Vunderful, Vunderful!
7.0
"Good"
A Review by "HelloStuart," Amateur Critic and Perpetual Bridesmaid
For some reason, turning points in SNL's annals have a tendency to occur in years ending with 5 and 0, but it's easy to forget the critical impact of 1978, 1988, and 1998. It was thirty years ago this weekend that The Rolling Stones became the only band to host SNL, a moment of hype that threw the original cast and writers even further into the pop culture stratosphere. Twenty years ago marked the return of live shows after a long and brutal writers' strike, a hit-the-ground-running moment triggered by the all-time classic Tom Hanks/Keith Richards broadcast. Finally, 1998 found SNL at the center of the political satire world, a year best-remembered for one viciously funny Clinton scandal sketch after another. With that history, you have to wonder what 2008 will have in store for us
This week's host is Anne Hathaway, a seasoned movie and TV actress best known for playing Jake Gyllenhaal's wife in "Brokeback Mountain" as well as dating a tax-dodging real estate developer. The Killers are the musical guests, as they make their third SNL appearance in five seasons.
And now, the sketch-by-sketch analysis:
COLD OPENING: A few days ago, I jokingly suggested that Queen Latifah could reprise the role of Gwen Ifill if the show was going to cough up another vice-presidential debate sketch. As it turned out, Dana Owens got pegged as Ifill, Tina Fey agreed to play Sarah Palin at least one more time, and the inevitable parody of the overhyped debate between running mates was all systems go. Like most sketches of the ilk, it was overlong if only for the purpose of nailing every quirky aspect of the debate, from Palin's forced "straight talk" and constant maverick references, to Biden's depiction of his hometown of Scranton, PA as a godforsaken black hole that only he could escape. At least Ifill had a moment to plug her new book
MONOLOGUE: Upon making the obligatory plug for "Rachel Getting Married," Anne mentions her slimy ex and announces that she's rebounded with a Nigerian prince via spam e-mail. It wasn't terribly creative, but at least Anne kept it short.
"The Lawrence Welk Show": The champion of champagne music (FA) introduces a squeaky-clean sister act with one weak link (KW). Usually throwaway sketches like this air later in the show, but considering what aired after the first commercial break this might've been intended as a palette-cleanser for those of us who are already burnt out by the election. That didn't make the sketch worthwhile, so to speak.
"The Wall Street Bailout": Live on C-SPAN, President Bush (JS), Speaker Pelosi (KW), and Rep. Barney Frank (FA) explain how the seemingly unwieldy $700 billion rescue plan was passed by congress. In spite of some partisan bickering, they introduce several victims of the sub-prime mortgage crisis: two irresponsible deadbeats (BM, KT), a yuppie couple (BH, Anne) with 20 timeshares and a surrogate mom (AP) that more than resembles Angie Ostrowiski, and an older couple (DH, KW) that are actually doing just fine. SNL always seems to be on the ball with topical humor in election years, and this is no exception; though the output was far from short and sweet, and the object of parody was right on target.
"Nightclub Flirting": Four guys in a bar struggle to make the moves on three singletons until two of them (BM, Anne) have a special, freaky-deaky moment. It was amiable when it should've poked fun at modern sexual politics, but I can't force myself to say it was a bad sketch
DIGITAL SHORT: "Extreme Activities Competition" pits Andy against Wiigy in a series of increasingly inane tasks ranging from arm wrestling to looking casual. As their rivalry goes into bizarre extremes, their referee (WF) has an emotional breakdown. Unsettling as it may be, this was probably the vignette Samberg et al. had in mind when they slapped together "Space Olympics" last month.
MUSICAL PERFORMANCE: "Human" feels like a rewrite of "When You Were Young," but with a New Order influence in lieu of The Boss. It might make a good ringtone someday.
WEEKEND UPDATE: I'll admit that it took me awhile to warm up to the Amy-Seth combo, and I'm not alone in that sentiment, but you have to admit that the one-liners have gotten crispier with time. Even on a bad night, you can eagerly anticipate their spin on the news and put Kenan's sad attempts at a recurring character on mute. In lieu of Kel's partner, however we have Orville Willis Forte IV (that's his real name, I kid you not) singing about the congressional vote on the $700 billion bailout, a concept that was silly in execution but by no means a time-waster. I could've done without the barrage of jokes about the world's fattest man, though.
"Mary Poppins": The two Banks children (BM, CW) don't seem to understand that "Supercalifragilisticexpialidocious" is a painful venereal disease and that Bert (BH) and the Constable (WF) have probably contracted it from the beloved Disney nanny (Anne). This demented twist saved this sketch from being a cheap homage to Hathaway's "Princess Diaries" co-star. "Sioux City News 3": A sextet of Iowan newsmen has received more YouTube hits for their constant bumbling than any other media outlet. It almost sounds like the premise of a bad sitcom, but they made the most of their 3 minutes.
"Mark Wahlberg Talks to Animals": Marky Mark (AS) has tense and repetitive conversations with a variety of farm critters. There's not much else to this, which makes me wonder if this would work better as a "Family Guy"-type non sequitor.
"Pretending To Be Gay While moving out of their apartment, a man (JS) explains to his ex-roommate (Anne) that his homosexuality and promiscuity was an elaborate ruse to get into her pants. For all its emotional honesty, the premise was too far-fetched to make this work.
MUSICAL PERFORMANCE: "Spaceman" may remind some music geeks of The Cure, but otherwise it's an album cut that doesn't merit much radio play.
"The Less Provacative Songs of Katy Perry": A mostly predictable sketch where the flash-in-the-pan singer (CW) purrs about other, far more mundane things she's done, all to the tune of her signature song.
I was half-expecting the show to be running on fumes after airing four live shows in a row, but this grueling streak actually ended on a high note. After staying mostly in the background for the first three shows of the year, Casey and Bobby were fairly prominent in tonight's broadcast and even carried a sketch or two. On the other hand, if you're looking for a '80s covers band for your daughter's wedding, than The Killers would be just perfect. Anne was an above-average host, rolling with the punches while stuck in the romantic-interest archetype that nearly hindered Anna Faris the week before. I normally don't say things like this, but I wouldn't mind if Anne hosted again next year; she seemed like a cool customer and fit in well with the cast.
Segments That Will Probably Be Removed in Repeats: "The Lawrence Welk Show," "Mark Wahlberg Talks to Animals," "Pretending To Be Gay and "Spaceman."
Next Thursday?: The first of three prime-time Weekend Update specials airing after "The Office." And yes, I'll have the review in by Friday afternoon.
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