Playing chess on the bridge of the Enterprise while an automated planet-killer threatens the most densely populated section of the galaxy.
10
"Perfect"
I, for one, actually think the allusion to whaling is pretty cool, and to Melville's Moby Dick in particular (I'm embarrassed to admit, however, that I hadn't quite put it together on my own before, even though I must have seen this episode a couple dozen times). I mean, that's what great science fiction-or great fiction, in general-does: makes connections to and draws from archetypal characters and conflicts in order to show the timelessness and immutability of the human "drama". And the Ahab-Moby Dick story is certainly archetypal. As Ricardo Montalban's Khan observes in "Space Seed": "I am surprised how little improvement there has been in human evolution. Oh, there has been technical advancement, but, how little man himself has changed." Since we're on the subject, tell me if this sounds familiar: "I'll chase him round the moons of Nibia and round the Antares maelstrom and round perdition's flames before I give him up!" This, paraphrased from the original: "I'll chase him round Good Hope, and round the Horn, and round the Norway Maelstrom, and round perdition's flames before I give him up."
No idea? Then try another: "To the last, I grapple with thee; from hell's heart, I stab at thee; for hate's sake, I spit my last breath at thee."
Still no? Google it.
As far as the similarity between the incidental music in "The Doomsday Machine" and the "Jaws" theme by John Williams goes, well-the connection between Jaws and Moby Dick, I believe, has already been firmly established. Quint, of course, is pretty much a modern day Ahab, and the great white is what it is.
I guess, then, it's not a great leap of the imagination to ponder that, perhaps, Williams had seen the Star Trek episode some years before being commissioned to write the Jaws score, and either consciously, or subconsciously, was influenced by Sol Kaplan's thematic music. That's the beauty of the artistic process-borrowing, incorporating, reshaping to fit a similar theme under difference settings and circumstances.
Of course, this is all incidental to what makes "The Doomsday Machine" such a great story and episode. For me, it's the political-who's the biggest monkey-bantering between Decker, Spock and McCoy-and Kirk, to a lesser degree; the delicate chess play over Starfleet rules and regulations, about who's in charge, who's in command of the Enterprise, while there's this automated planet-killer breathing down their necks, threatening the most densely populated section of the galaxy.
In the new Remastered and Enhanced version, the ship exteriors are very good, but Decker now seems a little drunk piloting the shuttlecraft out of the Enterprise's hanger bay; either that, or the guy operating the wires is drunk. Also, the perspective of the take off in the original is better. Rule of thumb: if it ain't broke, don't fix it.moreless