Tom Welling has a much broader range of acting to do in this episode, when his entire reality disappears and he's in a mental hospital, devoid of powers and caught in paranoid delusions about his life as Kal-El.moreless
9.0
"Superb"
Shelby the dog alerts Clark at the barn, and an unseen force knocks him to the floor. He awakens in a mental hospital, his own personal "One Flew Over..." episode. Is this an illusion? Which is reality? It's another dreadful mental hospital where all the patients seem to know his name and history as a kryptonian, which they mock. Psychiatrist Dr. Hudson is leading the group of patients. Here, Clark has no powers, so the guards restrain him, and he's confined to a dark cell.
The doctor refers to his "psychotic break" and paranoid schizophrenia, telling him he created a make-believe world as Kal-El, but offering a new treatment. He's in the Fairview Psychiatric Hospital and his previous life was a delusion. Clark is still convinced it's an elaborate conspiracy, with the exception of the loss of his powers. He has no choice but to comply with the hospital routine. His Kryptonian friend is there too, saying he believes Clark, but he's deluded too, saying he's from Mars.
The entire episode features an ominous monotone, which is very effective in creating a sinister atmosphere. Clark overpowers a guard and escapes. Even in an alternate reality, how did he get back home so fast? He's greeted by a warm embrace from Lana, who has redecorated the loft - it's now her home since she and Nell bought the farm from Martha. Clark has been gone a long time, she says. All these story elements are entirely consistent with the delusion he has - just as it would be if had never been Kal-El. He denies having had treatment, he tells Lana, and was not released, but escaped. He blames Lex, and does indeed start acting paranoid.
He finds Martha at the Luthor mansion; she and Lionel are married. On and on goes the alternate reality. Clark demands she come with him; she sets the alarm and the guards try to stop him but it's a fair fight - Clark has no powers. This is an unusually violent scene for Mr. Welling, showing acting ability not often evident in his more limited role as Clark and Kal-El. Out into the snow he goes in a foot chase with Lex's security guards, when Clhoe shows up in her blue Yaris, and they get away.
Away to the Talon...and he doesn't ask her how she found him until they arrive. Next he's in Lex's office, accusing him of causing the confinment, but Lex refers to the car accident on the bridge five years earlier, and in a stunning scene, Lex is seen to be in a wheel chair, a double amputee, because Clark caused the accident, he didn't save Lex. All this seems quite plausible if Clark was indeed imagining his whole life.
Clark heads back to the Talon, but it's instead the original abandoned movie theatre, and Lana finds him there, offering to help. She has a toy ring he gave her when they were 10; Clark does not remember. He finds Chloe; she's armed and dangerous, but Lana says Chloe was in Fairview too, having a family history of mental illness. Clark starts to doubt, Chloe stalks out, Clark follows. But one of the guards shoots Chloe, and her dying words are, "I'm not crazy!"
Next he's back in Fairview in a strait jacket with Dr. Hudson; Clark refuses treatment. All the touchstones of his real life are but names on common objects - "Jor-El" is the name of a soap product, "The Phantom Zone" is the title of a magazine. He hears a P.A. call to Dr. Fine. Everything seems to support the delusion story. All his friend's names are simply those of hospital employees. Meteor rock has no effect on him. Clark sags to the floor.
Later he hears a voice calling him Kal-El and telling him to resist - he's infected by a being from the Phantom Zone. If he undergoes the treatment the entity will take full control of him. "Purge the parasite, kill Dr. Hudson," who's a phantom. Trust yourself, he says. Shackled, Clark is lead to the Nazi-esque treatment room, all metal and stone. Lana is there, tempting him with the promise of a life with her if he will stop fighting. But when she says his destiny is to be with her, he pauses. Dr. Hudson begins the final treatment; can Clark overcome his inhibitions and kill the Doctor? He breaks free, overpowering the guards; Dr. Hudson turns into a monstrous wraith, Clark reappears in the barn and the phantom entity is stripped from him by his Kryptonian rescuer, who soars into the night sky.
By the fireside, he tells Chloe the story, that he almost gave up everything he cared about for Lana. This brings to his understanding the fact that he has not truly given up on her yet. "The truth is, I still love her." But he can't tell Chloe how she appeared in his illusion as a mental patient; this is one of Chloe's basic fears. With insight into the true meaning of friendship and kindness, the writers have Clark tell her that she was the only one who believed in him.
Does this put Lana in a new perspective? Will he recognize that he has put too much at risk by continuing to long for her? At the Talon he feels restored - things are the same, and Lana is there. He tells her only that he had a dream about her - the gumball ring, and their youthful engagement. But then he woke up. Lex steps in and greets Lana, and Lex appreciates the civility from Clark. It's easy to be magnanimous when you got the girl. They're off to see the wedding planner, as Lana gives Clark one last long look.
Coming shortly after several superhero episodes, full of explosions and heroics, this episode is a pleasant surprise - not advancing the real continuing Smallville storylines - but displaying Tom Welling's impressive acting talent, far beyond the usual range of the Clark character. All the supporting characters in Clark's delusion are precisely what we would expect to have happened if the alternate reality had played out with Clark as a "normal." Fine job by the screenwriters and director - this episode will stand as one of the best of the season, and maybe in the top 10 of the series. Re-run rating B+.moreless