In Which We Meet Mr. Jones

Season 1, Episode 7, Aired

Episode Summary

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A genetically-engineered parasite mysteriously latches onto a FBI agent's heart. Agent Dunham rushes to Germany to meet a prisoner for information about the threat they face.
  • Hello Mr. Jones...

    8.5
    "Great"
    The case of the week involves a very creepy parasite stuck to an FBI agents heart. The plot really thickens in this episode and is very well made with a nice twist in the end. Very interesting to meet Mr. Jones and the FBI agent with his loving wife.....Major Alias feeling to this and that's all good, cant wait to see what they are up to.
    I liked seeing Broyles in the lab with the group, Peter being totally impressed with Olivia because she knew something smart that he didn't, the disturbing hint on Peters childhood (What did Walter do exactly??) and the groups total lack of fear, is there anything they wont do to solve a case?!
    A thing that bothers me with the show so far: They never have any doctors or nurses around when they bring in a living patient/victim to the lab. I know that they are all supersmart in the Fringe group but that just feels wrong, did Peter and Astrid have any medical training?moreless
  • Another great episode!

    9.0
    "Superb"
    Another great episode, it's one of those that leaves you suspicious of everyone and itching to see the next episode. I have to say, I have grown to really enjoy this show; it's very secretive and mysterious yet still is able to be silly. Lots of things that we think we know in this show, we actually don't. At the very end of the episode, I was shocked to see what happened. Unpredictable but in a good way. It seems this organization that is possibly behind the pattern, really is quite a dangerous group. I can't wait to see the next episodes to come!moreless
  • As is to be expected when the name 'J.J. Abrams' flashes across the screen under the writer's credit, 'In Which We Meet Mr. Jones' is a kooky head-scratcher of an episode.moreless

    8.5
    "Great"
    As is to be expected when the name 'J.J. Abrams' flashes across the screen under the writer's credit, 'In Which We Meet Mr. Jones' is a kooky head-scratcher of an episode that asks many more questions than it answers and leaves a tantalisingly large number of intriguing plot threads dangling for pursuit in future episodes. Mr. Jones is a wonderfully eerie character, a sort of Hannibal Lecter for the technophile generation, and is ably depicted by the excellent Jared Harris. The episode's individual narrative is suitably well woven to keep the viewer guessing through to the final, somewhat shocking, revelatory moments, and Brad Anderson's direction has a subtly methodical sheen to it that succeeds in grounding the rather fast-moving plot in an undercurrent of tension. If it weren't for the unnecessary, and rather trad, distraction of Olivia's sojourn around Frankfurt with her former love interest, we'd have a top notch episode on our hands.moreless
  • A high ranking field agent is doing a debriefing with Broyles when he collapses. What they find is a shocking discovery. A Mr. Jones seems to be a focal point of the investigation and he is in a German prison. Olivia goes to see him.moreless

    8.5
    "Great"
    The return of more Pattern related material. *************Major Spoiler Here ****************** I was a little disappointed with the ending as it became pretty obvious that Mitchell was the higher up to John Scott that was the "traitor". This is verified when everyone but his wife leaves at the end of the episode. She and Mitchell speak about the information they were looking for. I found it a little strange that at the end of the episode when they were going through the gyrations to get the answer that the Mrs. would be allowed to just come in and witness all that was going on. Just a little too convenient for me. Is Broyles a stoog?

    So Olivia and Peter basically fulfill the mission for The Pattern with Broyles help and no one is the wiser. At the same time Jones is in prison and his contact is dead. We find out that Little Hill is important somehow and Mitchell and his wife have that information as well.

    It seems it is not below The Pattern to use one of their own with his permission to infiltrate and secure information. Mitchell is now above reproach at least for the time being.

    Another very cryptic and obtuse episode. I guess that is to be expected. J J Abrahms is to this kind of show what Joss Whedon is to Dollhouse. It will get as strange as the Producers and Broadcast Network allow. Quirky, action packed, and developing more questions than answers is the pattern here. It will be interesting to see what way it goes. Thanks for reading...moreless
  • What exactly did Walter used to do to Peter?

    9.5
    "Superb"
    So, the big question for me from this episode is what did Walter used to do to Peter? Why would a person experiment on their son with a technique for talking to dead people. Curious. Aside from the problem of Peter and his childhood, this was another great episode. We learned that Olivia speaks German, Astrid is once again showing she is useful to the team, the scary boss man may have a softer side, and there is a cool plant parasite heart thing . . . and of course (Big spoiler Alert) the mole is the guy with the parasite. I thought this was quite obvious, which was disappointing. I assume they will still go somewhere interesting with this. To be honest the mystery is never that intriguing for me, I simple love all the characters. A important episode for plot development and character development. Definitely worth watching.moreless
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Trivia, Notes, Quotes and Allusions

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  • TRIVIA (6)

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    • Trivia: The (fictional) prison in Germany is named Wissenschaft, which means "science" in English.

    • Trivia: The glyph cipher spells "codes."

    • At the airport at Frankfurt, we can hear several loudspeaker announcements made in German. However, at the real Frankfurt Airport all announcements are bilingual, i.e. they are repeated in English.

    • Trivia: The book that Loeb brings back is A Christmas Carol. This is a clue toward the next episode "The Equation," in which Walter sings Christmas carols.

    • When Broyles shows Olivia the Interpol file (when she searches for the meaning of "ZFT"), there is a misprint on the French title for Interpol, it should read "Organisation internationale" instead of "Organisation international."

    • Trivia: The Observer can be seen at the airport in Frankfurt moving toward the camera and then off to the right as Olivia comes out of the terminal.

  • QUOTES (14)

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    • Walter: He's been shot in the head. Peter: Is that a problem? Walter: Yes! That's a problem! Of course it's a problem! A bullet in the head would normally indicate significant brain trauma! Peter: Well, it would also indicate that he's dead, but you didn't seem to have a problem with that.

    • Broyles: It happened in my office two hours ago. It wasn't a heart attack. At least not in the traditional sense.

    • Walter: You have any gum? Peter: No, Walter. Walter: Mints? Peter: No. Later.

    • Broyles: Dr. Bishop. What you're about to see… I don't know if you've seen anything like it before. But I'm hoping you have. I'm hoping you can help. The man lying in that room isn't just a colleague, he's a friend. Walter: I see. Do you have any mints?

    • Olivia: Can you help? Do you think you can remove it Walter: Oh, I'd be willing to try, but not here. My breath is atrocious.

    • Walter: Excellent work, son! You may have found your true calling at last. Working with me! Peter: I certainly hope not.

    • Olivia: I may be able to get in. Broyles: You got super powers you aren't telling me about? Olivia: Maybe.

    • Broyles: I don't expect miracles. I don't know if I expect anything. But I am grateful for whatever you can do in this case. Walter: Sorry? Broyles: I was just saying I'm grateful for your work. Walter: You're most welcome. You know, I had a fruit cocktail once in Atlantic City. Mind you, I'm not the fruit cocktail sort of guy. Broyles: Excuse me.

    • Broyles: We need to discuss your father. Peter: Is it the fruit cocktail thing again? Broyles: Uh-hum. Peter: Yeah, he's been doing that recently. He gets obsessed about certain foods. It's weird. Broyles: We need him to focus. Peter: To focus. Mr. Broyles, two thirds of the time my father's not even lucid. And in those rare and unpredictable moments of clarity, he rambles on about the food and beverages that he missed while he was incarcerated in a mental institution for the better part of the last two decades. To say that he's not focused is to say that he's a biped, which is to say, you're absolutely right, he's not focused. And it's not going to change anytime soon. I'm his son, I'm not a puppeteer. I don't have a remote control. There's no master switch I can flick and turn him into the man I wish had raised me, or even somebody I don't have to baby sit every day. (Broyles stares) I guess I've had that on my mind for a while. Broyles: Apparently.

    • Walter: (on the phone) Uh, hello, Peter. This is me, your father. Walter Bishop. Peter: Thank you, Walter, I know who you are. Walter: Excellent.

    • Walter: We need to talk to that man Smith right away. He may be our best chance to save Agent Loeb's life. Peter: I know that, but he's dead. He was shot. We're out of luck. Walter: Well, does he still have his head? Is it still attached to his body? Peter: Only you would ask that question seriously. Yes, he still has a head. Walter: Splendid. Perhaps in this case death is simply an inconvenience.

    • Walter: It's astonishing how this man's scalp resembles… Astrid: …Peter's bare bottom when he was a baby. Walter: How did you know that? Astrid: You told us that already. Twice. Walter: Oh.

    • Walter: Excellent. Conductive gel to prevent the electrical current from setting him on fire. Spread it evenly, and don't forget his nipples.

    • Olivia: We don't know anything. Broyles: You have a problem, Agent Dunham. You're not easily satisfied. You want everything and you want it now. In your mind, somehow a small victory is no victory. What you did was save a man's life but that doesn't land for you. Olivia: Sir.. Broyles: I would tell you to snap out the hell of it. To stop whining about what you can't know, can't control, can't change. I would tell you to get some sleep while you can because tomorrow we'll do this all over again, and guess what, you'll have a million answers and a million and one new questions. I would tell you those things, but I won't, because your dissatisfaction is what makes you so damn good. Someone I'm proud to say I work with.

  • NOTES (5)

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    • International Airdates: Sweden: November 13, 2008 on Kanal 5 UK: November 16, 2008 on Sky1/Sky1 HD Norway: February 15, 2009, on Tvn Finland: February 16, 2009 on MTV3 Germany: May 4, 2009 on ProSieben Belgium: June 18, 2009 on RTBF2 France: July 1, 2009 on TF1 New Zealand: August 12, 2009 on TV2 Poland: October 22, 2009 on TVN Slovakia: November 15, 2009 on Markiza Czech Republic: February 26, 2010 on Nova Cinema

    • Injoke: The local agents working for Loeb are "Coscarelli and Scrimm." Don Coscarelli directed the movie Phantasm (1979), which featured Angus Scrimm as the villainous Tall Man. Scrimm had a recurring role as an interrogator on Abrams' show Alias.

    • Number 47: The number 47 is mentioned at the beginning of the show when the FBI agent tells Broyles to turn to page 47 of the file they are discussing. ZFT is also 47 according to its Interpol file. The number 47 is prominent in J.J. Abrams work, mostly in Alias in which it was in nearly, if not all episodes, most of the time more than once.

    • Music: Let It Be Me (Ray LaMontagne), Thank You Too (My Morning Jacket)

    • Blair Brown and Mark Valley are credited but don't appear.

  • ALLUSIONS (0)

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