Clark's desire for a soul-mate exposes his feelings for Lois, as an alien seeking a Krypton survivor causes death to every man she encounters. Tess continues experiments with the blue crystal.moreless
8.0
"Great"
As others have pointed out, the dark-shadows effect is overused by the lighting crew this season, but it's not as bad here at the mansion, when Tess pressures Dr. Grohl (spelled Groll in the Season 6 "Arrow" episode) for results on his testing of the blue crystal found in the Arctic after Lex disappeared. Outside, a full moon is over the mansion; inside, Tess is still determined to find Lex, and the crystal is all they have as a clue. Grohl thinks it's an alien device, Tess doesn't, but maybe changes her mind when "sonic vibrations" induce the crystal to power up and fire an intense beam of light into the stratosphere, and maybe beyond. Now the moon is just a crescent, and misaligned at that - moon advisor still needed - get an astronomer or navigator! Why a crystal so connected to Clark and his destiny is also a love-beacon for an intergalactic biker-babe is not clear.
The alien-queen-come-to-earth theme in "Instinct" isn't quite as bad as it might sound, although guest queen Charlotte Sullivan, playing Maxima, is pretty far over-the-top, glam makeup, skimpy outfits and all. She looks like she teleported in from Club Rave on her home planet, but Ms. Sullivan does the best she can with this seductress role, starting out ridiculous and ending up not so bad. Her Earth entry is borrowed from every "Terminator" film, a flash of light and burned asphalt back in a dark alley. Comic-book plot it is, but the rest of the characters and the script are an improvement over last week's episode, and with better lighting and some clever scenes, almost makes me think Smallville is making an early-season comeback from a weak start. She's come for her soulmate, but her kiss is fatal if you're not Kryptonian.
One of the better scenes is Clark at the farm - still living there, though I thought he surely had a Metropolis apartment by now. When he speeds out after a call from Lois, poor Shelby is left looking forlornly at an unopened can of dog food, but Clark remembers, superspeeds back in to get Shelby fed, and he's back to the DP and Lois in about two seconds. Some of the most irrelevant scenes (to the plot) can be the most memorable.
Jive talkin' Lois gets in about six jabs at Clark and his moping about Lana - "You're about as predictable as mullets at NASCAR," and "You've got to look outside your wheelhouse!" He replies, "I didn't know I had a wheelhouse! "Of course you do," she retorts, "Pretty, friendly, damsel-in-distressy. You need to try another scoop of the 31 flavors, maybe a little less sweet vanilla and a lot more wild cherry." That's Lana-sweet and Lois-wild to us, as Lois continues to be the queen of pop-culture references. The writers have me hanging on every phrase she speaks. She's urging him to move on, and they soon team up on an untimely-death story, the first one caused by Maxima in that dark alley.
Jimmy moves in with Chloe at the Talon to "save their wedding pennies," but you have to wonder how they handle that three-hour commute to Metropolis for their real jobs. When Jimmy finds that ancient high-school love note from Chloe to Clark (memo - never keep mementoes of your past romances), we have to endure another childish jealousy fit from him, which was tiresome some episodes back, but at least this time Chloe calls him on it. Jimmy hasn't played an admirable part since "Noir."
The better part of the story is about Lois and Clark collaborating on the death investigation, now that the super-endorphins mean a bigger scoop, so she joins in, saying, "What kind of friend would I be if if threw you in the deep end without a floatie?" Clark finds an alien symbol burned into the pavement, so he suspects something, well, alien. Chloe looks at Clark's rendering of the symbol, her Brainiac download going on speed six, which worries Clark, and is a bit silly for fans, as Chloe spouts lots of interplanetary stuff about Maxima's origin and purpose. Police reports indicate a trail of crumbs, or bodies in this case, leading to the Ace of Clubs.
Jimmy drinks away his sorrows at the club, where alien Maxima has come after a throw-down confrontation with Tess over the crystal's location. For a moment, Jimmy almost remains faithful to Chloe, but - nah, he's weak when faced with extensive eye makeup, so he succumbs to her adrenalin-endorphin-overload kiss. Humans just can't take it, and she's sorry. Maxima spots Clark's superspeed move to grab a falling Jimmy, one of the better FX clips I've seen on Smallville, and she says, "Now that's more like it," as she does a perfect lip-bite for the camera.
Tess offers Chloe an opportunity to hack the blue crystal, but describes it as a "supercomputer," so Chloe misses a great opportunity to learn about it - she won't listen to anyone connected to Lex. A quick trip to the ER for Jimmy, courtesy of Clark, goes pretty well, and Chloe's relief at seeing him revived in the hospital once again cements their relationship.
Clark's night shift at the DP, scanning Ace of Clubs security videos to identify Maxima, takes place at normal speed. You'd think he would do some of this assignments faster to save time. Why doesn't he type at superspeed, sort of like Jim Carrey answering prayer emails in "Bruce Almighty?" Aren't his mental absorption skills at least equal to supercharged Chloe?
Maxima finds Clark at the DP, makes some big moves on him, and he doesn't fight, so even he is susceptible to her hormone hyping. After a lot of grappling, Lois finds them in mid-debauch in the elevator, apparently breaking Maxima's spell over Clark. "You're pulling a 9 1/2 weeks in an elevator," she shouts angrily, revealing some pretty strong feelings. Clark clumsily tries to explain.
Soon, outside the DP, Lois is attacked by Maxima, who tosses her Pontiac Sunbird a full city block, crushing a GM dustbuster minivan and a Ford Taurus in the process, but Lois survives. Now that's jealousy. But before Maxima finishes off Lois, she lectures her about Clark's feelings that she sensed - "He would never have been able to pull away from me if he wasn't drawn to you." This is the most significant revelation to Lois yet about her future relationship with Clark - even he is not conscious of this attraction. Smallville writers tend to neglect these important moments in subsequent episodes, so we can't count on Lois acting on this knowledge, or even remembering it next week or after.
Unfortunately, the scene ends with a ridiculous appearance by a SWAT team, arriving fully-armed and deployed in seconds after the flying-car bit, all aiming their laser sights at Maxima. Even Clark wasn't aware of all that noise, so he goes to ISIS, finding Tess, surprisingly open about her knowledge of Maxima. As to a photo of Maxima, Clark simply says she's wanted for murder, a good cover. She shows the blue crystal to Clark; he lies about knowing what it is. She gets a call about the Maxima-Lois fight, so Clark has to do a quick exit to intervene before Maxima can do more damage. I would have directed this scene differently - Tess would have turned to Clark, described the battle, and asked Clark to get the story, then he would hurry out, and superspeed only when out of sight. Why show him constantly risking exposure by zipping away right in plain sight?
The special effects budget must have been depleted, as the only aftermath of the SWAT team - Maxima confrontation is a burning car. After Clark whisks her away from Lois, she tells him she's found the "last son of Krypton," a man who is her equal. And of course Clark is attracted to her, a love he has yearned for - but he rejects her - and she disappears in a flash of light. Did Clark manipulate her bracelet - a space-time warp device described by Chloe?
Chloe shares her high school letter with Clark - why, how does this help? By being open about it, Chloe can explain that her perfect person is Jimmy, and Clark's her BFF, as she asks him to give her away at the altar. Now he tells her about the crystal - it could restore the Fortress, and Jor-El, and break the Brainiac hold on her. So Chloe goes back to Tess to hack the crystal, but she first foolishly gripes about the break-in at ISIS by Tess. But it's too late anyway - Tess says the blue crystal has been stolen.
After innumerable scenes of wistful/loving/angry Lana coming to the loft to talk to Clark, it is now Lois taking this role. She sees him in a different light, looking for signs of the feelings Maxima described to her. "One supercharged fembot can't put a dent in Lois Lane," she tells Clark. He says, "What if my soulmate comes along and I'm too blind to see it?" This, while he's looking right at Lois, so he's not yet aware of Lois as such. The screenwriters will have a challenge in developing the expected Lois-Clark romance, given the long-standing differences between the two, but for now, he has at least softened his stance on her. He offers her old room at the farm back (but how would he commute to the DP at superspeed?). We can see she's thinking of Clark's hidden feelings, so she declines - "Why tempt fate?"
In the teaser for next week, or month, Tess receives an email - a photo of the crystal, with the words, "You are not ready yet - X." A nice mystery setup for future episodes? Or a weak plot device to stretch out the inevitable scene of Clark finally taking possession of it? No matter, I don't want anything resolved too quickly - I want a Season 9...and 10...and...
Re-run rating B.moreless