Flashbacks shed light on the past actions that led to the incarceration of Lincoln, Sucre, T-Bag and C-Note. The basis of Michael's ingenious break-out plan is revealed. Dr. Tancredi recalls how she ended up in Fox River State Penitentiary.
Amaury Nolasco |
Fernando Sucre |
Dominic Purcell |
Lincoln Burrows |
Marshall Allman |
LJ Burrows |
Paul Adelstein |
Special Agent Paul Kellerman |
Robert Knepper |
Theodore "T-Bag" Bagwell |
Robin Tunney |
Veronica Donovan |
John Walch |
Himself |
Guest Star |
Tab Baker |
Crab Simmons |
Guest Star |
Jay Whittaker |
Commander Meyers |
Guest Star |
Patricia Wettig |
Vice President Caroline Reynolds |
Recurring Role |
Michelle Forbes |
Samantha Brinker |
Recurring Role |
Camille Guaty |
Maricruz Delgado |
Recurring Role |
During episode 13 "The End of the Tunnel", when Lincoln's head is shaved for the execution, he says the only time he shaved his head was after he lost a bet, but in this episode they show Lincoln's arrest and he has a shaved head.
Goof: When Sucre is being arrested after robbing the convenience store, Hector is seen with a phone dialed to 911. Why would his phone still display this after the time it took for the police to respond to the scene and arrest Sucre?
Goof: Young versions of Michael, Lincoln and Veronica are shown. The young Michael and Veronica have brown eyes, while the grown ones have green eyes.
During a drug addiction meeting, Captain Bellick referred Dr. Tancredi to apply for work at Fox River State Penitentiary.
T-Bag's height is given as 68" on America's Most Wanted.
It's revealed that Sucre was sent to Fox River for robbing a store, and T-Bag was sent for murdering 6 students in Alabama.
The significance of the paper crane is revealed – when Michael and Lincoln were young, Michael always worried when Lincoln was out late. But when he woke up in the morning, there would be a paper crane by his bed put there by Lincoln, and Michael knew his brother was safe. Michael says the origami crane represents familial obligation, looking out for your own.
Veronica (drunk, stumbling in her heels): You know how you can tell God is a man? Shoes.
Maricruz: What do you want, Fernando?
Sucre: Oh, you got to give me a few more minutes.
Maricruz: Stop! From the future. What do you want from the future?
Sucre: Would you run if I said you?
Maricruz: Would you chase me if I did?
Sara: And I've been clean for 18 months now. I'll tell you, I've never been happier. That actually might be the wrong word. I'll be honest, there were times I was using I left pretty damn happy. But... what I feel is different now. I feel, uh... I feel joy. So here I am. I know that... all I can do every day is the next right thing. And I think, for me right now, that means going back to work. I, uh... I don't know, maybe... maybe counseling, um... I want to help people get from where I've been to where I am.
Bellick: I might know of a job opening where I work.
Sara: Really? Where's that?
Bellick: You ever heard of Fox River?
Sara: The prison?
Bellick: Yeah. I know it sounds like a strange idea. Uh, maybe... maybe you and I could, uh... maybe we could talk about it over dinner. I got a gift card to the Red Lobster over off the interstate.
Lincoln (leaving Michael a message): I need your help, bro. I'm in something bad, I can't get out of it. I need you to straighten me out, my head's messed up and...anyway, it's important, bro. You've got to call me, you've got to call me now.
Vice-President Reynolds: I know you've been through a lot, but I promise you, the worst is now behind us.
Steadman: My dear sister, you have no idea what I've been through.
C-Note: She married a military man who knows how to take care of his business. Now, if I look like one of these thugs, what do you think she's going to do? Huh? How long do you think she's going to wait for me while I'm inside?
Vice-President Reynolds: Didn't my brother, Terrence, leave me something in his will?
Kellerman: You'd have to ask your accountants, ma'am.
Vice-President Reynolds: Tell them to use that money. I'm paying for his mistake, he can pay for the damn house.
C-Note: I have no particular love for the desert donkey, but I do for the Geneva Convention.
Bo (to Lincoln): Think of this as a $90,000 bullet. You start afresh, and you keep me from finding out if there's someone in your life you will do something for.
Darius: I don't get it. All these commercials show brothers learning computer skills, new technologies.
C-Note: Uncle Sam didn't teach me nothing but cadence and kill.
Michael: They didn't even let her testify.
Lincoln: Who?
Michael: Leticia Barris, and that cop changed his story a dozen times.
Lincoln: What part of 'move on' don't you get?
Michael: After Mom died, when it was just you and me, I remember having trouble sleeping, never knowing where you were, but when I'd wake up in the morning there'd be this paper bird, an origami crane, sitting next to my bed. And I never knew what it meant exactly, but I figured it was your way of letting me know you were checking in on me.
Anyway... I looked it up, the crane. It stands for familial obligation; watching out for your own. Maybe it's my turn to watch out for you.
Michael: Here's the part I don't understand, all the evidence is lining up in a path that leads directly to you. They say they have you on tape, pulling the trigger. If you didn't kill Terrence Steadman, how the hell did someone make it look like you did?
Michael: Linc, I owe you an apology.
Lincoln: For what?
Michael: The night you called. If we'd talked, maybe I could have stopped....
Lincoln: Hey hey hey, this isn't your fault.
Michael: Then whose is it?
Lincoln: Listen up, you need to forget about this, move on, work hard, do what you do.
Michael: I can't do that.
Lincoln: Oh yes, you can and you will.
Michael: I heard you owe someone 90 grand.
Lincoln: Who told you that?
Michael: People talk and I know Steadman had a lot of money.
Lincoln: I may be some things but I'm not a murderer.
Michael: Then what were you doing in that garage last night? You admitted to the police you were there.
T-Bag: Cos when you sent me here to this place, with these people, it brought that old dirty bastard right back home. In fact there was a candle in the window just waiting for me to walk up those front steps. (Susan gets ready to leave). You know I'm gonna get out of here someday, and when I do, don't think that I won't remember what your front steps look like, Susan.
(Susan spits at T-Bag's viewing window, then hurriedly leaves)
Michael: So... same time tomorrow?
Lincoln: No man. They're.. um.. transferring me to a prison, where I'll wait until they execute me.
Michael: Can I still visit?
Lincoln: Yeah, not that far, a place called Fox River.
Michael: Fox River?
Lincoln: Yeah... why?
Michael: Nothing.
Veronica: You want to know what the 90 grand was for?
Michael: I think I do.
Veronica: You!
Michael: What do you mean?
Veronica: The money you got when you were 18 years old from your mother's life insurance, the money that paid for your degree, that got you this job, that bought you your loft. Your mother never had life insurance, that money came from Lincoln.
Michael: How?
Veronica: He borrowed it. He knew it'd be tough to pay back, but that didn't matter because he thought you deserved it. He also knew you'd never accept it if you knew it came from him. Michael, you are where you are because of your brother.
Michael: You're telling me, he is where he is because of me.
Michael: Honestly Linc, I don't know how it's come to this. And you can't keep blaming mom for dying and dad for leaving because I was there too. The difference is I got out. Mom had life insurance, I took my half, put myself through school. What'd you do with your half Linc?
Lincoln: Everything's not how it looks, Michael.
Michael: I hope for your sake that's true.
(Phone rings)
Michael: I'm sorry.
Veronica: What? (Looks at phone, Lincoln's name) You gonna answer it?
Michael: He'll leave a message, he always does.
Michael: I have to get back to work. Speaking of which, I heard you got fired a few weeks ago, what was it this time?
Lincoln: Do you really wanna know, or are you just enjoying the view from your high horse?
Michael: You know what I want? To not have to be the older brother for my older brother.
Michael: Rough night? I got your message, what's the problem?
Lincoln: I lost my keys. (Michael drops them into Lincoln's hands) Where'd you find them?
Michael: About 4 feet that way.
Lincoln: I must have dropped them.
Marshall Allman is credited, but does not appear in this episode.
A screener of this episode leaked onto the internet two days before it aired.
Instead of the "Previously..." sequence, this episode opens saying "Three Years Earlier".
This episode marks the first appearances by John Billingsley and K.K. Dodds.
In Latin America, this episode is known as "Hermandad", which means "Brotherhood".
The melody heard in the liquor store Sucre robbed is Francis Lai's theme melody for the film A Man and a Woman.
We are treated to a sort of flashback episode reminiscent of the flashbacks we see on Lost. Some of the characters have small interactions with each other in the past, even though they don't know each other, don't care much, or don't even remember their encounters, like when Lincoln Burrows bumps into Sucre on the street, or when Dr. Sara Tancredi met Captain Brad Bellick at a drug recovery program session.
C-Note is dishonorably discharged from the US Army for filing a formal complaint about torture of Iraqi prisoners that he accidentally witnesses. This is a clear allusion to the Abu Ghraib prisoner scandal in which US military personnel abused and humiliated (but did not torture as shown here) Iraqi prisoners.
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S 4 : Ep 23
(1:29:00)
S 4 : Ep 22
Aired 5/15/09 (45:00)
S 4 : Ep 21
Aired 5/15/09
S 4 : Ep 20
Aired 5/8/09
User Score: 4088
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User Score: 479
User Score: 407
User Score: 360
User Score: 243
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User Score: 151