Lost And Found
9.1
"Superb"
From the ridiculous to the sublime. In my opinion, Ben White goes a long way to redeem the season after the utter train-wreck of an episode that was Frankenlaura. The theme of this episode is lost and found; many characters are losing things (or want to, in the patient-of-the-week's case) but are often finding themselves whole in the process, a point that is unfortunately hammered home repeatedly towards the end of the episode. The writers obviously didn't trust us enough to pick it up even though it's pretty apparent. This is a problem as there are portions of the script that really work and are really strong, but others aren't. This episode has also had its fair share of detractors again claiming that the storylines are too extreme and disgusting. But hey, compared to a corpse bride made by a man who wants to bang his sister, a guy wanting to lose a leg and semen facemasks barely make it on the radar.
We have another great guest cast member as the patient of the week. John Billingsley brings a quiet and assured performance as Ben White, a man suffering from Body Integrity Identity Disorder (BIID) who wants to have a healthy leg removed, as it doesn't feel right for him to have it. In an interesting change of positions, it is now Christian who refuses to do the procedure. Well, someone's got to step up and fill the position left by Sean and Liz. Without a voice of reason and some morals, the place would really slide. Quentin's all for doing the procedure, showing shades of Christian's earlier character. Christian is interestingly conflicted, going to see Ben at his house and finding out that Ben has a contingency plan involving a trunk of dry ice; Ben is determined to lose his leg 'one way or another'. Christian phones Sean and gets short shrift from him. Eventually, Christian decides that McNamara/Troy will not amputate Ben's leg. The scene between Christian and Ben, which ends with Ben shooting himself in the leg, is one of the many wonderful scenes throughout and I can't help but feel moved by Ben's plight (in part due to the script by Lyn Greene & Richard Levine, and John Billingsley's moving performance). But eventually, Ben loses his leg and becomes whole. After dealing with this, Christian goes home to Kimber and asks her to marry him. Christian feels like a part is missing since Sean left the practice, but realises Kimber is the one to complete him. And I have to admit it, I did have tears in my eyes during the proposal - both Julian McMahon and Kelly Carlson are excellent in that scene, and throughout the episode. The two of them together when Kimber likens Sean to an appendix also ranks as one of my favourites of the series.
Speaking of Sean, he's off helping the Witness Protection Program. As you do when you're not sure where to go next. He is interviewed by Dr Sagamore (the excellent Bob Gunton, giving a similar no-nonsense performance as he did on Desperate Housewives) and is accepted to the scheme. His first consult is Nicole Morretti and her teenage son, Austin, who have entered the programme after her husband was gunned down. Whilst Nikki is fully aware of what's happening, they haven't told Austin about the plastic surgery. Sean lets the cat out of the bag and Austin flips out and runs away. Sean confronts Dr Sagamore who explains the situation as no-nonsense as possible; lives are at stake and sometimes it's better the kids don't know until afterwards. Austin agrees to the surgery as long as Sean does it. Already, the plans are being laid for a relationship to occur despite the fact it shouldn't. And on that subject... arguably, this is the strand of the episode that doesn't work so well. The whole Nikki subplot seems very misguided and sadly miscast- Anne Heche is just plain wrong for the part. Tanner Richie is a little better as Austin, but they both suffer from rather simplistic scripts that sound too earnest or sappy. The surgery is done and Sean delivers the motto of the episode, written in such a way that it could be a tagline for an inspirational made-for-TV drama: 'Sometimes you have to lose who you were to find out who you are'. It's a noble sentiment but please... the audience are not idiots. We do not need sledgehammering over the head with something so obvious, delivered with such saccharine that you need an insulin shot afterwards! The final scene, where Sean phones Julia, has much the same effect. Whilst the closure is great, a little less sentiment would have been nice.
The third strand of the episode provides much of the light relief in the episode. Julia, Liz and Gina are struggling with De La Mer. They appear to only have one patient recovering at the spa, Gretchen Carr (a very game performance by Gigi Rice, I might add). Ms Carr looks good for her age, which she puts down to putting her sons' semen on her face at night. I cannot begin to tell you how wrong this is. It's incredibly sick and disgusting, yet hilariously funny at the same time. Hey, who says I have to be highbrow all the time? After a discussion about the medical properties of semen, the girls decide to concoct a signature product for the spa: a facemask that has semen as its active ingredient. As they package it up, Joan Rivers comes to stay at the spa. That is the Joan Rivers, eagerly playing herself for the second time in the series. Her scenes with the girls are great and a nice lift to contrast with the angst going on around. Joan tries the facemask and is so pleased with its effects that she is cancelling her surgery. She offers the girls a 50/50 deal but wants to know what is in the mask. Julia plays an absolute blinder in the negotiation, avoids mentioning sperm at all, and seals the deal. After Joan's glowing endorsement on an infomercial, De La Mer skyrockets. The scenes of Julia, Liz and Gina together work really well- Joely, Roma and Jessalyn really have a good chemistry together. Sadly, this is the last time we see it as inexplicably Jessalyn Gilsig all but disappears from the season after this episode (she appears twice more, but her performance in Quentin Costa is very much blink-and-you'll-miss-it).
All in all, I find Ben White to certainly be the strongest episode of this block of five. A script that is mostly good, guest performances that are mostly good and some good work from the series regulars makes this a solid example of what Nip/Tuck can do. The only thing that really detracts from it for me is that we know the series is capable of so much better.moreless