Open at one end; shocks at the other
9.0
"Superb"
Like much of Season 1, 'Man of Science, Man of Faith' with an eye, but the sequence seems so out of context with what we've seen on Lost. It appears to be a flashback or a retro existence, complete with the music of Mama Cass. It is not until we hear an explosion that this seems to snap, and not until a few seconds later that we realize that what we saw happened at the bottom of the hatch a few minutes before 'Exodus' ended, though we still have no idea who or what this is.
Now that the hatch that he has spent the better part of last season trying to get into is finally open, Locke has apparently forgotten all the threats to the survivors, if indeed they were in his frame of reference at the first place. He needs to see what's at the bottom, and the damn the danger of whatever orders are being given. So, the first possible opportunity, he takes a torch and heads out into the woods. Then after something (conceivably) horrible happens to Kate, he follows her down. Locke seems to believe that it is part of his destiny to see what is at the bottom of the hatch, but once he finally does get down there, his characters will under one of the biggest shifts of everybody on he island, starting with the moment he gets there.
Jack, on the other hand, seems more than willing to call the whole thing off. He does have to care about the safety of his people, and right now he doesn't think whatever's in the hatch will do it. Especially, when he sees the word 'Quarantine' written on the other side. He tries to offer reassurances to the people at the caves, but as Hurley mentions, his bedside manner sucks. (He also seems very self-centered; Hurley finally has the guts to tell someone about his past and what the numbers meant, and Jack apparently stops listening the moment he hears the words "psych ward". And He wonders why there's so little faith in him.)
The flashbacks involving Jack are not nearly as strong as some of the others, like Locke or Sayid's. This is mainly because Jack wears his heart on his sleeves, and the revelations are not so amazing as the usual ones. Nevertheless, this one is critical to the show for several reasons. We see Jack dealing with the car accident that paralyzed the woman he married. In doing so, we learn several things about Jack. First, he is a pragmatist, who only believes in empirical evidence. This is so deeply ingrained in that even when he manages to perform a miracle and restore Sarah's legs, he doesn't believe what he done. Second, despite this, he feels a compulsion to help fix things. Sarah was engaged before the car accident, but her fiance, given what we saw, jumped ship because it would be too difficult. Jack wanted to make sure not only that Sarah danced at her wedding, but that there would be someone to dance with as well.
None of this is exactly earth-shattering. What turns out to be is a scene that we probably thought was a throwaway --- Jack, trying to run off his feelings of failure after the surgery runs into a man named Desmond, who is training for a race around the world. He tries to gives some encouragement and hope to Jack (echoing Locke, which probably wouldn't go over well any better then) But it's not until the end of the episode after Jack, Locke and Kate have reached the bottom, and find that Locke is being held at gunpoint --- by Desmond. It's a good thing the episode ends right then, because I definitely needed to process the shock.
Then again, we also need to process some of the other stuff we've seen. Inside the hatch (yeah I know, it's really a bunker; the writers called it a hatch, it's a fricking hatch). There's a lot of old music, a record player, exercise bike, food, medicine of some kind, a shower, a bun bed, and a boatload of guns. Oh, and there's this computer, and something that's making a beeping sound. Naturally, we don't learn the import of any of this, or for that matter the mural that looks familiar, along with what appears to be a Dharma hexagon symbol that we've seen before (and will see again, a lot)
Kate's attitude is somewhat perplexing: she completely seems to agree with Jack about his argument of not exploring the hatch, but at the first possible opportunity, she leaves and goes out to help Locke get down there. Why is she so desperate to get answers? She doesn't believe in destiny.
So much of the episode is focused on the hatch and the people around that we almost forget about the other people at the caves, who all seemed to be seized with the same level of paranoia. Shannon is apparently hallucinating seeing Walt in the jungle, as well as hearing the whispering in the woods, Charlie's ranting about Rousseau's sanity, Hurley's starting to get upset that no one ever takes him seriously (a legitimate concern given the reactions of the other castaways) we barely see Claire, Sayed or Sun, and oh yeah, we still have no clue as to what happened to Michael, Jin and Sawyer! (Then again, this part at least would be consistent with the writers setting up cliffhangers with one set of characters, and leaving another group hanging for the length of the episode. So never mind. ) However, there are a couple of other minor revelations during the episode. The mural, I'm still not sure what it means, but we have seen it before in "Special", and we will later see again in relation to Desmond is season3. The more interesting revelation is another throwaway. The other person involved in the SUV accident is a man named Adam Rutherford, who we shall soon find out is Shannon's father. Furthermore, the kind of injury that Sarah suffers is almost the exact kind that Locke had prior to crashing on the island. Is it possible that this is the kind of surgery that he would try to perform, but would fail at (Seems unlikely, as Locke probably would have remembered Jack then.)
'Man of Science, Man of Faith' is a fascinating episode, yet I have no doubt it ended with a lot of people frustrated. The season premiere is supposed to answer all the questions left open in the cliffhanger, not leave a lot of them unanswered as well as add a load of new ones. But that's what makes Lost unique. It not only pushed the envelope; it created new ones.moreless