A wonderful mixture of several types of comedy, with every character getting an interesting plot line. For once George is not the irritating, selfish man, but a victim of circumstances, very much in the tradition of French farces. Jerry and Elaine are involved in relationship comedies, with a splash of observation humour. But the highlight is Kramer's end scene. Cleverly built up, executed beautifully, the scene of Kramer strutting through the streets of New York, unaware that he's looking like a pimp, are a highlight of the series. The look of the innocent clown at a police line-up shows the extent of Michael Richards' talent.
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