Ned: After that, I kind of lost the thread of the conversation. Then: Cicely: Whatever forces may have shaped you, you still have the power to change who you are. (Ned realizes she's about to be attacked) Ned: NOOOOOOOO!
Roslyn: Men are confused. They're conflicted. They want a woman who's their intellectual equal, but they're afraid of women like that. They want a woman they can dominate, but then they hate her for being weak. It's an ambivalence that goes back to a man's relationship with his mother. Source of his life, center of his universe, object of both his fear and his love.
Ned: One person can have a profound effect on another. And two people⦠well, two people can work miracles. They can change a whole town. They can change the world.
Roslyn: If you were in a burning house and there was a cat and a Rembrandt, what would you save? The cat...you would save the cat, because the cat is alive. The art is dead. It's just paint on a canvas, ink on a page. To live for art is to deny life. It's just to destroy life.
Music: - "Each Night at Nine" by Floyd Tillman - "The Butterfly" by The Show's Cast - "Nearer My God to Thee" by The Show's Cast - "The Chandler's Wife" by The Show's Cast - "Intermezzo Sinfonica" from "Cavalleria Rusticana" composed by Mascagni
This episode won Emmys for Cinematography, Editing (Single Camera) & Art Direction. Rob Thompson won an award from the Director's Guild of America for this episode.
The series regulars appear as the residents of Cicely in 1909. The characters are: Joel: Franz Kafka Maggie: Mary O'Keefe Maurice: Mace Mobrey Holling: Abe Ed: Young Ned Shelly: Sally Chris: Kit Ruth-Anne: Rhoda
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