Several characters return in Cherry Peck, an episode in which many of the characters must face up to what has happened in the past, the truth of what they've done and make amends if they can. But, as is so often the case, the 'pure and simple truth' is far from pure and never simple.
It starts with Sean and Christian in a consult with Cherry Peck, the transsexual who got beaten up by Matt in Kiki and who beat him up at the end of that episode. She comes to McNamara/Troy to have surgery on her face. She had a really bad job done after the attack and needs it done. The boys are happy to help until Cherry tells them she wants them to do the job for free or she'll go to the police and tell them it was Matt who beat her up. Sean flips and says that if she does, he'll tell them what Cherry did to his son. Later, Matt comes round to see if there's anything Sean has to help Julia's morning sickness. Sean mentions Ariel and Matt reveals they broke up. Sean also mentions seeing Cherry and the blackmail attempt. Matt, finally showing some humanity, asks Sean to do the surgery to help him correct the mistake. John Hensley's acting in this scene, and throughout the episode, is great- finally making up for all the times I wanted to slap him for moping around and being a jackass. Sean agrees to do the surgery on Cherry. As she's about to go under, she thanks Sean but he makes it clear- he's doing it because Matt asked. He gives the moral of the episode again in a real TV-movie-of-the-week manner: 'We need to rebuild instead of allowing our past to haunt us any longer'. Admirable sentiment, but please writers, not so saccharine- my teeth were hurting!
After the surgery, Sean checks on Cherry and gives her some cream to put on her face for the scars. Matt drops by to see her- there is a bit of a moment between the two, but Cherry decides to be nice. Sean leaves them and Matt helps her put the cream on. They have a nice moment where they apologise for their actions and Cherry drops hints about having the gender reassignment surgery. Matt politely declines and Cherry just says how difficult she finds it not to hit on someone as cute as Matt. Can't see it myself but attraction is a very personal thing. Cherry says she needs to buy some new make-up. So Matt goes with her. She tries out various foundations and asks advice from one of the assistants who is incredibly rude to her. Matt jumps in and defends Cherry, saying that she's more of a lady than the assistant will ever be. And just as things are going well, Ariel walks past and sees them. She makes a few horrible comments about Matt dating 'a dude in a skirt'. Matt tells her where to go and she storms off- back to her father, who catches Matt's eye with a look of menace. Brian Kerwin has no dialogue at all in this episode, but his steely gaze promises some trouble. It might have takem a while, but Matt's finally coming good. A good performance, too, by Willam Belli as Cherry- sympathetic and strong even when Cherry's behaving badly.
Julia's pregnancy and the concerns of having a baby at the age of forty add the more soap-opera-esque elements to the episode but it also provides one of the freakiest dream sequences I've ever seen in my life. And I watched Twin Peaks! :) Sean goes to see her as she's really suffering from morning sickness, but is still determined to go to work. Sean doesn't want her to work, reminding her that she is older. He wants her to move back in the house so he can help her, but she won't do it. She makes it clear that the baby isn't the missing piece of their relationship and things won't be going back to how they were. That night, she has a very strange dream. A loud ticking clock permeates her dream which begins with Sean making love to her but then him turning into an old man. He then suggests that Julia needs a facelift or people will think the baby is her grandchild but too late: her waters break. Then she finds herself in a bath with something eel-like swimming round in the water. Sean hands her a gown and tells her she's late for surgery. As she walks into the room, she sees Sean and Christian hunched over a baby cradle, whispering about 'fixing things'. She picks up a kitchen knife from the instrument tray and walks towards them. Sean and Christian stand up, their hands and surgical instruments covered with blood. They had to make the baby 'respectable'. Quentin comes in with a camera and takes a photograph of what's inside the cradle. He says the child is 'almost human'. Sean and Christian make some disparaging remarks about it being irresponsible to have a child at forty but Julia wants to see her baby. They move aside, she opens the drapes around the cradle, looks in... and gasps in horror! She then wakes up and makes an appointment to see her doctor. There is a real sense of dread in the dream sequence and some great visual tricks. Sean accompanies her to her appointment where she has what looks like an amniocentesis (a test to check for any disabilities within the child). As the doctor sorts out the equipment, Julia apologises to Sean. The doctor says how glad she is that Julia and Sean are back together and begins the ultrasound. In an act of conciliation, Julia reaches out and Sean holds her hand. Pretty run-of-the-mill stuff but good performances by Joely and Dylan. Plus the extremely strange dream sequence- but could it be prophetic or is it just Julia's own paranoia? Time will tell.
The other storyline thread in this episode involves Christian, Kit, Kimber and the Carver. At the end of the consult with Cherry, Nurse Linda comes in and tells Christian there's a package for him, and the package is bleeding! Sean and Christian open the box to find a pair of bloodied breast implants. Sean checks the serial number while Christian cuts one open to find a message written inside: Beauty Is A Curse On The World. Sean comes back and tells Christian the implants belonged to Kimber. So now he knows... the Carver abducted Kimber from the church. He calls the police and they send Kit to investigate. Good to see Rhona Mitra back, she really added a spark to the show. She is her usual firecracker self throughout this episode. Christian wants them to investigate but Kit says there's no evidence of a crime. Christian believes someone is holding Kimber hostage and that someone is Quentin. Kit admits they've been investigating Dr Costa but they only have circumstantial evidence. Christian gets quite emotional and asks her to bring him in for questioning. Which she does. Quentin is typically glib but Kit's determined to bring him down, accusing him of being The Carver. This scene works really well, both Bruno and Rhona on top form and the script is really good too, crackling with some great one-liners. As the interrogation continues, a cop comes in with a message for Kit. She goes to see Christian: Kimber's been found wandering in the Everglades.
At the hospital, Christian wants to see his fiancee but Kit won't let him. Kimber is really messed up as The Carver undid all the surgeries that Christian had done to her. There is a very graphic description of what The Carver did to her accompanied by some freaky flashbacks of The Carver operating on a (thankfully) unseen Kimber. Christian is adamant about seeing her but Kit doesn't want Kimber going in to shock. Later, Sean goes to see Christian at the hospital and distracts the guard stationed at Kimber's door so that Christian can sneak past and see her. Initially, Kimber doesn't want to see Christian: she's angry with him that he didn't find her and angry that he let her be a target. When they met, Christian told Kimber she was an eight. She wants him to tell her what she is now. He opens the curtain to see her. She is in a bit of a mess, but not as bad as I imagined. Christian starts crying and says that he'll make her a ten again. In surgery, Kimber is very jumpy, everything a reminder of what The Carver did to her. She wants Christian to do all the surgeries at once which he agrees to. There is then a surgery montage of Christian working on Kimber, reversing the damage done to her.
After the surgery, Christian is all up for rescheduling the wedding and getting their lives back on track, but Kimber's not having any of it. She wanted to be fixed so that other people could look at her and not run screaming, but she has to live with the pain. She decides she can't be part of a beautiful couple anymore, she can't be that beautiful, shallow, superficial girl. Christian thinks she's just suffering from Stockholm Syndrome but she isn't. She doesn't want to be with him anymore, no matter that he wants to be with her. A brave and brilliant final performance by Kelly Carlson, who has been a real revelation throughout this series. There is some question as to whether or not Kimber's just being really ungrateful- getting Christian to fix her but then dumping him. I personally think the scales have just fallen from her eyes and she can see the inner ugliness of what she was.
At the office, Sean and Christian have a drink and discuss their day. Sean mentions Julia being pregnant and says to Christian that love will fix a shattered relationship, even if it seems broken beyond repair. Kit comes in with flowers for Kimber, but Kimber has already left. Christian asked if Quentin's been arrested yet but Kit says they had to let him go because they found new evidence. Earlier on, Quentin had blood taken and photographs done. When asked to drop his trousers, he began to stall but eventually agreed. Something caused a great surprise for Kit and the other officer and it causes Sean and Christian a surprise too... Quentin doesn't have a penis. This last point is so over-the-top that it runs the risk of damaging beyond repair any credibility to the storyline. But because the whole show has been so gloriously over-the-top, you kinda go with it. A very good bridging episode, skilfully moving all the pieces into position for the series finale.moreless





