Flashing back to a disintegrating Krypton, Kara is being sent on a three-year journey to Earth by her father Zor-El, who gives her a crystal that will restore her to her family eventually. She is to use it when she rescues her cousin on Earth, Kal-El.moreless
7.5
"Good"
Chloe studies Lana's ISIS foundation web site, which offers help for the meteor-infected, and promises, "Together we will rebuild our future." Clark blows in to the DP, where Chloe informs him of reports that a flying object narrowly missed an air carrier aircraft in the D.C. area, resulting in a grounding of air traffic in a large area, and they know it was Kara. Jimmy comes to admit that he had shown Kara video of a spaceship, and this led her to Washington. Clark guesses Kara is looking for her crystal; she'll do anything to get it back.
Clark greets Lionel warmly at his office; Lionel has been recovering from his injuries. Clark has found a government lab under a silo in Granville; Lionel says it belongs to the Dept. of Domestic Security, for a program called Starhawk, looking for aliens. This story line is then dropped - we hear nothing more about Starhawk.
Kara's crystal is being examined in a lab in DC, while overly stiff CIA operative Walker observes. Lex arrives, violating security precautions, and thinking Walker is hiding something. Kara also is in D.C., at a night club, hoping to subvert one of the lab technicians, a stereotypical geeky young guy who is only too susceptible to her charms, and talks too much. When he says crystal, she's gone to the lab with his security card. She smashes the enclosure, but the crystal is missing.
Chloe comes to the ISIS foundation to interview someone about it's work, and is surprised to see Lana, who tells Chloe she IS the foundation. She's using the divorce settlement to help the meteor-infected - support groups, hotlines, all in the plans. But she doesn't want Clark to know, so he won't talk her out of her plan. Chloe agrees to keep another secret.
Kara is ready to rough up the lab tech to get the location of the missing crystal, but now Clark's in D.C. also, and intervenes. She insists that her father was a good man, and she wants the crystal. Their relationship is strained, and she can fly while Clark is earthbound, so she leaves by the sky route.
She goes back to Kansas and the DP (making us wonder if that's the nearest accessible computer) and is found by Jimmy using his. Hacking into the Dept of D.S., she looks for information about the government lab, and sees a listing for LX Dynamics - a Luthorcorp subsidiary. She disappears fast.
At the ISIS, Lana has numerous surveillance videos in operation in a secluded area, which seem to be tracking every room at the Luthor mansion, but suddenly the screens go blank. Kara enters the mansion, checking out Lex's safe, but agent Walker uses Kryptonite to disable her, just as Lex steps in. Walker has disabled all the cameras and the security guards, and when Lex gets too belligerent, Carter prangs him with some type of dart, and takes Kara captive. Lana can see only part of the mansion video feed, but what is Kara doing there? She calls Clark to tell him she knows where Kara is. Clark arrives about then and is told by an angry Lex that Kara has been arrested by the D.D.S.
Kara has become a test subject at the lab again, held captive while Walker infuses her with a meteor rock cocktail. He thinks she's not human, and uses a Summerholt device to get her to talk. Kara's mind flashes back to a meeting with Lara twenty years earlier; she came to Earth to see where her son might grow up. Thus Lara was pregnant with Kal-El at that time. She tells Kara that Jor-El's Brainiac may save Krypton, but Lara realizes that she also must be ready to save her son. Jor-El chose the Kent family for their son's future home. Kara has unwillingly revealed all this to Carter, and he increases the dose.
Kara's mind again returns to the Kent farm in 1986, when she suggested the name Kal-El for her future cousin. Clark crashes into the lab to free Kara, but he's momentarily slowed by the green rock, as Walker accuses him of being an alien, too. Lionel show up just in time to shoot Walker, and allow Clark to resuscitate Kara.
Back to the past at the Kent farm, the door blows in - it's Zor-El, angry at Lara. He wants her to stay on Earth to rule with him, but Lara tells him that she and Jor-El are having a son. He thinks Jor-El stole Lara from him; he's a dangerous and jealous would-be suitor. Lara's DNA strands are stored in a crystal, and when Kara bursts in, angry at her father's jealousy and betrayal, Zor-El uses a crystal to erase her memory of these events. At the farm, Clark and Kara look at an early photo of Martha (probably a genuine portrait of Ms. O'Toole from her early 20s), and in the back of the frame, the photo of Lara that Kara took 20 years earlier. Clark now has an image of his birth mother. Kara apologizes for putting him in danger.
Lionel enters the mansion to tell Lex that there's a new girl in town, and Lex is fascinated with her, but Lex says Kara just works for him at the Talon. Lex has some harsh words for Lionel too, as a father. Lionel tells Lex, "You can never fool me," but this scene has no real specifics, just angry words about not much.
At the DP, Jimmy gets an apology from Kara, who is trying to make amends by taking him to lunch. Chloe (Allison Mack looks very good here) also asks Jimmy about lunch, but she's too late. She says "You and Kara are from different worlds" (an understatement); he replies that Kara is from Minnesota, not another planet, bringing a chuckle from we viewers.
At the farm, Clark brings Lana out, showing her the photo of Lara, his birth mother, and the blue crystal - he has found it, and knows Lara's DNA is within. This looks like a bad move by Clark; one that will surely anger Kara in a future episode.
"Lara" has some fairly significant plot elements and setups for future development, but the writers have packed so much into it that it loses some impact. Lots of explanatory dialogue can be a bit difficult to follow, and the Lex-Lionel confrontation seems to about nothing but confrontation itself. Lana seems to be up to something sinister, but too little is made of it to be effective in this episode. It should be seen by fans, but don't expect a lot. Re-run rating C+.moreless