret. The villain then you can reach the old protagonist and uses it to read that information. Their plan is materialized and it appears that the bad guys won this battle, let's see how is the war. At the end half still on offering surprise in the form of Bell (Nimoy).



    Although it was an episode focused on what really interests us brought very little new. It is painful to go through two or three fillers to get here, the more you see a story being dragged vagorosamente to finally give us little or nothing. We feel the series too comfortable, without trying to prove or conquer, taking too long for such advances.



    Apart from that, an episode was generally consistent, where an interesting story - the whole question of the brain - has teamed up with some rhythmic and tense moments - such as face-to-head final - and a villain with class. Just needed more ...



    The Best: The villain.

    The Worst: Little or no answers.
  • Well done

    9.0
    Well we found out why Walter is insane because bell removing memory brain tissue from him that can open a gate to the other side. Newton tries to restore Walters brain so he can get some answers into how to open up the gate to the other side. This show told volumes on how much Peter cares for Walter and Olivia found out what they mean to her, even though it wasn't an emotional action I'm sure she didn't want Walter to die. Newton will only tell Olivia the anidote sequence if she let him go, which she did. The only con in my opinion, since we know why Walter is insane because he missing the very essesense what makes us, us is our memories. Having that removed from Walter makes me feel he's not the whole Walter and Peter wouldn't want the remaining of his fathers brain inside of him. Peter doesn't want his father going back to being a cold hearted prick. I have mixed feelings about this because we don't know the truth of how Walter was like only from what Peter says but he was a kid at that time. He might be able to change if he had his restored memory. But, if I had to watch my dad cry over and over again because he forgot to tie his shoes you better believe I would restore that brain tissue into his head. Now to know the truth what happen to Walter and why he is the way he is and not do anything about it is just wrong.
  • Newton finally reveals himself as he tries to restore the damage done by William Bell.

    10
    St. Claire, present day: The new villain named Newton suprevises brain surgery over a crazy man. The results: remarkable. The man is sane again.

    St. Claire, several years ago: Dr. Walter Bishop is about to go under Dr. Paris's scalpel. The results: remarkable. Brain tissue is removed wich in fact is what made him go insane.

    Only catch is that Dr. Paris is none other than William Bell and the brain tissue he and Nina Sharp removed exactly what Newton and his men are trying to put back on Walter's head. Confronted by the choice to either stop them or help Walter, Olivia releases Newton in exchange for the exact dosage of the antidote that would save Walter's life before a neurotoxin would kill him right in Peter's arms.

    As emotional as Olivia's reaction my have been this episode is in fact an exercise on the emotions of father and son, from the way that every image reminds Walter of Peter to Peter's despair once his father is dying and both of Bishops tini glimpses into how they really feel about notoriously absent Mrs. Bishop.

    Peter's relief over Walter's welfare is palpable and while there's no doubt in my mind that the father he sees in him will be gone the minute he finds out the truth, this childhish remain of what was once brilliant Dr. Bishop is the man Peter calls his family, a man who needs him for his very survival and genuinely cares about him despite he isn't the son he lost.
  • Let's keep evolving! A real good one!

    10
    Unfortunately they keep holding up the good things about this history.
    I believe that might be possible that the writers keep waiting until they come up with something in their head to put in action on Fringe development.
    Is it just me, or episodes with history evolving has higher scores than the others? Nowadays, we want series with complex histories and evolution, nothing to fill up the 24 episodes in the season. Series with this formula, filling up episodes with stuff, sometimes become boring.
    As a fan, I'd like to see more episodes like this one and episodes to keep me stuck watching one after another! Waiting anxiously the next to come and the mistery always growing up with characters being evolved.
  • Pieces fall into place

    8.0
    With so many stand-alone episodes during the first half of this season, it's about time that the writers returned to the season arc. This particular episode does shed some light on some key elements of the story, which is a very good thing, but it also seems to be simplistic in approach. There's a lot of running around for what little ground was gained.

    In essence, the leader of the Alt-universe super-soldiers, Mr. Newton, is trying to open a doorway linking Fringe Prime with Alt-Fringe. This would be a very bad thing, and Olivia is supposed to do whatever it takes to prevent it. As it turns out, Walter is the only person in Fringe Prime with the knowledge of how to create a doorway, and those memories were intentionally taken away from him. Mr. Newton fulfills a plan to restore those memories just long enough to get his answers, and Olivia chooses to save Walter rather than stop Mr. Newton and end the threat.

    That summary doesn't quite do the episode justice. For one thing, the method of memory restoration is interesting, because it implies a mechanism for memory that doesn't quite mesh with how memory and consciousness has been handled previously on the series. Memory and consciousness have been a bit more ephemeral in previous episodes, implying that both are not necessarily linked to a physical anchor within the brain.

    In this case, however, it appears that William Bell was able to excise small portions of Walter's brain, thus removing Walter's ability to access certain key memories and associations. The question is: does this imply that the information itself was held within those chunks of grey matter, or that the chunks removed were necessary for access to the information? Considering that the series is as much about consciousness and perception as it is about monsters and alternate realities, this is not an idle question.

    We also get some insight into Walter's past history. It seems very clear that Walter's decision to open the door into Alt-Fringe and abduct Alt-Peter was a trigger point. It was the first such incursion, according to Mr. Newton, and I still believe that the abduction triggered a response from Alt-Walter that led to the war that has been heating up since. We have yet to see what kind of man Alt-Water might be, but there have been plenty of hints that the pre-psychotic break version of Walter Prime was not someone to cross. If Walter Prime had been advancing his "fringe science" all that time, who knows what kind of disturbing tech he would have created!

    That leads to another interesting possibility. Was Walter's mental collapse really all that it seems? Did he really lose his mind due to the death of a student? I don't recall that the details of that incident were ever provided. The surgery conducted by William Bell on Walter could have further degraded his mental state, but it's also possible that Walter's original condition was engineered by Bell as well. If Bell was that concerned about the potential for Walter's knowledge to be discovered by the enemy, eliminating that threat (while keeping Walter intact enough to be a potential resource later) would fit Bell's apparent pattern.

    Just as there were strengths to the episode, however, there were some inherent weaknesses. The first problem is something that might be explained later, but now stands as a glaring contradiction. If the soldiers of Alt-Fringe managed to cross over into Fringe Prime before, why do they need Walter Prime to tell them how to open a doorway back into Alt-Fringe now? The timelines still don't quite add up for me, though I will give the writers some slack and time to explain away the apparent discrepancies.

    More directly problematic within the episode, however, is Olivia's decision not to take down Mr. Newton when she had the chance. I'm not talking about her decision once Newton made it clear that it was a choice between him and Walter; I'm talking about the moments before that. Why didn't Olivia just shoot Newton in the head and be done with it? It's not like Newton is technically human anymore, and she knows the potential threat that Newton presents. Capturing him, rather than eliminating him, feels like a plot contrivance, designed to ensure that the plot thread remains viable until the intended point of resolution.

    Granted, the pieces of the "Fringe" puzzle haven't always fit together in the most elegant manner; the first half of the first season seems a bit disconnected from the superior second half, after all. And I accept the limitations of the scope of the plot for what they are. I just feel like the writers aren't quite sure how to get from point A to point B, and as a result, the seams are starting to show.

    If the previous examples don't prove the point, I can give one more. I noted in the review for "Snakehead" that the writers would need to use Walter's decision to implant a tracking device into his neck for something momentous to mitigate the otherwise isolated nature of the episode. So I was a bit annoyed to see it used as a red herring of sorts just one episode later. It's the sort of thing that could have used a little more forethought to give it more dramatic impact.
  • Stentz and Miller's 'Grey Matters' is a fine example of just how wonderful a show this can be, beguiling, thrilling and fascinating in equal measure.

    9.0
    It's a pity that Fringe feels the need to reserve its best episodes for the weeks before it embarks on a lengthy break; while it's a fairly sensible marketing decision, making doubly sure that your audience will return in their droves for the start of the next run, it does mean that instalments like this are far, far too few and far between. Stentz and Miller's 'Grey Matters' is a fine example of just how wonderful a show this can be, beguiling, thrilling and fascinating in equal measure. This is one almighty beast of a narrative, grabbing the arc plot by the scruff of its pesky little neck and beating it to a bloody pulp, forcing out a plethora of answers that hint at gargantuan things to come, while also doing the nigh-on impossible and tying in the show's interpersonal relationships without ever seeming contrived.

    So we have a thoroughly mesmerising central concept in the apparent healing of a select number of mental health patients, and thankfully, there isn't a flimsy, surface level explanation as to the nature of events. Instead, the plot twists and turns, leading the viewer down a number of dead ends before finally revealing the truth. And boy, what a reveal, eh? The idea that Walter's memory loss was a constructed occurrence is just fantastic, precisely because it's utterly logical. How could this genius simply forget all about some of the most important discoveries of his scientific career? The answer, naturally, is that he wouldn't... instead, Bell removes them from his memory for preservation. For the duration of the episode, the viewer could be forgiven for scratching their head somewhat at the idea that this 'doctor with a reattached head' would remove information from Walter's brain, implant it in others and then come back to collect it when originally, all he wanted was the knowledge itself: why, after all, would he not simply ask Bishop or even coerce it out of him? Thankfully though, Stentz and Miller have crossed their Ts and dotted their Is; the final moments snap everything into focus, providing a thoroughly satisfying, and also rather subtle, explanation.

    It's also rather commendable that the writers refrain from making any significant alterations to Walter's character. When faced with the idea that his selective amnesia and hence, perhaps, his insanity, is something that can be rectified, it would be all too tempting to 'do the deed', as it were. And yes, for a minute or so, Walter is more lucid than we have ever seen him, and Noble is brilliant with it, but to maintain this state would be to betray both the character himself and, more importantly, the dynamic of the show. Bishop's fragility is one of the backbones of the series as it informs so much else, not the least of which is his relationship with his son. As if the brilliance of this needed any further demonstration, Noble and Jackson's scenes together here are just excellent, loaded with love and regret, and they're distinctly moving. To dramatically change Walter's personality would have been to disturb this rapport and frankly, that's the last thing that Fringe needs right now. Thank The Almighty JJ Abrams then, that the writing staff choose another avenue entirely, and for all it may result in a rather predictable get away for the show's newest Big Bad, I'll take this over the other option any day.

    'Grey Matters', like 'Momentum Deferred' before it, sees Fringe upping the ante, forcing its foot down on the accelerator and bombarding the viewer with plot development. Stentz and Miller's script benefits greatly from its obliqueness, never allowing us to gain a great enough understanding of what's going on to be able to predict the outcome, and, even more remarkably, manages to provide a wealth of wonderful character development for the Bishops without ever really pausing for breath. For all the next three episodes will probably be X-Files-lite stand alones, on the strength of this, you just know you'll tune in for 'em. Top notch stuff.
  • Grey Matters

    7.5
    Contrary to its title, Grey Matters is not an episode of Grey's Anatomy, but rather another 9 PM Thursday drama on Fringe. This was another Walter-centric episode, which should have been a recipe for success, but rather fell flat by Fringe standards. The only highlight was the usually dominant FBI agent Olivia, getting bested by the villain du jour in tonight's installment.

    Did anybody expect Walter Bishop to die? I don't even know why the show would write a storyline like that. I am intrigued by William Bell and what he wants with Walter, but three appearances in and Leonard Nimoy is losing a bit of his flare.

    Still, a fine episode of Fringe, but not as good as it could have been.
  • Ah! finally!!

    8.5
    Fringe didn't exactly leave us with a cliffhanger before going into its 4 month hibernate mode, but in my opinion what I saw is the kind of Fringe that got me hooked in the first place.

    I been begging for more tracks on the parallel universe thingy, and my wish is finally granted. I have no complaints. I don't think Fringe will get a season 3, and the writing has to be more focused on specific plots rather than ones on genetically modified chimeras and mind controlling freaks, if the show has to make a graceful exit. And not to take anything from the show, we did have a few surprises and lingering questions, and a reason to look for answers in future episodes. Well, if Leonard Nimoy is Dr. Perez then is he the good one or the bad one. And the brain stealing guy, what's he gonna do. And the final scene where Walter gets a memory flash of his past. That's should be interesting.

    Great episode.
  • Mind Blowing!

    10
    "Grey Matters" is the best episode - not counting the pilot and season 1 finale - to date the show has produced. In this installment FINALLY some questions, that we all had, were answered with panache of grandure. Everything was executed with precision; the story-line opened some doors that were originally closed like: Why is Walter so weird all the time? Not because he was in a mental institution, how Olivia shows us how much she Actually cares for Peter - in more ways than one. The sacrifices were harsh but the outcome was all so sweet in the end.
  • Amazing! Warning, spoilers contained below.

    10
    So in this episode we find out that the cases we see at the start, of people who were mental and then suddenly became normal again, is actually linked to what happened to Walter. I was shocked when we learned that the 3 people who had brain tissue stored in their heads, they each had a piece of Walters's brain! Even more shocking was that those pieces were of the memory that Walter had of how to open a door to the other side! Bad news for the Fringe team. We find out how Walter got Peter from the other side, it seems he made a door to the other side, which happens to be the same door which could possibly lead to the destruction of one of the worlds. The end of the episode made me wonder, if William Bell took Walters memories of the door for protection, were those memories taken? Does the person who took Walter in this episode now know how to open the door? I sure hope not! Time will tell I guess.
  • Episode above average, super-awesome cliffhanger

    8.5
    Spoilers ahead

    So... it looks like William Bell isn't a good person after all. That's my guess. Of course we don't know for sure and another-twist-free whether his intentions were really bad and Newton and his gang operate on their own - but I really like the idea of him trying to create a war between two universes and especially using Massive Dynamics to infiltrate. Well, maybe the William Bell from the other universe took over our William Bell? I don't know. But I'm excited for the rest of the season.

    Now please, and I've begging since the second half of the first season, stop doing so much standalone episodes and focus on the multiverse plot. The show deserves it.
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