A Luthorcorp office building project meets controversy when a cavern is discovered below the site, and Clark learns he may be the subject of a long-ago legend. Lex and Lionel battle each other over the discovery, while Lana get some grave news.moreless
6.0
"Fair"
A native American opposes a Luthorcorp office building project, claiming some rights to the land, and during the night, a construction worker is attacked by a vicious wolf, which watches calmly as the man's signal flare for help sets off a gigantic fuel explosion. Later, Clark and Pete, or rather their stunt drivers (the stars don't get to do anything!), arrive on the site via trail bikes. Even Clark can lose control, vaulting over the handlebars and into a cavern opening, falling over 100 feet to the bottom where he meets a native American girl, Kyla, who's researching the cavern. Cave paintings are nearby; they tell a legend of a visitor from afar who will have the strength of 10 men, and Clark finds an octagonal-shaped inset on the cave wall, the same size as the spaceship key.
Jonathan is a wet blanket about Clark's discovery as usual, while Clark is intrigued enough to invite the girl and her grandfather, Willowbrook, to dinner. Clark plays the advocate, while Martha stresses the importance of the jobs that will accrue to the community by the office building construction. So the producers are making another political statement, with part of the cast playing one advocacy position and the rest another. Clark and Kyla, a student at Granville, meet Lana to discuss protecting the cave paintings through possible aid from activist Henry Small.
Willowbrook has a history of criminal civil disobedience, and is a suspect in the site accident, Lionel tells Martha. Lionel then offers Lex a partnership in the office complex. Back in the cave, Kyla and Clark explore the paintings again, while things are shaken up by the equipment above, and Clark makes another save of a gorgeous damsel. She believes Clark is the one foretold by the paintings, and we have a new love interest, in whom Clark is more than willing to invest himself on the slightest of physical attractions.
Lana has enlisted the help of Mr. Small in protecting the cave paintings, but the bigger news is that he's confirmed through DNA to be Lana's father, a role he is now willing to assume.
Back at the site, Martha tries to intercede with Willowbrook, who is preaching about injustices. The Sheriff places him under arrest for the death, while Small arrives with a cease-and-desist order on the construction. Clark tries to get help from Lex on bail for Willowbrook, so he's still playing one side of the political spectrum, but Lex is skeptical about any chance for success against Lionel's project.
Lana is still in contact with Whitney, off in the Marines, while she and Chloe are mystified by Clark's sudden interest in Kyla. Well gee, she's really attractive. Lex and Clark look over the caves; Lex spots the octagonal key-space also, realizing it matches the key Dr. Hamilton found in a corn field back in "Obscura" last season.
As the political polarization continues, Martha and Clark are trying to make peace, but it's a battle, with suspicions and mistrust on all sides. Then Chloe finds that the dead worker had canine tooth marks; Clark thinks this fact absolves Willowbrook. Martha is also stalked by the white wolf, but she makes it safely to her car, and the animal disappears. Clark already feels he and Kyla are destined to be together, simply because she saw him exercise his powers, yet he still has doubts about her.
Lex posts bail for Willowbrook, angering Lionel, who now has a p.r. nightmare, but Lex offers to buy out Lionel's interest in the project. Lionel correctly guesses that Lex has ulterior motives, but isn't that always the case?
Clark and Kyla talk, he's curious about skinwalkers; people who can turn into animals. She tells him of legends that the skinwalkers first appeared when the man from space appeared. She quickly descends into a self-righteous snit as Clark suggests that Willowbrook may be a skinwalker.
Back at the mansion, Lionel is the next target of a wolf attack, but Clark arrives in time (how?), while the wolf escapes, injured by the window glass...and it morphs into Kyla, still with perfect makeup. So she dies in his arms, all of which is just too pat, contrived and manipulative.
Lionel and Martha arrive at the site, where Clark seems fully recovered from the tragedy of the previous evening. Lex has convinced the state to take over the caves, and Lexcorp gets the exclusive rights to explore it, forcing Lionel completely out of the picture. As Lex explores the depths again, he scans the symbol for the final battle between good and evil, and we're supposed to see this portending the Clark-Lex conflict some day in the future.
Lana offers Clark sympathy about Kyla, and finally tells Clark that Whitney is missing in action, so everyone is suffering loss in this episode. The whole series loses, too, when it takes up political causes, and becomes the advocate for one position or another. Someone is always the loser in this partisanship. This story is full of stereotypes and unbelievable relationships built on trivial encounters; let's hope the producers stick to good storytelling in the future and avoid preaching about anyone's political opinions. It looks like the cave paintings will be a continuing story line, so it might be worth the pain of watching this story again to remember how this started. Re-run rating C-.moreless