Sophie: I want to take the lead on this one. I want to do what you do.
Nate: Yeah, listen, I know breakups can be very difficult, Sophie...
Sophie: Whoa. That's not what this is about.
Nate: I know that you have this need to be in control right now.
Sophie: I don't have any such need.
Nate: But you can't project that onto the con.
Sophie: Excuse me? This coming from the man who spent an entire year drunk, working on his obsessive vengeance on every single dimwit in a suit who happened to cross our line of vision.
Nate: You put some thought into that one, didn't you?
Parker: I got the pass. Easy.
Sophie: Parker, remember this. You're not supposed to take it, you're supposed to get caught with it.
Parker: I don't know how to get caught.
Sophie: Yeah, I know it's difficult to steal badly. Just, just try.
Sophie: Now for the hard part. We need to steal a General.
Nate: No, it's "Let's go steal a General!" You know, it's a rallying cry.
Nate: "We need to steal a General." It's a little naggy, it's kind of "We need eggs," you know. "We need eggs." "We need eggs!", you know.
Monica: I lost to the Discovery and History Channels. Sharks and Nazis. Now, granted, sharks and Nazis are cable TV's heavy hitters, but that's no excuse.
Monica: Wait! Why are you dressed like a mailman?
Hardison: Invisible, man. Mailman, nobody notices the mailman. He blends right in, just like a, a circus clown.
Eliot: I don't mean to obsess about the last time Sophie ran a con, but I'm sorry, where we had to blow up the offices.
Sophie: Really? Because I don't remember that.
Hardison: I do.
Sophie: And then to protect themselves, they issue an apology to Mr. Pennington, and then they throw Monica Hunter into the jaws of the very media machine that she bent her own malicious will.
Parker: Wow, I've gotta say, Sophie's briefings are much more dramatic!
Eliot: And poetic.
Sophie: She has to have corroboration from her own sources, she has to craft the narrative. Monica Hunter has to be the author of her own personal nightmare!
Nate: Do I sound that creepy when I...
Eliot: Hell, yes!
Hardison: Get me out of here!
Sophie: Yeah, I'm working on it.
Parker: On it.
Sophie: No, no, no, no! You cannot go. You're dead, Monica Hunter sees you and the whole con is blown.
Hardison: Damn the con. I'm a black man caught on an army base with a video camera, I am going to jail forever!
Eliot: Now the http thing comes before the www dot, right?
Eliot: Which one's the forward slash?
Hardison: Eliot, it ain't the time, it ain't-it ain't the time!
Eliot: You see, it's not that much fun when you're hanging out there in the wind and there's a dude behind a laptop cracking jokes, is there?
Parker: I like it when we switch jobs, it's exciting.
Sophie: I thought it would be really cool, you know, switching roles. But, no, I'm a grifter, for better or worse.
Nate: You're searching for something.
Sophie: Nate, I...ah, I feel like such an idiot, but I feel a little bit lost right now.
Nate: Just take your time, trust me.
Sophie: The irony of that...
Nate: Trust me. Whatever you need, I'm here for you. Listen, you carried my drunk ass for over a year. You deserve some of the same latitude.
Sophie: You make a good point.
UK: August 25, 2010 on Bravo
Turkey: October 17, 2010 on CNBC-e
Czech Republic: April 27, 2011 on Prima COOL
Slovakia: July 16, 2012 on JOJ Plus
Monica: Once I've got her sources, I'm kicking Strawberry Shortcake to the curb.
Referencing the 1977 American Greetings mascot who went onto to become a popular fad in the 1980s, seeing appearances in posters, dolls, movies, video games, a TV show and annual specials. The young red-headed girl and her pet cat Custard were later updated in 2002 with an updated look.
Hardison: Do not adjust your sets. I control the horizontal, I control the vertical.
Hardison is quoting part of the opening narration of the 1963 TV series The Outer Limits. The full opening narration, spoken by the Control Voice (Vic Perrin, is "There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: there is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to... The Outer Limits."
The text Monica finds typed over every page of the red file reads: "All work and no play makes Monica a dull girl."
This is a direct reference to the text written over and over on Jack Torrance's novel in Stanley Kubrick's The Shining (1980): "All work and no play makes Jack a dull boy".