Hiro goes back in time to the Burnt Toast Diner to try to save his love Charlie Andrews from the clutches of power hungry Sylar resulting in a standout performance from Masi Oka. Samuel is still awesome. One detail sours a virtually perfect episode.
9.0
There are more pros than cons with "Once Upon a Time in Texas" and since I want to get really in depth about everything (namely how Heroes uses time travel as well the 3 years ago flaw) , I'll cut right to the chase. I thought the episode was pretty solid, this is the first time in a very long time I felt really connected and sympathetic towards Hiro and that's mostly due to the layered performance of Masi Oka. For the past few seasons, Hiro's lost the depth he had in season 1 and just become a total cartoon and Oka who once blew me away every week ventured into total cheese territory. Even early this season I wasn't impressed with what they were doing with him, and I was hoping he'd get killed off because he was beyond redemption. This all changed on Monday night. It's like the writers all sat around and said "ok, now we fix Hiro". Masi Oka is such a talented performer and he really gets to showcase a wide range of emotions and actions varying from absolute joy to sadness and finally total rage. It's just masterful. It also helps that he's surrounded by equally amazing actors like Jayma Mays, Robert Knepper, Zachary Quinto, and Jack Coleman. Some other great stuff that was done was with Jack Coleman's character Noah Bennet. In season 1, up until the episode "Company Man" Bennet (or HRG) was seen as a cold calculating badass almost void of conventional feelings and emotions. He was a rock that could not be moved until we found out his back story and really learned his love for his family and what he was willing to do for them. Since that episode we've seen the many layers of Noah Bennet and the grey nature that makes him one of the best characters of the series. In "Once Upon a Time in Texas" we see him at that mid stage of season 1 where he was 100% devoted to capturing the mysterious serial killer Sylar and saving his daughter Claire. Though we did see that side of him, back then he was portrayed as cold and really well put together. In this episode we see a new aspect to that time in his life, fellow agent Lauren (played by Elisabeth Rohm) a relationship that is very close and seems to boarder on an affair. It's a relationship Bennet has never been seen to have with anyone he works with so it was refreshing to see badass era HRG was just a man struggling with what to do next. He's even got an awesome scene with Future Hiro and gives him some encouraging advice about love.
And then there's Samuel Sullivan played by Robert Knepper (interestingly enough promoted to regular with this episode which is awesome). I can't say enough about how fantastic he is. I mean, it takes a really gifted actor to play a complete scumbag with no redeeming qualities like Theodore "T-Bag" Bagwell on Prison Break and still remain one of the most beloved characters on the series. That's Robert Knepper for you, he's a guy who survived on bit parts until Prison Break and then he just broke out and it's all talent and charisma. With Samuel Sullivan he's playing an antagonist unlike anything we've seen on Heroes. He presents himself as a guy who sees every angle of a situation and exploits it in his favor. He's a man with a plan. But he's also a man with his own flaws and secret shame(s) and he seeks desperately to correct it. Frankly we still don't know what his grand plan is with gathering super powered people to his Carnival but we now see just how far he's willing to go and what he'll sacrifice to get what he wants (he used his dying time traveler friend to assure his plan for Hiro succeeded). It's incredible. Essentially he just plays Hiro for the entire episode and once he knows he has him, he takes the one thing he loves most (Charlie) and holds it over his head securing his allegiance. And while I love Gabriel "Sylar" Gray, Samuel is just something so different it's refreshing to see two villainous forces of nature can exist on the same show and it's not overkill. Hopefully the ball isn't dropped like with David Anders character Adam Monroe and Samuel gets at least a full season run or more. Speaking of Sylar we also get to see him in the past (back when he'd only killed 10 people instead of what must now be close to 50) when he was that mysterious figure in the shadows. This time, we get to see him in full light, he gets lines and he's cocky as hell about his power, as well power hungry. We see even Sylar at that stage can be reasoned with, as Hiro gives him information about the future in exchange for "fixing" Charlie's aneurysm and not killing her. It's a nice change of pace as Sylar's bloodlust was only recently curbed when he found out he could control his hunger and just kept at it for pleasure. With Hiro doing this to past Sylar I wonder if he damaged the timeline further. More thoughts on time travel in the next paragraph. I thought it was refreshing to see Hiro who used to fear Sylar as he would a demon or monster, just making him look like an ass and completely embarrassing him into surrendering to his way of thinking. And I can't say enough about how great it was seeing Jayma Mays back as Charlie, easily one of the coolest character used on Heroes, but more later. For the most part the use of time travel has created more story problems than its solved on Heroes. Although the "scientific community" pretty much agrees time travel is "impossible", there's no shortage of theories of how it would work and what limitations there would be and how much the future could be effected if a person were to go back in time to alter the present. I think the closest thing we have seen to corruption of the timeline has been in season 3 where Future Peter goes back multiple times to correct his future only to change time and create a whole new horrible future. He tells present day Peter the only way to alter the timeline without doing insane damage like he did is to take Sylar's natural ability. Which is all well and good, but nothing becomes of it because "Villains" turned into total clown shoes. Actually LOST introduced the most "accepted" theory about altering the timeline via the character Daniel Faraday: essentially if you were to go back in time, since the future already exists you can't change anything. Something will always get in your way to stop any alterations (on LOST they solve this by calling the survivors stuck in the past "variables" capable of changing the timeline). There's also the problem of a paradox. Take Terminator for example. John Connor, savior of the human race send a lone protector back in time to stop the machines from killing his mother, his protector turns out to be his father, John knows this. But how could John be born of Kyle Reese and Sarah Connor if he hadn't sent him back in time in the first place, wouldn't he have another father? Not if time is circular! So that's the old "it was always meant to happen" theory that kills Future John's mantra of there's no fate but what we make for ourselves, the future is not set. It would also mean no matter what the Heroes do to prevent future disaster something will always change and put them on a doomed path (case in point, pretty much the plotline over every season). There's also the idea that every alteration you make will create a new spinoff future(what the comics like to call divergent timelines). This comes into play with Heroes thanks to Peter leaving Caitlin in the Virus Future from season 2 than destroying the virus making said future impossible. Did Caitlin and that timeline just cease to exist, or do they now exist in a new timeline? We'll probably never know.
Essentially Heroes seems to adopt all these various theories almost at random. In season 1 we saw minor care from Future Hiro who thought he figured out the whole mess and chose to risk a time rift to reach Peter and put him on a path in which he thought with the information he had the best way to avoid the Explosion Future.. In season 2 we didn't see much care and Time Travel was just a plot device. In season 3 we saw just what happens when you crush a butterfly and screw everything up repeatedly. And this season we saw the futility of trying to stop something that was meant to happen (Hiro's suicidal office worker). But we also have Samuel taking a very unique approach to Time Manipulation (and manipulation period) and how he seeks to factor every little detail into the equation and crush very small "butterflies" and effect the future in a manner he wishes. Of course when Hiro goes back in time and stops his sister from hating Ando resulting in them becoming a couple, one would think it changes the actions and characterization of Ando in season 1 but that's minor compared to going back in time (again!) to save Charlie from being murdered by Sylar. The first time around Hiro finds out Charlie is going to die anyway regardless of what he does due to her brain aneurism, he learns for the first time he cannot change everything.
This time around with maturity from past blunders as well faced for the first time with his own mortality (his brain tumor) and under the guidance of Samuel, Hiro devises a way to inflict minimal (if there is any) damage to the timeline while also saving Charlie's life. Hiro (and probably the writers) have finally found a way to do this insuring everything that's supposed to happen, like Hiro going into the past in the first place to save Charlie and getting her to fall in love with him is key to pulling off the plan. Frankly I'm surprised that they even thought to use these details as they've never been so careful before in creating plot holes. There are minor issues one might find with the episode, as I mentioned up top Sylar now has made the conscious effort not to kill in exchange for information on his future. Hiro tells him he will kill many people and become the strongest of all, but in the end no one will mourn his death. Long story short Hiro does everything he needs to, to preserve time and his past self's future actions when he saves Charlie. The way the changes are made, it even allows past Hiro to believe he failed saving Charlie meanwhile our Hiro was successful. It's quite masterful and not nearly as clumsy as Time Travel's been done before. Also the scenes he has with Charlie are so touching it filled me with optimism I haven't felt since season 1 which I guess is the whole point. Unfortunately for poor Hiro, Samuel takes her away using his now dead friend's last bit of power to trap her somewhere in time in which only he knows the location. Thusly angering Hiro and securing him so he may use Hiro to crush his own butterflies and past transgressions so they don't tear the Carnival family apart. In a neat twist, he tells Hiro he did something bad 8 weeks ago which turns out is a seemingly dead Mohinder.
As for the one detail that sours what has otherwise been a perfect episode is the math. I may come off sounding like a complete Heroes Nerd, but hear me out. The events in season 1 "Genesis" took place between October and November of 2006, "Generations" skips 4 months ahead making it roughly March 2007. That volume roughly covers a few weeks to a month and "Villains" picks up directly after. Towards the end of "Villains" just before the episode "It's Coming" we have the episode titled "Villains" which takes place in the past at what was the "Six Months Ago" period in season 1, but it's now "One Year Ago" making "The Eclipse 1 and 2" "Our Father" and "Duel" around April 2007. Still with me? "Fugitives" is said to take place a month after "Duel" making it May at the start. I'm not 100% sure what the timeframe was for the remainder of "Fugitives" but I don't think in a span of 12 episodes Danko spent a year hunting enhanced humans, most likely it was about another month maybe two. Finally the events of "Redemptions" start happening six weeks (a month and a half) after the end of "Fugitives" and at the end of "Once Upon a Time in Texas" we find out season 4 has roughly been happening over the course of 2 weeks making it now two months after "Fugitives" Now with all this information can the Heroes present be anything other than fall 2007? Well apparently it's 2009. Anyway this minor fact just bugs the Hell out of me and really sours an otherwise perfect episode.
Overall I'm only giving "Once Upon a Time in Texas" a 9 out of 10 because I fail to understand how we're 3 years after the events in "Genesis" otherwise it's worthy of a 10. Again, you have a masterful layered portrayal of Hiro Nakamura which I haven't seen in a very long time. We learn even back when we thought Bennet was a cold badass, he had a softer side, and we see power mad season 1 Sylar is still capable of being reasoned with. For me the episode just adds whole new levels to characters I already thought I figured out. And once more, Robert Knepper is amazing. There was a time I thought Kristen Bell was gonna be the best thing to happen to Heroes, period (David Anders, and Zeljko Ivanek were cool too, but they're not Kristen Bell!) and for a brief time she was, but what they're doing with Robert Knepper is incredible. I think he's the best new cast member they've added and Samuel Sullivan is definitely a more rounded organic antagonist than we've seen before on the series. I hope they keep him around all year.
Finally the little end bit with what I'm assuming is dead Mohinder is really a bonus for me. I haven't liked the character since mid season 1 and I've often thought the show could've been redeemed had they killed him off at the end of "Parasite" in season 1. Nothing against Sendhil Ramamurthy's talent level, it's just Mohinder consistently sucks as a character and really results in most of the problems each season has. He is the weakest of the OG cast and when they said someone was gonna die, I hoped it would be Mohinder and not someone that "brings it" 100% of the time like HRG, Matt, Peter, and Sylar. Mohinder's just this messy bit of suck on Heroes that needs scrubbing from the series. Hope it happens!
And those are my insane thoughts on "Once Upon a Time in Texas". This volume is about Redemption, and my guess is it's for the characters finding it, the theme itself, and the writers redeeming themselves for past failures. Though the season has gone back to the old school way of doing the show putting character study and drama over goofy gimmicks and action, this is the first episode I think was done with absolute maturity and attention to detail, 3 Years Ago error aside.
I look forward to next week.