Warning: May Contain Witty Show Tunes About Unadulterated Loathing
5.0
"Mediocre"
A Review by HelloStuart, Amateur Critic and Art Garfunkel Apologist
I guess some of you noticed that I didn't write a midseason recap with my review last week. Having watched the first several broadcasts of the show since returning from the strike, it's hard to tell if SNL has changed for the better or worse, but in some ways it's hard to cluster the four pre-strike shows with what we have now. The time difference was too much. It's been a weird year for all of us, but I also didn't see the point in recapping only six episodes.
This week's host is Amy Adams, the Oscar-nominated TV/movie actress best known for her work in "Junebug" and "Enchanted." The musical guest is Vampire Weekend, an upstart rock group from New York City with a yen for 80s-era Paul Simon; their debut album is getting near-universal critical acclaim, much I guess merits a stint on SNL against a more established indie-rock group.
And now, the sketch-by-sketch analysis:
COLD OPENING: A rejuvenated Hillary Clinton (AP) airs a vicious, meandering attack ad depicting "President" Barack Obama (FA) calling her at 3 AM to cuss, smoke, and wonder about handling Iran. Her desperate tactic (yes, I'm aware that the polls say they're tied) inspires her new slogan for anyone willing to leap off the O-bandwagon: "Wait, we've changed our minds!" I still can't tell if SNL is endorsing her or not, as several writers are reported to be, but at least they've stopped bringing in the real candidates. MONOLOGUE: Amy and Kristen's facial similarities results in a number from the musical "Wicked," complete with forced stage combat. Unnecessary would be a good word to sum this up.
"Mirror Image": Spoofing ABC Family, probably because they don't have any of the crossover hits that earn Disney and Nick their billions, two one-time identical twins (Adams, KW) fail to fool their new classmates. Amy and Kristen's look-alike features are milked out for another comedy bit, but it still added up to one long, painful fat joke.
"Couples Therapy": Sociological domains clash when a Bulgarian farmer's daughter (AP) who snuck into the US via fishing boat attends therapy with her clueless, quickie-marriage husband (WF) and even more oblivious therapist (Adams). The premise was thin, but this sketch was a highlight of the show; Bargdona begs for her "soulmate" to sign her citizenship papers with deadpan desperation, but he's more concerned about her lack of sexual prowess.
DIGITAL SHORT: A rich bachelor's (AS) attempt at becoming a Batman-type vigilante backfires big-time. I liked the musical buildup, though the beatdown as a bit much.
"Fierce": The catchphrase-spewing, quasi-transsexual winner of "Project Runway 4" gets his/her own makeover show, with Tim Gunn (BH) and Heidi Klum (Adams) tagging along for good measure. Odds are by the time this episode ends up on E!, nobody will remember who Christian is, so that makes me even more doubtful that this sketch will make the hour-long cut.
MUSICAL PERFORMANCE: "A-Punk" has a vague Afro-beat influence, but having heard the song several times now, it sounds more a cross between The Clash and The Feelies than anything off of "Graceland."
WEEKEND UPDATE: No campaign stops here, either? Whew! A few light Hillary jabs imply that the writers want to stay non-partisan, though they're still not keen on McCain. An appearance by perennial third-party aspirant Tim Calhoun (WF) was delirious; however, the reliance on puns makes me wonder if this recurring character has run beyond its course. After seeing Kenan's latest half-assed potential recurring character (some of French Def Comedy Jam comic), I must wonder who he's paying off to keep making the final Update cut. Amy's singing of the "Ghostbusters" er, I mean Brooklyn Ghost Investigators- theme song was passable, though.
"Penelope": This time around, our marble-mouthed, hair-pulling antagonist (KW) is in a court-mandated driving class, where she brags about befriending Muppets and shrinking to two inches in height. Usually Kristen's delivery carries the sketch, but this time she was definitely going through the motions.
"Dr. Uncle Jimmy's": It's a BBQ restaurant and an outpatient surgical center! This bizarre juxtaposition has been pondered many times before in "New Yorker" cartoons, but it finally gets fleshed out on live television. With today's health care system, it almost feels like an HMO is just about ready to pop in some local eatery, if not somewhere else out of place. The intent topical wasn't satire, but it didn't stop me from chuckling once or twice. (For the record, I don't take Ellen Pompeo seriously as a doctor or an actress, so more points for Ms. Adams.)
"Roger Clemens Presents": The Rocket's (JS) attempt at a morality play justifies steroids as a way of life, and going cold turkey will make you look like a Disney actress with fake facial hair. His attempts at pinning the blame on "stat geeks" feels thrown in, but that's only a minor nitpick compared to how this belated take on the Mitchell Report feels like too little, too late.
"The Best of the Tookie Styles Show": An aging old-school hip-hop dancer (KT) plugs a DVD of his late 70s/early 80s talk show, which seemed to inadvertently welcome international political conflicts. Moments of zook-zook-zookin' are abruptly stopped by the assassination attempts of Israeli, Palestinian, and IRA figureheads. Like "Dr. Uncle Jimmy's," this combined two things with nothing in common but a time and place; unlike the smokehouse, it never really felt connected.
MUSICAL PERFORMANCE: "M79" brings out the Rhymin' Simon influence, though I still don't know what inspired VW to hire such a crackerjack four-piece string quartet. Seems decorative to me
"Dancing Galpals": I'm starting to wonder how weak the cut sketches were in the final dress rehearsal. At a bar called Celebrations, four inauspicious women (Adams, AP, KW, CW) perform the same choreographed dance routine at various tempos, mostly to the sad, muted displeasure of the all-male barflies.
Tonight was an example of solid talent pushed to its absolute limits; the cast looked a little weary, but they still made the best effort they could. Though this week's show was no better than last week's, Amy Adams was a capable host bogged down by a somewhat worn-down cast. Three straight weeks of shows are nothing new, but I'm going to assume that everyone was either saving their energy for next week or that an unplanned 3 month sabbatical did wonders for the cast's stamina. On the other hand, it's encouraging to see SNL landing more daring, less commercial musical guests, though next week's selection has proven the trend will be short-lived.
Sketches/Segments That Will Probably Be Removed In Repeats: "Fierce," "Roger Clemens Presents," "Tookie Styles," and "Dancing Galpals."
Next Week: After being scratched four months ago, "Superbad" star Jonah Hill hosts with musical guest/wilting flower Janet Jackson.
Contact "HelloStuart" at sma17kc@aim.com.moreless