Not just Finn lost his Virginity...
2.5
"Terrible"
The irony of using the Material Girl as the subject of this episode is that the show has obviously become material. As such, it has lost its innocence, and with it, its charm.
After last week's disappointing re-introduction to the show, I decided to give it another go. Yep, bigger audience means it has now become a bigger commodity, and as a commodity protecting of it then becomes the priority.
So out the window goes the story development, out the windows goes realism (for example, as Sue asked the Principal, "do you not understand the blackmail process and how that works?", I gotta ask, does she? The only evidence we've seen of blackmail material is a cell-phone photo she took of the both in bed together, in which she has her clothing on – something that an amateur could cook-up in Photoshop.) Out goes character development and growth.
To be replaced with ... what? Songs!
What the producers –who to their surprise have suddenly got a hit show- don't realise is, that if other fans are anything like me, then they don't watch this show for the music, for the singing, they watch it for the stories, for the characters, and that the singing is a pleasant by-product of their stories that we see unfolding before us.
In fact I hate musicals, I hated the "High School Musical" movies (which I was 'forced' to watch while entertaining my nieces and nephews.) I hate the unrealism of, in the middle of the drama people would spontaneously break out into song and choreographed dance. For me, there is nothing more jarring to the flow of an unfolding story.
So I never saw "Glee" as a musical TV series; they sang and danced as part of their Glee Club membership, as rehearsal or performance –in a way, as part of their job. And the odd time that spontaneous singing and choreographed dancing occurred, it turned out to be a fantasy held by the character in question.
So now we get song, a lot of song, with not only choreography, but instantaneous costume changes, and weak story-telling. We have Sue who has gone from the sublime to the ridiculous. An improbable blackmail (What sort of relationship does the Principal have with his wife that he couldn't tell her the truth, or at the very least, discredit a photograph as fake?), to get Sue back to the same position as she had been since episode one. We get Rachel coming off as so naive as to be unbelievable, in her relationship with Jesse, and in her attempts to hide it. We get the messy will-they-won't-they Will-Emma relationship. We get major changes to other characters, seeing them make big decisions, without the emotion, the story-telling behind them. And we get ridiculous glimpses into forced/artificial situations just to provoke a laugh, such as Sue seriously considering the cones on her breasts as a legitimate image change, Arty dictating to Tina how she must make a complete 180 degree change to her image and personality, and Sue manhandling students when she is upset, among the many others.
(In fact I would think Sue's manhandling of students in the corridors –an immediate fireable offense for any teacher in the real world- would mean that the Principal would have Sue over a barrel, as all he would have to do is sit back and let the parent committees take over.)
How many episodes are we now going to get where the important thing is the songs, and the characters and storyline are only significant when they fit with the themes of the songs.
Surprising for me, the only real thing I found that contained any poignancy, any real storytelling of merit, and indeed some semblance of the charm of the early episodes, was the Principal reassuring Sue of her worth as a strong woman.
As for the Rachel-Jesse situation. last episode I didn't see how Jesse in his relationship with Rachel could be any more a threat to New Directions, than Rachel in her relationship with Jesse is a threat to Vocal Adrenalin. (It would be a more interesting storyline if the one actually in the relationship to get advantage for his/her own Glee Club was Rachel.) So I thought the rest of the team's pressuring of Rachel to break it off was a tad unreasonable.
Now that Jesse has joined the school, and seemingly is part of New Direction, it not only destroys the potential of a delicious storyline of Rachel actually using him for her team's advantage, it's just replaying Sue's-cheerleader-spies-in-the-team storyline, Nonetheless, the only real threat Jesse posses is to Rachel personally, to her emotional well-being and emotional stability. Yet as we already know, it is a well-used, overly-used cliché of TV shows (and movies) where some kind of competition is a major part of the storyline, after the main character has his/her heart broken or an emotional setback, instead of devastating them completely, it becomes the catalyst for them fighting even harder, putting in an even greater effort, culminating in victory for themselves and their team.
Heck didn't this very thing happen to Finn two episodes back. (Of which we have not since seen any more emotional fallout from, as if it has all been forgotten and forgiven.)
Anyway, I afraid I'm nearly at the end of my patience with this series, and am about ready to give it up. Next episode will tell for me.