Lee Pace |
Ned |
Anna Friel |
Charlotte "Chuck" Charles |
Chi McBride |
Emerson Cod |
Jim Dale |
Narrator |
Kristin Chenoweth |
Olive Snook |
Joel McHale |
Harold Hundin |
Guest Star |
Jenny Wade |
Hallie Hundin |
Guest Star |
Jessica Lundy |
Hilary Hundin |
Guest Star |
Field Cate |
Young Ned |
Recurring Role |
Sy Richardson |
Coroner |
Recurring Role |
Sammi Hanratty |
Young Chuck |
Recurring Role |
Trivia: Harlod Hundin and his wives of dog-lovers are probably named after the German word "Hündin" ("Hund"), which translated means a female (male) dog.
Narrator: Emerson Cod had a very particular view on romantic relations.
Emerson: Some women love like gangstas. They be like "Oooh baby you bleedin, how'd that happen?" While they hiding the razor in they weave.
Ned: Digby and I have been together for a very long time. We're intimate, but it's the appropriate level of canine-human intimacy.
Emerson: They were all breeders too.
Olive: They make babies for their polygamy cult?
Emerson: Dog breeders.
Olive: They make dogs for their polygamy cult?
Emerson: Ain't nobody making nothing for their polygamy cult.
Narrator: Wondering why her kiss with the pie maker went unmentioned, Olive attempted to mention the unmentionable.
Narrator: Where there was a reward, there was Emerson Cod.
Chuck: (to Ned) I'm going to hug Digby and pretend that he's you.
Olive: That's the most tragic story I've ever heard. Notwithstanding the big ticket items like genocide and famine, but tragic nonetheless.
Ned: I had a sexy dream about Olive last night, and I'm sure it was influenced by a reality-based kiss. By the road. You know...
Emerson: There is no way for this conversation to be anything but awkward for me.
Narrator: Still, he wore hope on his head... what Young Ned didn't know was that very moment the girl he called Chuck was wearing hope on hers. They were together even if they were far apart.
Chuck: You're taking money from blind children?
Emerson: I suppose I could pay my bills with blind kids' smiles, but their money is a lot easier.
Olive: I just want you to be happy.
Narrator: And Olive did, though she was not yet ready to let go of the hope that her perfect pie maker's perfect happiness might lie with her.
Ned: You're the only one for me.
Chuck: I know you feel that now, but there are things you want, there's things we both want.
Ned: So? Everyone wants stuff. We wake up everyday with a list of wishes a mile long, and maybe we spend our lives trying to make those wishes come true, but just because we want them doesn't mean we need them to be happy.
Chuck: What do you need to be happy?
Ned: You.
Emerson: Might not be Simone.
Ned: Simone was hiding Bubblegum, she chloroformed you, and she tied you up. I'm not even going to mention the ball gag. That's gangster love.
Emerson: See that's what's rubbing me, if she was gangsta she'd have busted a cyanide cap in my ass the minute I sniffed out her dog, but she didn't.
Simone: If you'll excuse me, I have some leftover business to handle and a funeral to attend.
Emerson: As long as it ain't mine, I'm cool.
Emerson: I'm gonna shake down Simone and find that dog.
Ned: If you shake Simone and the dog falls out...
Emerson: Then she's the killer.
Narrator: Fearing being alone with the girl he kissed but did not love, and the girl he loved but could not kiss, the Pie Maker decided...
Ned: I'll come with you.
Emerson: This is a solo shaking.
Ned: The only reason I didn't tell you is because it didn't mean anything. Lots of stuff happens in the course of a day that I don't bother sharing. For instance, yesterday's four-berry pie was actually three and a half because I ran out of cranberries. I didn't tell you that.
Chuck: Actually you did. You asked if orange counted as a berry and I said it didn't, but no one had to know but us.
Ned: I like that you said "us."
(after a phone call)
Emerson: Uh, we need to prove Hallie Hundin was innocent.
Ned: Your conscience calls you on the telephone?
Emerson: Under, meaning "below." Cover, meaning "the radar," people. What is so hard about that to understand?
Emerson: No wonder the guy can handle four wives, the dude was caffeinated.
Chuck: Four wives? That's just greedy!
Olive: And intriguing.
Emerson: Some people like vanilla, some like chocolate, others like their Neapolitan.
Ned: I like Neapolitan.
Emerson: Then you'd do well as a polygamist: one woman to have, one woman to hold.
Ned: Why? Why would you do that? For the record I'd make a horrible polygamist. I'm easily distracted, I wouldn't know where to focus...
Harold Hundin: I wish I could've said goodbye to Bubblegum.
Ned: I have stick gum!
Harold Hundin: I tasted almonds in my coffee, real bitter, exceptionally bitter, with an intense charismatic flavor that could only be... cyanide.
Chuck: Are you watching me sleep?
Ned: Uh, no sorta. But mainly I was waiting for you to wake up and in the process of waiting for you to wake up I was... yes, I was watching you sleep.
Chuck: You do that a lot, don't you?
Ned: It's like watching you come back to life.
Chuck: Again.
Emerson: (about Olive) That girl dropped a bomb in your subconscious with her saliva.
International Airdates:
Denmark: March 7, 2008 on SBS Net
Latin America: May 15, 2008 on Warner Channel
Israel: May 20, 2008 on YES Stars 2
The Netherlands: September 16, 2008 on Net 5
Belgium: November 12, 2008 on VT4
Germany: November 26, 2008 on ProSieben
Greece: December 13, 2008 on Star
Finland: February 24, 2009 on Sub
Australia: May 12, 2009 on W
Sweden: July 26, 2009 on TV3
Czech Republic: February 7, 2010 on Prima
Slovakia: August 2, 2010 on Markiza
The shot of Olive saying "Don't tell Chuck" is a different take than the one that was used in the promos. In that take, there was a pause between the words "Don't" and "tell."
Although credited, Swoosie Kurtz and Ellen Greene do not appear in this episode.
Olive: I used to have a horse named The Pie in another life. That's because I wanted to be like Elizabeth Taylor. She was so pretty. Then The Pie died.
Referencing the movie National Velvet (1944), based on the novel by Enid Bagnold. Pie is the name of the horse belonging to Velvet Brown (Elizabeth Taylor).
Harold's Death Scene:
Referencing Marion Crane's shower murder in Alfred Hitchcock's Psycho (1960). In it, Marion takes a shower and the killer enters and stabs her victim repeatedly with an overhand strike while shrill music plays in the background repeatedly.
Emerson's Dream: Falling into a spiral
Referencing Alfred Hitchcock's classic thriller Vertigo (1958).
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S 2 : Ep 13
Aired 6/13/09 (43:36)
S 2 : Ep 12
Aired 6/6/09 (43:30)
S 2 : Ep 11
Aired 5/30/09 (43:30)
S 2 : Ep 10
Aired 12/17/08
User Score: 945
User Score: 426
User Score: 176
User Score: 151
User Score: 149
User Score: 44
User Score: 34
User Score: 31
User Score: 26
User Score: 26