Resurfacing
Written by Nancy Oliver
Directed by Jeremy Podeswa
8.0
Normally I’d relegate the death of the week to later but for first time in a long while it’s actually relevant to the plot as the mysterious turquoise woman who we’ve suspected all along is revealed to be George’s mother. In a disturbing flashback, Loretta commits suicide while forcing her unwilling son to hold her hand in the process. With an incident like, it’s amazing George remained a large part of his life unscathed. That is until now.
With the strain of his behaviour taking it’s toll on Ruth, its George’s perspective of the entire situation that once again is the most fascinating. For a guy supposedly off his rocker, George is well aware of the impact he’s having around him just of late and despite Cromwell’s unhappiness with the plot, it’s still bloody riveting to watch. From George’s panic at the supermarket to his attempts of getting close to Ruth and his fears of losing her are all very bittersweet and effecting but even a realist like him should realise that lying to his emotionally fraught wife about getting further treatment is going to help matters.
Ruth on the other hand, needs to loosen up and fast. The ways things are going in this episode, it looks like she’s more of a threat to their marriage more than George and while she’s at, and she needs to do something about that temper of hers. I’ve never her this angry before and it’s quite saddening to watch actually.
I have to talk about that scene and so I shall, what the hell is up with her freezing Claire’s trust fund like that? Sure, the latter’s being a total pain in the ass just of late but the fact Ruth didn’t even consult Claire about it was spiteful and selfish on her part. I’m not siding with Claire either. Her comments regarding George were low and unjust so in my opinion both women were as bad as each other.
However that scene between Frances Conroy and Lauren Ambrose was spectacular. Both women played it with such immense intensity and realism, it was upsetting to watch. In its first season, Desperate Housewives has done several parent/child scenes (mostly with Bree and Andrew) but haven’t always nailed it. Six Feet Under once again further proves that they are the experts of the domestics in a way that rings true to life. As shocking as that argument was, I’ve had similar bust ups with siblings and parents myself, so kudos for getting it right, again.
While I understand Claire’s desire to spread her wings and ripen as an artist and as a person, her obliviousness to Billy’s rapidly deteriorating mental state confused the hell out of me. How could she not notice his obvious frustration over her trust fund being frozen or the excessive spending splurge he indulged in? Unfortunately Claire’s tendency to be with danger guys has once again clouded her better judgement and a part of me thinks she likes crazy Billy compared to his non carving saner counterpart. Thankfully with Billy off his meds, Claire should be getting closer to the harsh reality she so desperately needs, so I for one can’t wait for the inevitable train wreck that’s coming for her.
Speaking of reality checks, this episode’s recurring theme of past actions coming back to bite you in the ass gets blindingly played when David and Keith’s adoption plans go to pieces after David’s indecent behaviour with Brad from “The Trip” cinches the deal. Unfortunately David decides to blame Keith because the fact he committed a felony is in no way his own fault. I am curious if Keith didn’t fuck it up, then who did? I also would like to think Keith would never do something to hurt David like that either, even if he wasn’t for adoption and David outrightly pissed me off with his whinging, I gotta admit I did enjoy their little making up scene but agreeing with most recent HBO posters when are we gonna get some raw, naked sex with these two already?
Sadly though, this means we’re still straddled with the surrogacy plot which takes another objection from me when the boys meet Mary, who isn’t unfamiliar with having babies for other couples and is a little too overeager to get impregnated by them. I’m begging you Alan Ball, scrap this plot and bring the adoption angle bak, find a loophole. Strangely enough, the most fun from this plot is the return of Roger. Ye, the gut creeps me out big time but he is funny in his own little disturbing way and he does offer some sage advice to David and Keith regarding children that wouldn’t go amiss to taking heed of, but the poster boys hanging out at his pad and leeching off him made me feel a bit sorry and creeped out by Roger.
Still though, there are always happy families at the Chenowith-Fishers, right? Um, kind of, except for the fact Nate and Brenda have illuminating dinners without each other. Nate’s hang time with Maggie at his mother’s yields some great moments as the pair discuss their own individual losses. We learn that Maggie had a son who did of acute leukaemia six years ago. I always enjoy watching the more compassionate Nate, rather than the bullish, bitter guy we’ve seen too much of in the last two years but was there some of a flirtation between the pair? I really hope not. It’d be interesting to see Nate have a relationship with a woman without wanting to bed her and I’d also like to think the writers can come up with other ways causing tension between Nate and Brenda without resorting to adultery for once.
Brenda’s dinner, meanwhile was more of challenging her ideas of family when she spends time with Jackie’s. I really like this character. Brenda hasn’t had a proper friend since Melissa in Season Two and Anne Ramsay is such a good addition to the show but are Jackie’s family for real? Okay, so they aren’t perfect in the sense you need a sick basket but even still, they’re a little far fetched. It’s a minor quibble in an increasingly compelling story. Brenda’s quest for normality is fine but she needs to accept that her and Nate are an unconventional but can still provide the right environment for children. It’s not like they’re monster or anything. The psych stuff is a little iffy her with the only remarkable thing being Jackie’s notes on losing weight and having a patient kick her in the stomach once.
The best part of the episode though was Federico and more importantly the return of Angela. Making such a vivid impression in Season One’s “The New Person”, Angela’s reappearance is nothing short of brilliant and pairing her up with Rico was genius. Freddy Rodriguez and Ileana Douglas had such great chemistry together, their scenes were just magic. Their flirting was outrageous, the sex scenes priceless and the comparing on their divorces and mutual appreciation of each other in different aspects was so sweet. The only thing that disappointed was Vanessa and the fact that three episodes in newly appointed regular Justina Machado has been given bugger all to do, other than spurning her ex-husband’s advances. Sort that out please?
Also in “Hold My Hand”
Since I’ve mentioned the death of the week at the start, I’ve gotta to say the flashback felt incredibly colourless, especially with Loretta and young George.
Nate (re George): “He just tried to crash a funeral in his bathrobe”
Ruth: “No-one’s perfect”.
I may be a little dense here but since when has Ruth taking up knitting and why does she needs to use needles like daggers?
Roger: “It’s been months. I’ve been well behaved. I employ your husband. I think I’ve proved I’m not Satan”
David: “Yes you have pretty much”.
Brenda (re starving): “Did you ever at all?”
Jackie: “Oh God, no. I was too weak. Those anorexics are made of steel”.
One of Brenda’s “clients” has had problems with anorexia, two incidents of alcohol poisoning, cutting herself and pulling her hair. It was also funny how Brenda compared notes with the Feldman’s and her own family.
Angela (to Rico): “I broke a glass. They acted like I murdered someone or fucked a body”.
Last episode George mentioned Maggie being one of the few things he got right, tonight Nate said the same regarding Maya. Is there something we’re supposed to take note of there?
Ruth: “That is not true”
Claire: “Then stop being such a controlling bitch and give me my money. I will hit you back this time!”
Is the lawyer Claire called the same one David’s used in “The Liar And The Whore” and “Bomb Shelter”? It does look like him.
Rico: “I wanna do it in another position”
Angela: “Oh my God, you are such a sexy little fucker”.
Time wise, I’m not sure long has passed since the previous episode but we do know it’s been 51 years since Loretta topped herself. George was twelve when it happened and even then he was a bookworm.
Keith (to David): “You know when you apologise you are one sexy motherfucker”.
Claire (to Billy): “You bought leather pants? You are such a fucking rock star”.
Billy did look sexier in his white vest and black briefs than the leather pants but with the added facial hair, crazy Billy is making reappearance.
Standout music included Scissor Sisters “Filthy/Gorgeous” (could you get any gayer?) and The Special’s “Monkey Man”.
Three episodes in a row and things are still going wonderfully strong. “Hold My Hand” is one of those rare episodes where every single plot warrants interest of some kind, it nearly killed me to rate this instalments. The shocks and tension came in thick and fast. Another fantastic hour, the writers seem to be in a creative heaven just of late and despite certain disapproved character developments by others, this is beginning to shape up into an amazing even if we’re still in the building up stages.
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