(Goof) Paladin is told that the woman requesting his aid is in room 319 of St. Mary's Hospital. When he arrives, he is shown into room 16.
The use of stock footage makes Paladin's horse appear to change color. While crossing a bridge (a clip used in several episodes) he is riding a dark horse with two white forefeet. After his stop in the saloon, he's riding a dark horse with one white rear foot.
(Nitpick): Devereaux does not know Paladin, even by reputation--yet he somehow knows that Paladin keeps a "little" gun hidden under his belt.
(goof) When Paladin is facing Devereaux across the table, the pistol on the table keeps flip-flopping back and forth. From behind Devereaux it's lying on it's left side. When the view changes to from behind Paladin, it's on it's right side. And back and forth it goes.
When Paladin rides into town, he passes a sign reading "Crescent City." Later, when Kramer calls him over to the hotel, the name of the building is the "Junction City Hotel."
(Nitpick) During the gunfight scene, Kramer is seen with his hands well out to the sides. The camera angle changes to the back--showing both gunmen--and Kramer's hands are dangling loosely down. The next instant, his hands are held out to the sides again.
While the Hawaiians are listed in the credits as Princess Molokai and Hilo (a Hawaiian island and city, respectively), in the actual episode they are called Princess Mapuana and Prince Kimo.
When Paladin first arrives at the Diamond S ranch, he comes up near the veranda and parks his horse, then enters the house--to find the foyer jammed full of men. However, there were no other horses, carriages, buggies, or buckboards tethered outside. How did the men get there?
Quanah Parker was an actual historic personage. He was born around 1850 and died in 1911. Never captured by the Army, he eventually surrendered. Col. Ranald S. MacKenzie appointed him to be a reservation judge, and he later addressed Congress regarding Indians' rights.
(goof) Throughout the episodes, all the long shots of the injured man have shown him lying with his feet toward the cliff and his head pointing outward and to the left from above. When Stark climbs down and examines him, the man is lying parallel to the cliff with his head pointing to the right from above.
(goof) During the final climb as the four men lower Stark, in the long shots there are no cliffs behind Stebbins at the top. It looks like they are on the top of a hill. However, in the closeups and in the previous establishing shots, not only is there a high cliff wall, but the injured men fell from a much higher point, none of which are visible in the long shots.
(goof) When showing the men on the side of the cliff during the final climb, Stebbins isn't anywhere near the rope in the long shots. He can't be helping to belay the doctor on the end if he isn't even touching the rope. In the closeup shots, he is seen holding the rope. Also, Corey's position on the cliff and his grip on the rope change. In the long shots, he is facing to the side and holding the rope from the side. In the closeups, he is facing down the cliff and holding the rope beneath his arms.
(Goof) During the opening credits, Richard Boone paraphrases a quote from later in the episode, as usual. He says, "Which one are you, Frazier? The one who put the rope around Aaron Bell's neck? Or did you just cheer and wait for the trap to fall?" The reference should have been to Paul Bell, the man who was actually lynched. (The dialogue in the episode did not, in fact, mention a name; Paladin simply referred to "his" neck.)
(Continuity error) Paladin hears Jenny cry out his name and goes dashing up the hill to the mine. As he nears the top, we see him pull out his gun. As he pauses outside the mine entrance, we see him draw his gun again.
In Mr. Carruthers' cabin, near the end of the meal, Carruthers picks up a large pickle from a plate. He holds it for several moments as they talk, then reaches for a bite--but the whole pickle suddenly has a large bite out of it already.
(Continuity error) Near the end of the episode, the escaping Jenny flags down a stagecoach. As she opens the door, we can see people seated on the forward-facing seat. She gets in, sits, and reaches out to pull the door closed. This places her on the backwards-facing seat, next to the door she entered by. When the camera switches to an interior shot, she is suddenly on the far side of the seat. If she had had to squeeze past Paladin to sit down, surely she would have recognized him.
They show a nice attention for realistic detail. At the end of the episode, Paladin had been wounded in the leg, and the bandage is visible as he limps to his horse. Once mounted, he's a good distance from the camera, and it's only seen briefly, but the bandage already shows blood seeping through.
(Goof) When Paladin agrees to take Travis/Laredo with him, he addresses Cynthia Palmer as "Miz Perkins". Perkins is Laredo's last name.
The episode title "The Naked Gun" refers to Rook's gimmick of carrying his gun hooked directed onto his belt, rather than sheathed in a holster. This allegedly makes it quicker to draw.
There is a continuity error that cannot be accounted for with stock footage. For his trip to Portland, Paladin is riding one of his familiar mounts--a dark horse with two rear white feet. We see him riding it as he comes up to Rook's camp, as he rides to Monk's rescue, and as they continue on away from Rook and his men. Monk rides a solid dark horse. After Monk clobbers Paladin and steals his gun, we see Paladin the next morning, riding in pursuit, still on his white-footed mount. However, when they cut to the scene where Paladin comes riding up to where Monk has tethered his horse, he is riding Monk's solid dark horse and his own white-footed horse is the one that is tethered. After Monk shoots the two men and he and Paladin leave the area, they are back on their own horses, and remain so for the remainder of the episode.
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Classics, bloody and violent, characters with double lives, failed crime, for the nostalgic