What a jumbled mess Prison Break is these days, eh?
5.5
What a jumbled mess Prison Break is these days, eh? Since the culmination of the 'retrieve Scylla for the government' storyline, the programme has lacked focus, moving hastily from underwhelming development to underwhelming development, searching desperately for something with which to engage its ailing viewership. The end result is ultimately little more than a glorified run around as characters chase other characters, switch allegiances and then chase some more, with very little rhyme or reason to the whole thing. And then a few 'shock' beats are thrown into the mix in attempt to liven things up but, unfortunately, they fall depressingly flat. First, we had the crushingly pointless turn of Agent Don Self which, frankly, has yet to prove even remotely worthwhile since he's done little more than be an irritating ball of smug for the past five episodes, and now there's the revelation that Mike and Linc's mother is alive and well and (probably) trying to take over the Company by WHATEVER MEANS NECESSARY. Sigh. When this revelation was made at the end of 'The Sunshine State', an entire nation let out a collective, disappointed groan. Really, is there any point to this other than to manufacture some hopelessly transparent 'character drama'? And where to begin with the logistics of it all... is it even remotely possible that it might make any sense when taken into context with the show's mythology? I mean, are we just supposed to believe that she sat by and twiddled her thumbs while her son was on Death Row and the other one was getting himself imprisoned to rescue him? Oh, um, yeah actually, we are because LOOK, SHE'S (PROBABLY) EVIL! She'll happily order the execution of her son! What a b***h! Except, um, no. This is just embarrassing because it's so easy to see through it to what it really is: a desperate clutch for something dramatic to infuse the story with. And even if she isn't evil (which, let's face it, with the way Prison Break see-saws between extremities from episode to episode, she likely isn't), there's no way we're ever going to get a logical explanation for her behaviour in the past year or so. Just look at the scene where Linc confronts her: oh, she can't reveal her reasons NOW, that'd be too convenient. No, 'the time must be right' or some such rubbish. In other words, the writing staff haven't got round to figuring that bit out yet so we'll stall, and probably kill her off before she can justify everything. Joy. Elsewhere, the plot bounces off the walls of its cell in annoyingly schizophrenic fashion, introducing a thread, resolving it two minutes later and then rebooting as if nothing ever happened. Case in point: the attempted execution of Krantz which comes out of nowhere, happens and then, within two subsequent scenes, sees the guy back in his office with a sling around his arm, dictating to his lackeys. By this point, the narrative has moved on and we are expected to too. THINK about what's just happened? Put it into context? Don't be silly. This is Prison Break, you're not supposed to dwell on trifling things like that. Just let it all wash over you... 'enjoy the roller-coaster ride'. Um, how about no? How about we're treated with a modicum of intelligence for once and given something that's at least remotely plausible and that makes maybe an ounce of sense? Oh, and how about we DON'T spend a third of the episode in the back of a van with Michael and Sara, pondering life, love and the pursuit of happiness? 'The Mother Lode' is the first instalment of Prison Break's final eight episode run and as an introduction, it fails spectacularly to engage. Further proof, as if any was needed, that the programme should've ended with 'Selfless'.