Several story lines add up to a confusing episode with a new high school principal leaning on Clark, a coed who avoids aging by sucking the life out of others, a family revelation for Lana, and a hostile relationship between Jonathan and Martha's father.moreless
7.0
"Good"
Tom Welling demonstrates pretty good swimming and diving skills at the school pool, but in a practice heat, one of his rivals goes under, and Clark puts on the superspeed underwater to bring the victim to the surface, whereupon we find he has transformed into an old man. Bad water? This is story line #1.
At home, Martha and Jonathan are struggling with finances and the feed bill; even Martha's outside job with Luthorcorp isn't enough. When she suggests tapping her father, Jonathan goes silent; the two have feuded for years, and Clark has not even met his (adopted) grandfather. This is story line #2.
When Clark goes to the Talon delivering muffins, Lana has found photos of her mother with another man even after her parents had married. Story line #3. So far no one has mentioned the strange happenings at SV high. Lex gives Clark a lift to school in his silver Porsche 911 (Rosenbaum incorrectly pronounces it as one syllable; the man's name was Por-sche) with Kansas tags "LEX IV." Clark takes a load of grief from Principal Reynolds for being late - how many real Principals close the parking lot gates themselves? Lex and Reynolds have history - he was the headmaster at Excelsior Academy when Lex was a student there - but I doubt this subplot will go anywhere. Anyway, it's story line #4.
Coed Chrissy, leading Spirit Week, also has a run-in with Reynolds - she has no transcript on file, so she's surely the meteor mutant of the week. Only a few more scenes until we see how she can age other people. This is story line #5.
The swimming victim is finally mentioned - on Chloe's Wall of Weird, and we learn that Principal Reynolds had an impressive resume, until he abruptly left Excelsior, only to turn up at SV High years later.
Lana has a chance to quiz Aunt Nell about her parents; Nell is reassuring but vague. Back to #2, Grandpa Clark comes to the farm; his embrace of Martha is awkward and tentative, so we consider him cold and distant, and he's a judgmental and critical besides. So what's to like? He never could get over his daughter marrying beneath what he considered her station in life. Makes you want to slap him; he just won't get off the subject of what-Martha-could-have-been. Clark meets him for all of 10 seconds, then he's gone back to his motel. And Jonathan later loads grief on Martha too, just to show his disapproval of her actions trying to save the farm. The two never got over their hostility about Jonathan marrying Martha 20 years earlier.
On #3, Lana enlists Lex to help her identify the man with her mother. Back to #1, Chloe has a friend in the M.E.'s office; so she gets a death report on swimming victim - DOA on June 20, 2002. Uh, wouldn't that be well after the end of the school year? Are we in summer school? Swimmer's pituitary gland was drained (they found that on an autopsy?) - the youth was sucked right out of him. Sort-of-story #4, Principal Reynolds calls Clark into his office, calling him a slacker, no extra-curriculars etc. So Clark gets an essay assignment - what will he be doing in five years? That would be Season 7 of Smallville, hope he's out of high school and working as a mild-mannered reporter for a great metropolitan newspaper!
Chrissy of #5 talks to Clark at the Talon, but she's having a Jekyll-Hyde transformation, at least in the hand. Time for some juice from a fellow student? Lex explains further his past with Reynolds, and asking Clark about his concerns, "C'mon Clark, I'm the king of family dysfunction." He advises Clark to get Grandpops and Dad together to fight it out once and for all. Back to Chrissy, who puts a move on another male student - pretty good special effects as he ages instantly to a near-corpse as she kisses him.
Clark arranges for a meeting between Grandpa Clark and Jonathan; they're both stubborn and obnoxious, despite an offer of financial aid. Thinking only of themselves, they torpedo Clark's good intentions and split up.
Chrissy's latest victim has turned up dead behind the Talon; how many unexplained deaths has been suffered by this high school group? Clark suggests looking into her background; Chloe is on it. Lex sees Reynolds, offering to donate computers to the school - quid pro quo is to stop leaning on Clark. More history - Lex was close to expulsion from Excelsior; Lionel offered a new library if Lex stayed and Reynolds left. Bit of resentment there?
Switch to #3; Lana has more on the man in the photos; she's reluctant to open an envelope with details. In this scene, we see two young people expressing more maturity and common sense about relationships than any adults in the cast. Good for the writers; at least someone is a good role model. So Clark goes to see his grandfather, who is packing at the motel for departure, and gives Clark the cashier's check, and that's the end of that. Now Clark's peeved.
Chloe's progeria investigation of Chrissy (story line #5) has turned up similar deaths at her previous high school. A slight gaffe here - the web page Chloe found has the same text repeated several times in the four-column article. Other articles have the same Chrissy, same age, in different high schools decades earlier, and she's due for another infusion. That means a rescue by Clark. She's meeting Reynolds in the Talon, and is under the delusion that h.s. is the best years of one's life. A quick toss by Clark, and she begins the rapid aging process, cleverly depicted on a rotating mirror cube; each side showing her older, until she dissolves into digital ashes. How will Reynolds' period of unconsciousness and Chrissy's disappearance be explained? It won't, this is Smallville and we have to wrap up the five story lines, fast.
Back at the farm that night, the impossible moonrise is back again - moving from right to left on the horizon, which can't happen here in North America. This gaffe started in "Obscura" last season, when the film editors ran a moonset backwards. Clark's essay is done - he foresees himself in college studying journalism, he tells Lana - good guess. Her news about the man in the photo - it could be her real father. But that's for later, thank goodness we don't have yet another story line in this episode. Numbering them helped keep this one straight, but it also highlights the number of plot shifts in typical Smallville episodes - this one borders on the extreme as some scenes have only one or two lines of dialog before switching. Do the producers think our attention span is that short? Makes for choppy storytelling. Unless the Grandpa Clark story is continued later, this episode is a little below average for seeing again because of the unnecessary scene-switches. Re-run rating C-.moreless