Star Trek: Deep Space Nine

Season 3 Episode 18

Distant Voices

2
Aired Weekdays 11:00 AM Apr 10, 1995 on Syndicado
SUBMIT REVIEW

Episode Fan Reviews (2)

7.4
out of 10
Average
149 votes
  • "I haven't picked any of you I'm in a coma!" - Bashir

    6.5
    Comfortable in its role as a budget saving bottle show, this episode doesn't even try to disguise its nature, tipping its hand early before playing out just as you'd expect. It's a "nightmare story" which, like an episode of the 90s TV show "Herman's Head", includes the DS9's regulars (and Garak) inside Bashir's head as parts of his personality. (The same idea appears again in just a few episodes: "Facets," however, finds a more creative way to do it).



    Being more of a concept than a story, "Distant Voices" is dependent on Siddig El Fadil (Bashir) and director Alexander Singer to carry it. Both are nearly up to the task, with Fadil turning in an impressive performance as an aging man (doing a heck of a lot better job than Clayton Rohner reverse role in TNG's first season episode "Too Short a Season"), and Singer keeping things moving swiftly enough to keep the episode from becoming dull.



    Interestingly, with the tease of Garak's holosuite program (which is never actually seen) the episode almost backs into a "Total Recall" like story, where we're not certain where Bashir's reality ends and the fictional story picks up. Had the writer pursued this idea, "Distant Voices" might have made for one of the more memorable episodes of the season; however, the writers set the idea of the holosuite program aside, never connecting to the main story, leaving us with a simple episode instead.



    (Ironically, just a couple episodes after DS9's Emmy allegory in "Prophet Motive," this episode won an Emmy for Bashir's makeup).

  • Inner drama best kept hidden.

    6.5
    I wouldn't call this a tedious episode, but it certainly is the kind of over-the-top concept that functions as little more than filler. We do learn some stuff about Bashir that would turn up significant, but surely there could have been a better way to express it?

    Both this and the Bashir plot in "Prophet Motive" suffer from the same flaw - these weren't the right kinds of episodes to develop the character. (Compare them to, say, "The Quickening" or "Hippocratic Oath".) At least it wasn't done in the first season, when it would have come off as utterly superficial, and at least Garak is around to offer some witty quips.

    Interesting that we would get a similar, and probably better, revisit of this idea on the Dax-centered "Facets".
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