Money Can't Buy It *SPOILERS*
8.8
"Great"
Is money the root of all evil, or does it make the world go round? Can money really buy you happiness, or does it just merely rent it for ten minutes? And if everybody truly does have a price, what's yours? 'Dawn Budge' offers some interesting questions, sometimes fudging the answers, but it's a generally very watchable episode with one hell of a kick at the end. Plus it also contains two of the best guest performances I've ever seen.
On one side, we have Rosie O'Donnell as the titular Mrs. Budge, a large and frankly very common woman from Pensacola who won three-hundred-and-eighty-one MILLION dollars on the Powerball Lottery (an absolutely obscene amount of money, if you ask me) and has come to McNamara/Troy for full body lipo for herself, new breasts for her teenage daughter Mallory (as white trash as her mother) and a penis enlargement for her husband Dwight, offering to pay triple the going rate to have these things done. Dawn's trashy pretensions, whilst utterly cringeworthy, are nicely observed and her scenes are very well-written and Rosie acts them to the hilt. Christian- in financial straits- offers to help make Dawn over, hair, make-up, clothes, and interior design- all for a price. She accepts and the makeover begins. But when Dawn comes home to find her husband and her daughter in bed together (don't worry, we're not in Ava/Adrian territory again; Dwight isn't Mallory's father), she decides she wants one more thing from Christian: a 'revenge screw'. Christian promptly charges her four hundred thousand dollars for the pleasure and a truly hilarious sex scene ensues. But afterwards, she feels worse and as she pays Christian she notes 'money can't buy you love'. Not exactly a new observation there, but you can forgive this rather pat conclusion because of the good work that's gone in before it. At the end, Dawn is left alone, as Dwight and Mallory have headed back to Pensacola, with Dwight observing that Dawn 'was more fun poor'.
On the other side, we have yet another steely, subtle and brilliant performance from Jacqueline Bisset as Michelle's former employer, James. I'm still having issues with the name, but that's by the by. Christian, having been told the full story by Michelle at the end of 'Shari Noble', invites James to dinner in order to tell her to leave Michelle alone. James tells him that Michelle owes her five hundred thousand dollars and Christian says he can't afford that much. James comes to see Christian at the office later with a little incentive to get the money- photographs of him and Michelle kissing, that she will send to Burt unless Christian coughs up. But, in a rare show of compassion, she offers to drop the price slightly if he'll give her a hand rejuvenation. As he does it late at night, James divulges a few things: she's in love with Michelle but the feelings were not reciprocated. Having been in a similar position in real-life, I can truly empathise and, at this point, James does get my sympathy. But that's the first time and last time she gets it. After Christian sleeps with Dawn Budge, he gets the remainder of James' money which he gives to her in return for the photographs, the negatives and a promise she'll get out of his and Michelle's life for good. James takes the money and bids him farewell. But that's not the end of it. She pops up in Michelle's car, scaring the already fragile woman, saying she needs her 'skills' again. Seemingly having no option, Michelle is next seen in a bar talking to a guy who's drinking on his own. So far, so-so; we know she was one of James' working girls before. But here's the kick: we then see James going to a hotel room with a cooler box, handing a rubber-gloved Michelle a scalpel and watching as Michelle cuts the unconscious guy's side open. Yep, James (and, by extension, Michelle) is involved in the organ-smuggling ring that got Liz last episode. How the hell is that going to play out, when that comes to light? How will Christian react? Moreover, how will Liz? A brilliant hook to keep us all dangling.
The other main storyline involves two 'couples': Sean and Julia, and Matt and Kimber. Driving back from the jewelers where Sean is looking for a ring for Julia (more on this in a moment), they see Matt picking up rubbish at the side of the road. Christian freaks out and seems determined to get Matt away from Scientology. His answer? Buy the boy a hundred-thousand dollar Porsche, which Matt initially accepts, until he shows the car to Kimber who promptly sees through what they've done, telling Matt they're trying to bribe him to get away from the church. The relationship between Matt and Kimber is quite a strange one; it's being painted as a pure mentor-protégé thing from Kimber's point of view, but it appears that Matt may see it in a slightly more romantic light. After a quick phone-call Kimber, Matt and one of the church members come to the McNamara house and pack up Matt's stuff, to move him away from 'repressive personalities'. Sean freaks out at this and so does Julia, squaring up to Kimber and actually showing a bit of spirit for once! Kelly Carlson is great in all of her scenes, delivering some of the more ridiculous lines with utter conviction.
Personally, it's not yet clear what the writers' stance is on Scientology; are they lampooning it or respecting it? There's been precious little shown regarding the actual beliefs and mechanics of the religion/cult, so it's difficult to know. That said, it's clear enough that the characters believe it's enough of a threat to require some serious action. Sean gets a bit desperate and hires a professional deprogrammer to break the hold that the Scientologists have on Matt. However, the deprogramming attempt goes a little awry as the hired goons attempt to throw him into the back of a van. Matt legs it, they give chase, until Matt teams up with some of his buddies. The deprogrammers then decide not to try it. How this will play out is going to be interesting, too. The deprogrammer warned that if it didn't work, the rift would widen between them. Well, Matt isn't present at Julia and Sean's remarriage, so that's quite telling.
The relationship between Sean and Julia also comes under the microscope. Sean wants to ask Julia to marry him again and gets Christian to help him pick out an engagement ring. Christian picks a really expensive ring, which Sean baulks at- until Christian reminds him that he screwed Monica Wilder. That night, he mentions buying Matt a car when Julia asks him flat-out if he's having an affair, showing him phone records that have sex lines on them. He initially tries to bluster his way out of it, saying he was just checking up on a patient (Cindy Plumb from the season opener), but then admits the true reason for the calls. Julia says she can almost understand it but again makes it clear that she'll leave if she ever finds out he's cheated on her. Whoops, little late for that; the psycho night-nurse was two episodes ago. Then she quite calmly asks if he wants her to buy him some porn! They dissolve into giggles over this, Sean presents her with the fancy ring and she agrees to remarry him. Both Dylan Walsh and Joely Richardson are great in this scene, their banter is well-written and their chemistry is obvious.
During a meeting with a crashingly rude wedding planner (who suggests that Julia might want to lose a bit of weight to get into a gown), Sean plans a very ostentatious and expensive wedding with the ceremony at a cathedral and a reception for over three hundred people. When Matt comes in to move his stuff out, Julia goes nuts when she realises Sean spent all that money on a Porsche without telling her. It looks like they've reached an impasse and Sean's about to move out again, but Julia relents and says that they need to be together for the family. Eventually, their remarriage is held quietly with little fuss, just the family and Christian.
The general moral of the episode appears to be that money is no substitute for love. Well, goodness. I'd never guess that. I took that to be one of the generally accepted facts of the universe. But then, some people don't. And it's interesting to see the journeys the characters go on to realise that fact. Whilst the episode is a little uneven, some parts are horribly clichéd whilst others really sparkle with a bit of originality (a bouquet and a brickbat for credited writer Hank Chilton for this), it's nonetheless a good, strong episode in its own right. No Liz, sadly, but then having a kidney removed does take a toll. Some more parts of the season arc are now nicely in place; let's sit back and watch it unfold.moreless