Tom Welling |
Clark Kent/Kal-El of Krypton |
Kristin Kreuk |
Lana Lang |
Michael Rosenbaum |
Alexander ('Lex') Joseph Luthor |
Allison Mack |
Chloe Sullivan |
Sam Jones III |
'Pete' Ross (Seasons 1-3) |
Annette O'Toole |
Martha Clark Kent |
Sarah Carter |
Alicia Baker |
Guest Star |
Lynda Boyd |
Mrs. Baker |
Guest Star |
Paul Perri |
Mr. Baker |
Guest Star |
Camille Mitchell |
Sheriff Nancy Adams |
Recurring Role |
Françoise Yip |
Dr. Lia Teng |
Recurring Role |
Ian Somerhalder |
Adam Knight |
Recurring Role |
When Alicia runs her hand across Clark's torso, you can see a scar on his stomach. How would Clark end up with a scar? Not even the Kryptonite bullet he's shot with in "Extinction" left one!! Of course, he's also got that unexplained scar on the underside of his chin. He must not be as invulnerable as we think.
The crash landing of the elevator probably covered up the hole that Clark punched through it, but what about the steel support pole that he grabbed? It was giving off sparks, so it probably had scratches or even indentations the whole way down. Yet the elevator car was too far away from it to have caused them, something that a trained investigator would notice right away. So how would they explain the finger-shaped and -spaced marks in the steel?
How did Alicia get the photos into Clark's locker? It's not large enough for her to get fully into, and it's not like she can teleport just part of her body. Nor does she display enough precision to hold up an object and teleport itself so the object itself appears in a precise spot (with the lock bar through a small hole). Or is she just an expert lockpicker and managed to get past his padlock?
Clark is smart enough to burn out the security camera in the elevator - why didn't he do that at the asylum in "Asylum" when he was rescuing Lex? At least we never saw him do it.
Aren't there any cameras in the lobby? That would get Alicia and Clark on tape as they teleported there?
The rescue team gets to Clark and Alicia's elevator (before it falls the second time) within a few seconds - this seems unbelievably fast.
Clark didn't mention Kyla Willowbrook from Skinwalkers as one of the girls that he loved too - odd, since she knew about his powers and also had a tragic ending.
When Clark and Alicia are walking to school the day after the accident you can see mountains in the background.
Why doesn't anyone wonder how Clark and Alicia got to the ground floor before the elevator crashed as they said they did? When the class asks if they were okay they said they got out before it crashed.
When Lana was reading Adam's diary, the dates she announced were different than the dates provided by the Closed Captioning. This is fixed in the DVD's subtitles.
Once again the kryptonite doesn't affect Clark until it's pulled out. It happened several other times with Pete, Clark's dad, and others. Does everyone have lead lined pockets?
The elevator seems to fall far too fast to only go from the 38th to the 19th floor in the time we see.
Clark and Alicia teleport to the the ground floor. Then they tell the others it crashed when they got out. Ummm, so how will anyone think it crashed on the ground floor? Even if there are a couple of basement floors, the speed of impact and resulting wreckage is going to be substantially different. Also, the rescue team on the 19th floor not only might have seen them in the elevator, but knows that the elevator started to crash before it got to the ground floor.
Clark's pretty lightly dressed for a Kansas winter. Compare his clothing to Alicia's as they're walking together after the first commercial break. Even if he doesn't feel the cold, wouldn't he dress appropriately to avoid suspicion?
Alicia asks if Clark is ready for a boring, complicated physics explanation for her powers - he says he is and she says, "Basically, the meteor shower affected my body and allowed me to teleport myself." Did she really think that was boring and complicated?
There in fact seems to be enough room for Clark and Alicia in the elevator (although it might be a little crowded). And it's pretty unlikely a teacher would leave two students, particularly male and female, off on their own during a school trip.
Martha: Clark, honey. Someday, you'll find the person who's right for you.
Clark: You know, for a while, I thought that person was Lana, but I could never be honest with her. And then I thought it was Alicia because she was like me, but...
Martha: Oh, sweetheart, there's... there's nobody like you. You're...
Clark: Maybe that means I'll always be alone.
Chloe: (about Alicia) I'm really sorry she went all Glenn Close on you.
Clark: I should have told you about Alicia's ability before. But she'd asked me to keep it a secret.
Chloe: Yeah, and I respect you for keeping her confidence. But once she went psycho, all bets are off.
Lionel: Traditional rules, supply and demand--they're secondary. But to rise above those rules, to know when to break them, requires absolute personal commitment. I consider it a prerequisite for success.
Chloe: (quietly to Clark) And I consider it despicable, immoral, and possibly illegal.
Alicia: So can you do anything else...besides punch through steel?
Chloe: What do you say we make a break for the fire escape?
Clark: I could crawl down all thirty-nine stories if this field trip didn't count towards our final grade.
Lex: You go on one date with this girl, and already she's sneaking into your bedroom, putting sexy pictures of herself in your locker, practically asking her parents to book the wedding chapel . . . what's your secret, Clark?
Jonathan: What'd she do, Clark, climb out the window?
Clark: Actually she teleported out.
Jonathan: You're going to have to run that by me one more time.
Chloe: Welcome to the Lionel Luthor exhibit. Next floor, victims, sycophants, and hatchet-men.
Injoke: Crew member Theron Layne, who works on construction, appears in the Smallville High yearbook, right after Lana.
Music: "Setting Of The Sun" by Ben Jelen, "Echo" by Blake Hight, "One Thing" by Finger Eleven, and "Parking" by The Fuzz.
Chloe: I'm really sorry she went all Glenn Close on you.
Referring the 1987 movie Fatal Attraction, where a man is stalked by an obsessive, murderous woman.
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