All That I Am, I Give To You
9.0
"Superb"
Madison Berg picks the pace right back up to the level it was before the atrocious Frankenlaura. Christian and Kimber's wedding takes centre stage in a story about changing who you are in order to fit in, exemplified by a Jewish girl's rhinoplasty on her sixteenth birthday. The patient-of-the-week is only seen briefly, her surgery is not shown at all, but what she represents permeates the whole episode. A counterpoint to her decision is given by a new character who is destined to really stir things up.
Played wonderfully by Brittany Snow, Ariel is Matt's new love interest. They meet at school when she mentions that Matt is the only weirdo she's seen. They bond, then a newly nosejobbed Madison walks past. Ariel shows her disdain for this action, suggesting it is Madison's self-loathing that is being broadcast by the bandage on her face. Matt drops into the conversation about Sean and Christian's work and Ariel asks him to introduce her so she can do research for a term paper. Matt agrees if they can have coffee. Ariel agrees and, sure enough, Matt arranges for Ariel to meet his dads. It is during this consultation that Ariel's true purpose comes out- she wants them to dye her skin black. When they tell her they don't do that, she starts a diatribe against plastic surgery and its homogenising effect on different races making a culture of non-white whites. Her racist views are quite shocking but never sensationally written and the rather calm and pointed manner in which Brittany Snow makes them just heightens their impact. Naturally, Christian and Sean freak out and throw her out of the office, serving only to piss Matt off even more. A reconciliation was begun when Matt agreed to act as Christian's best man alongside Sean, but the mockers are put on that when Ariel pierces Matt's ear for him and gives him her earring, which has a swastika on. The scene where she explains what the swastika means is chilling, because you get to see how much under her father's sway Ariel actually is. In the next scene, we see Ariel's homelife and find that her extremist racist views are not an aberration. Her mother collects Mammy cookie jars, rather grotesque caricatures of large black women, and sees nothing wrong in it. Ariel's father (a chilling performance by Brian Kerwin) applauds Matt for his part in the tranny-bashing of Cherry, then asks him to steal some papers from the office. Matt seems like he's going to refuse, citing family loyalty but that soon changes when Matt turns up to the wedding, looking a state, and Christian freaks out, telling him to go. Matt storms off, back to Ariel and, as the wedding begins, he copies files for his crazy Nazi girlfriend's father. A slippery slope for Matt to go down to be sure. But at least he's having something to do, despite still moping round with a face like a slapped arse.
Running alongside Matt's story is the main event: the wedding of Christian Troy and Kimber Henry. The episode begins with Christian giving Kimber micro-liposuction so that she can fit into a size 0 dress (which is an absolute obscenity if you ask me; completely unnatural). This seems much more like the airhead Kimber who first started the show, but she wants to look and feel like a perfect bride. So much so that she isn't eating until
the wedding, so Christian has to do the cake-tasting by himself. Christian reminds her to sign the fidelity prenup (that she had drawn up at the end of Hannah Tedesco) or the wedding would be off. There's a nice use of music during this scene, a version of 'Wishin' And Hopin'' that seeks to show the episode's main theme- Kimber feels that she has to be this perfect size 0 bride for Christian to love her. Which is pretty tragic if you think about it. She goes for a wax at De La Mer and ends up having a clearly pissed off Gina (nice to see Jessalyn Gilsig back) doing her bikini line. Ouch. Gina's annoyed that she hasn't been invited to the wedding, but Kimber makes it clear that they couldn't invite all of Christian's exes. There is great banter between the two women, and the scene really moves along at a good pace. Gina tells Kimber that Christian isn't able to love anyone except the one woman he can never have- Julia. At that moment, Julia comes in to see how things are going. Kimber asks her plainly why Julia and Christian never gave their relationship a shot. Julia tells her honestly that whilst she and Christian are friends, they do not love each other. Kimber's recurring fear first crops up in this scene- that she has altered herself and her life for him and she doesn't want to do that to still lose him down the line. Julia assures her it's not going to happen and Kimber seems reassured. Meanwhile, Sean and Christian are at the cake-tasting together. They discuss much of the same stuff- why haven't Christian and Julia given it a go, would they still. Christian is as adamant as Julia that things won't happen between them. The cake-tasting scene is an absolute masterclass in great writing and acting. Dylan Walsh and Julian McMahon really play well off each other at the best of times, but here they are superlative. The deep bonds of love and friendship between these two men, despite everything that has happened, is clear to see. Which the cake tasting hostess does. She mistakes our two red-blooded males for a couple and says how 'generous of spirit' they are. Cue a little camping up and holding hands which is screamingly funny but strangely tender too. The night before the wedding, Christian is looking at Sean and Julia's wedding pictures. Kimber comes in and sees this and freaks out about it, thinking that he's still got feelings for Julia. She says she's going to stay in a hotel; Christian tries sweet-talking her, but Kimber's not having any of it. She says she wants to feel like a virgin bride, untouched and pure the next day.
The day of the wedding comes around and Christian and Sean are outside the church, whilst Christian practices his vows. It is at this point Matt turns up, as Christian puts it, 'looking like a Jerry Springer guest'. Christian, vexed enough already, lays into him and Matt leaves. Quentin drops Julia off at the church; he too is not invited (this is one of two very pisspoor short scenes for Bruno Campos in this episode). Strangely enough, neither is Liz. Roma Maffia's nowhere to be seen. A strange oversight by the writer or a straightforward case of an unavailable actress? Who knows. Despite Christian's fears that Kimber won't turn up, the blushing bride is indeed at the church and waiting. And it has to be said that Kelly Carlson looks positively divine and radiant in her wedding dress, despite the rather sickening size 0. She has another great scene with Gina, where Ms Russo gives the bride an impromptu gift: her old diaphragm. Quite sick, but also funny. This proves too much for the fragile Kimber, and she begins to cry. Gina, perhaps feeling guilty, comforts her and tells Kimber what she needs to hear: Christian loves her. Another wonderful scene between these two women. Meanwhile, Christian is getting ready when Julia comes to wish him luck. They have a talk about the past and actually kiss quite passionately. Christian feels there is unresolved business between them, but Julia is adamant that Christian will not ruin his life with her. Sean comes in to tell Christian that Kimber has asked him to walk her down the aisle. The three old friends are together and Julia proposes a very appropriate toast: 'to survival with grace'. Whilst Christian waits at the altar, Kimber waits in her side room. There is a knock at the door... she calls out... the door opens... as the wedding march plays, Christian waits and the bride does not appear. Sean comes to get him and the two men head to the room. They find her bouquet and the words 'JUST CAN'T' scrawled on the mirror in lipstick. Has she had second thoughts? Cold feet? Or is there perhaps a more sinister motive behind her disappearance? Perhaps a masked psychopath paid her a visit? Whatever the reason, Christian is once again alone. Except he isn't, his longtime friend Sean is still beside him, and ready to return to the practice. There's a nice little twist; Christian asks Sean if he's sure he wants to return and Sean says 'I do.'
With superb acting throughout, this is one of the best episodes of the season and in fact of the series. Sweet, tender, shocking, thought-provoking, tense, compelling and just downright great, Madison Berg is a great and important episode within the flow of the season as a whole. And it leaves one big question open: what's happened to Kimber? This episode ends the slight detour that the previous episodes took from the main story arc for the season; a story which comes firing in on all cylinders in the next block of episodes.moreless