Oliver's development into the Green Arrow takes place after he's marooned on a tropical island; Tess saves him from sure death. Clark, Chloe, and Lois must save him from sure death in the present.moreless
7.5
"Good"
The overview for "Toxic" sounds like a plot created solely to show that Oliver and Tess Mercer have a history, in order to move along the integration of Tess into the Smallville cast. Defining the goal of a storyline first, rather than just imagining a good plot, does not bode well for compelling drama. And the screenwriter for this episode is responsible for two of the three lowest-rated episodes in the entire series. She also wrote some very highly-rated episodes, so it's a mixed track record, but it makes me skeptical at the outset - prove that this is a good story.
One that begins in the glam-celeb Ace of Clubs night spot is also cause for concern. When the opener shows Oliver collapsing at his own party, you wonder about the purpose of the club scene - he could have taken a dive anywhere in town. Maybe it was just to show that Clark can wear a tie, but why is Chloe there, too? Apparently just to get Clark to yield to Oliver's wishes to avoid any medical attention - why she is so adamant about this is not clear. And any question about why Oliver won't accept life-saving help is never answered - there's no logic to this at all. Are we to think that he wanted to force Clark into a bold rescue?
Tess-as-editor finds out about Oliver's collapse, assuming it's just drunkenness, and tasks Lois to get the story, but first gets in a jab, "Lois Lane, haven't I fired you yet?" You might think she would, after discovering Lois breaking into the Luthor mansion in the season premiere. Expecting that Lois might have an "emotional meltdown" while getting close to Oliver, Tess looks forward to digging dirt on Oliver, but Lois defends him, insists they no longer have a romance, and takes the assignment.
Chloe calls in a favor and gets Davis to stop in for a quick paramedical look at Oliver - it's so superficial he could not know anything, despite his instant analysis that Oliver is stable, but he leaves a heart monitor anyway. Clark tries to track down Oliver's escort, Adrianna, finding that she's being loaded into an ambulance, so we are led to believe that both have been poisoned.
In his delirium, Oliver relives an event - he's washed ashore on a small tropical island, so this story has the "Castaway" theme. In a beautiful and etheral scene, he looks up with glowing clouds and sunset in the background, a nice shot, until you notice his shadow on the beach has nothing to do with the location of the sunlight, and in the next clip, there's no shadows at all. So he's isolated for who knows how long, and his attempts to find food are futile - so he decides to create bows and arrows - voila! - the origins of the Green Arrow's archery skills. Given the size of the island, maybe a quarter of a square mile, sourcing fresh water would be a far greater problem, but this is just one of many holes which weaken this plot.
To find Oliver, Lois first comes to the ISIS offices - why? Phone calls to Oliver's friends - and her cousin Chloe - would make more sense. And Chloe didn't think to call her, either, so the acting staff is made to appear a bit dim. Lois reluctantly agrees to comply with Oliver's wishes for no medical help.
Back on dream island, Oliver discovers interlopers, but instead of rushing to his rescuers, he holds back, first grasping a very poisonous plant, which causes an instant near-fatal collapse. He awakens in a tent, covered with leeches, an antidote applied by none other than Tess Mercer, pre-Luthorcorp, a captive of a group of speedboat-riding kidnappers, who had to stop for boat repairs. Tess claims to be a marine biologist. Sadistic kidnapper #1 recognizes Oliver and his potential as a hostage, so he summarily shoots the female friend of Tess, one of the more brutal and pointless slayings in the series history. Two years on the island, Oliver says, but his hair is unchanged, he has little facial hair, and hasn't lost any weight. Plus he goes shirtless most of the time, for the benefit of the young teens.
Clark tracks down Adrianna at the Metropolis-General ER, and Davis is there, too. A paramedic like Davis has no business calling Codes and ordering around the ER staff, but that's what our screenwriter has him doing when Adrianna codes and expires.
Chloe researches the poison - as her mental prowess expands, she absorbs vast amounts of data at superhuman speed on the ISIS computers - finding the flower that poisoned Oliver. And who has the antidote? Why, Luthorcorp, of course, so Clark approaches Tess about the poison. Tess claims ignorance of a lab - she's still researching projects Lionel named after constellations...which? The only one that's even close is "Ares," but the constellation is spelled "Aries." This and numerous moonset gaffes means Smallville's writers still need to consult an astronomer. Tess recognizes the plant, recalling that the lab has been moved to Brazil, a plot device for Clark to use superspeed, but that is only imagined, not seen.
Davis returns and declares that Oliver is dying, but Lois won't accept that. When Oliver flat-lines, Lois foolishly attempts to use CPR while he's in a sitting position. Medical advisor needed for the Smallville screenwriters. But Clark is back from his Brazil run with the antidote, and Davis dutifully jabs the entire syringe into Oliver's chest. Any more episodes with Davis inserted as someone's medical saviour is going to look awfully contrived, but how else can Witwer be developed? His only relationship with any cast member is with Chloe, and even that's a bit offensive - show a little respect for her engagement! Both Chloe and Jimmy have been portrayed as ultra-sensitive to love-competition, Jimmy over Chloe-Clark, and Chloe over Jimmy-Kara, and here Chloe shows no sensitivity at all to private encounters with Davis.
Oliver recovers rapidly, telling Clark he needs to find "Mercy" or Tess, who is also in danger. Outside the DP, Tess, alone on a dark street, is accosted by kidnapper #1 who escaped the island, and is really peeved about being left to die. He talks too much, and Tess tries a few kicks on him. Clark arrives for another save, but to preserve his own identity, causes extensive collateral damage to a power transformer platform, knocking out the kidnapper, and possibly power to numerous adjacent buildings. Isn't it time for Clark to be a bit more "green" on his rescues? Tess missed that action, of course. In the dream again, Tess mourns her friend, and Oliver helps her take a bracelet as a memorial. It's time to leave the island, but Oliver sees his life in a new light - he nails one kidnapper, and flings a short poisoned arrow at the other, who is downed instantly. This is meant to portray the first heroic save for the Green Arrow, but this is pretty thin background for a major superhero. More backstory on Oliver would be welcome.
In the present, Oliver, recovered, sees Tess at the mansion and accuses her of being ruthless in her climb to the helm of Luthorcorp. Although she seems resentful that Oliver never said goodbye years earlier, it's not clear how their relationship moved from companions on the island to adversaries. Of course he intended to become a secret crimefighter, and secret identities in Smallville mean no chance for a love life, ref. Clark and Lana. Perhaps this question will be covered in an upcoming episode. But she offers him a dossier on Lionel.
Clark, wearing a suit in the DP (this is news!), has the epilog with Lois - she dropped any story about Oliver, and still agonizes about her decision to end her relationship with Oliver. Clark understands, admitting that he's played Lana's goodbye video numerous times. So they're both still letting go of their past, a necessary progression if these two are ever to blossom into serious togetherness.
At ISIS, Chloe discovers Davis already there, scoping out her mass of research documents, making him an annoying presence in this episode. He sees all this as evidence of her genius, and guesses that she hasn't told Jimmy about about her new-found intellect. We already went through this hide-your-powers scenario last season, when Chloe finally told Jimmy she was a meteor freak. Now it sounds like a repeat - she's hiding her abilities from him again - maybe they'll re-use those scripts.
Clark questions Oliver about why he didn't reveal he knew Tess before - "Stick to your milkshakes," Ollie says sarcastically while quaffing more liquor. The files from Tess he shows to Clark - they're flight records for his parent's fatal trip - Luthorcorp employees sabotaged the aircraft, so he now blames Lionel for their deaths. He sees that Clark knew about this, and never told him - Clark explaining that he thought Oliver might harm Lionel. Is this a problem? Firm evidence should have led to a criminal indictment of Lionel. Oliver accuses Clark of failing to trust his friends, and of avoiding use of his powers to help others. The ordeal on the island changed Oliver - putting him on his quest for justice. Oliver continues to challenge Clark about facing his destiny - laying out the best line of the episode, "Maybe your island's still out there, Clark." But it's not entirely true that Clark is lagging in his mission - his presence at the DP has already been identified as a means for him to be in on any crisis - he's not waiting to react solely to threats to his friends and family.
Outside police HQ, kidnapper #1 is inexplicably free, entering a cab, when his hand is scratched by an unseen person. It's Tess, who bailed him out - now she has poisoned him with the fatal flower. As ugly thug collapses, she tells the taxi driver to take him to a hospital. This is a good plot twist, giving us more insight on how sinister Tess can be, while raising questions about why she took her revenge this way. Perhaps because she controls the only known antidote? She tosses the poisonous flower to the ground. and drives off in a Porsche cabriolet, license "NOMERCY," a play on her Mercer name, and just what Oliver called her.
I'll admit being a little harder on this story's weak points due to negative expectations about the screenwriter. The writing isn't so bad, and the Tess character is certainly showing some staying power and is given lots of screen time to develop - in fact, we learn more about Tess than about Oliver. Clark, Lois and Chloe are pretty much background characters, and Lois is especially subdued so far this year, with much less of her usual sauciness. That makes it a "filler" episode, or maybe "character development." It's just an average story, and maybe better ones are coming. Re-run rating C.moreless