A young man named Byron is imprisoned at home by a tryannical father, but he escapes long enough to send poems to Lana, who is taken by this sign of friendship. The whole gang is needed to learn Byron's secret identity, and to stop his destruction.moreless
7.5
"Good"
On a dark and gloomy night in the Smallville cemetery, Lana drops by to visit her parents' grave, and she's being watched. Bad practice, even in Smallville. Someone has given her an envelope sealed with the monogram "B," then we see a young man running hysterically through the woods, only to be shot but an elderly man. Well, it's his dad, and his name is Byron, and he's a virtual prisoner in his own basement. We'll find out why. Richard Moll is the tyrannical dad, really didn't recognize him from his role years ago in "Night Court." Too bad he didn't get more air time in this episode - he only gets to snarl angrily in two or three scenes.
Lana shows the cemetery letter to Chloe and Pete - it's a nice page of poetry, romantic she thinks, but we who have more sense about nighttime forays alone in the cemetery would think more like "stalker." Hey, that's just what Clark said when he read the poem, as Lana leaves after calling him the "Man of Steel," in this case, meaning no worthwhile emotions, not a reference to his physical skills.
Lex tries some poetry on Lana, turns out she a sucker for a well-metered phrase. Clark is poetically inept, as Lana puts him off again. Lionel, still suffering from blindness, has fired an employee selected by Lex as a personal assistant. So after some pointless conflict between the two, Lionel is reading braille with a reader, when Martha drops by the mansion, and has some business insights for Lionel. This is going to lead to a job offer.
At the creepy house of Byron, we see he's the poet, addressing another anonymous letter to Lana. His mother is a bit more humane toward him, but she's in on keeping him confined in the basement, too. Surely he's a meteor-freak of some sort, and he slips out through the basement wall for another late-night delivery to Lana, who's back at the cemetery. This time she's spots Byron, and they talk - she's his inspiration, he says, just as Clark breaks up the meeting by knocking Byron to the ground. So they head back to the Talon for his recovery, where Clark spots scars on his wrists, and Byron panics when he hears the hour of the morning. Too late, he's accosted by his father, who chases off Clark and Lana with a shotgun.
Martha discusses a new job offer from Lionel; it does not sit well with Jonathan. He's crabby as usual, but this discussion goes on hold while they call in the sheriff after hearing Clark and Lana's suspicions that Byron is being abused. With Sheriff Ethan, they all troop to the Byron house, where dad and mom claim that Byron died years earlier. The Sheriff agrees to get a warrant. Chloe prints out a death certificate for Byron for Lana and Clark. Back at the mansion, John Glover fakes playing the piano, just a Lex sometimes does. Why bother trying to make the viewers think they have these skills? Lex is very defensive of the Kents against whatever plot Lionel is hatching. Harsh words, but no real point to the conflict.
Clark and Pete head to Byron's house for a b&e, and it is a creepy place. Finding a hidden trap door in the floor, they find Byron chained up in the basement. But the sunshine turns him into a monster of sorts, pasty-white face and bad eyes, which is why he's only functional during a "Nocturne," and he tosses both Pete and Clark for a loop. Pete gets thrown into a windshield, so he's hospitalized with a fracture. Clark and Jonathan go back to Byron's house; Byron's mother now comes clean. His earlier drug treatment made him hypersensitive to the sun. Clark decides to find him.
Medical trials on Byron had the adverse effects - the drug company was owned by the Luthorcorp. Lana goes it alone, finding Byron in the cemetery, but he's a bit of a raging monster, and throws Lana into a crypt wall. Lex agrees to look into the drug company ownership, while Lionel's helo arrives and Martha joins him for a short flight to Metropolis. Very short, as angry Byron grabs a skid and sends the chopper into the ground, followed by an attack on Martha and Lionel, which is thwarted by Clark, but he's almost met his match for strength. Only solution - get Bryon out of the sunshine, down in the handy catacombs or drainage culverts for a transformation back to good Byron. End of super-skills for this episode.
Byron is in the hospital, with visitors Clark and Lana. But no worries, we can see the relationship with Lana and Byron is going nowhere. Martha later convinces Lionel to fund research on Byron's condition - while Lex is pretty skeptical. While Clark moves hay bales from one place to another in the blue Chevy stake-side, Lana stops by, getting another apology from Clark, and another attempt by Lana to convince Clark to take a step toward being open with her. Too risky? This tension may be a long time resolving.
Nice acoustic music in this episode - not much notable drama or clever lines, as the Byron story is resolved pretty quickly, and Clark and Lana make no romantic progress. But the Martha-working-for-Lionel story line might offer some interesting developments in future episodes. Re-run rating C+.moreless