To put a long story short: Too much, too fast. If that's all you need from this review, by all means move on.
5.5
Before starting I should warn you that there are Season 3 spoilers (SPOILERS!) inside, so if you have yet to see Episodes 1 and 2 and don't want the surprises to be ruined, again, move on. Also, you should know that this is a review of both "The Second Coming" and "The Butterfly Effect," not just one or the other. Lazy, I know, but it saves me copying this all twice. Now don't get me wrong; the acting was still pretty good, the characters were still IC (For the most part) but there was too much going on too early in the new season, and it was all happening way too fast. In Season One and Two, the first few episodes told us who the characters were, where they were in their journey and gave us an idea of where they were headed. Now we already know who the characters are, so that's settled and since we start up again right after Nathan is shot, we pick up quickly how they're doing, but instead of just a few little pushes to where they're going, we are THRUST!
Example: Sylar. At the end of Season Two he regained his abilities after ridding himself of the Shanti Virus and in a feat of inexplicable speed arrives at the Bennett/Butler residence to take Claire's ability. (How does one get from New York City to Costa Verde, California in a couple of hours without teleportation or superspeed anyway?) Then, accelerated regeneration now his, he heads BACK to New York just as quickly, kills Bob and is finally knocked out by Elle. This all happens in two episodes; that's an hour and half, plus commercials. (Oh, and did I mention that when Elle knocked out Sylar she also accidentally allowed 12 of the most deadly 'special people' to escape the Company's prison? No? Didn't think so.) This whole thing ends with what should have been the ultimate bombshell of the third season, like Adam Monroe's true identity in Season Two, with Angela Petrelli speaking to an incarcerated Sylar. Angela: I can give you what all boys crave from their mothers: inspiration and guidance, comfort. Isn't that right, Gabriel? Sylar: My name is Sylar…and you are not my mother. Angela: But I am, dear. I am…
The whole reason the greatest surprise since "No, Luke, I am your father." was ruined was simply because there had been about twenty big surprises prior. With Nathan's shooter revealed, Ando possibly turning evil in the not too distant future (and shooting red lightning which I did think was very kickass), Mohinder injecting himself with a superpower serum, all the 'Villains' being released and the present Peter being trapped inside one of them, the impact of every other surprise was made almost meaningless. This isn't a soap opera where every scene has to end with a gasp from the audience. With 'Heroes' you got a chance to slow down a bit, especially at the beginning when everything was being set up. This felt like pressing the fast forward button. Okay, now that my main point is out there I'm going to lay down a few smaller ones and then let whoever is left reading this return to whatever it is they do on Tv.com. So Mohinder has artificially created superpowers now; good for him. One problem: It's totally out of character for him. You remember when I said that everyone was in character "for the most part"? Well, this was the little lesser part I was not referring to. As certain members of my family have pointed out, Mohinder's always been a straight arrow and without powers. In fact, my brother said that his being powerless was one of his endearing qualities, as powers would dilute his character. Well he was right, they certainly did that. This Mohinder was selfish, arrogant…and horny, which leads to my next point:
Maya. I figured since the end of S2 that she and the Doc would hook up, but not at all like they did here. Maya may be many things, and may be achin' in the love organ after Sylar's betrayal and Alejandro's death, but she never struck me as 'easy.' But in just one minute of talking to a super-powered Suresh, her clothes are off and they're doing the mattress mambo. I swore that had to be a dream, it was too unreal, but no. I mean, sure, it's good for the hormones, but if we wanted that we'd watch "Emmanuelle's Erotic Escapades" or "Dirty College Tramps 14: The Trampening" on PPV, not on a show we've come to look for something more than a 'Who cares about the characters' personalities? Let's just make 'em do it all night. It'd work for me.' attitude. It was just sad, like they'd run out of good writers even worse than last year and had to resort to steamy sex scenes to give the characters something to do. That reminds me, any idea what happened to Caitlin from S2? You know, the Irish girl who Peter fell in love with and accidentally left stranded in a dying future? That Caitlin? Huh, apparently no one in the studios does. How odd…
And now in closing, I'm done. I first watched 'Heroes on DVD the summer before S2 started and in a few weeks I was an avid fan. And until Episode 9 of S2, where everything went into poorly planned overdrive, I was glued to the TV there too. What we have before us now is not what we had been hoping to get back to after the Writer's Strike screwed us out of a good ending to S2/ What we have here is more of that aforementioned overdrive: Too much, too fast, and as much as it saddens me, it's the reason I can't watch any more of 'Heroes.' It was a fun ride with amazing powers that didn't destroy the storyline (cough, 'Smallville', cough, cough!), with characters that really could have been real people, and made their adventures so much more fantastic. But to do justice to that, I can't keep watching and see it devour itself like so many brains at a Sylar-Fest. Thank you, Mr. Kring and Mr. Loeb (and to the actors of my favourite guys: Mr. Lee, Mr. Oka and Mr. Quinto), and all the other people responsible for what I have been obsessed over for the past year. But oh well, life goes on sucking…and hey, there's always Superman. Always.