Earth! Fire! Wind! Water! [Insert title here]...When your powers combine, I am Captain Werewolf!
9.8
Before I begin, I just need to say that I'm quite happy I'm not a regular viewer of Smallville because I caught the last five minutes of the episode before Heart and saw that Clark waited until right before Lana's wedding to tell her that he loved her (at least it seemed like a Very Important Speech® so I'm assuming that it was when he did so, I don't know anything about the backstory)! Regardless, I'm angry at that character decision, and am determined to stop all of you from doing the same. Public Service Announcement: Children, tell people you love them now! Go! Vaminos!
That PSA is rather appropriate for "Heart," too, (see the pun Supernatural's Powers that Be did there, huh? didja? huh?) but more on that later. Randomly – I do like when the episodes take place in a major city. It's statistically probable – more people, more likelihood of el que no es humano – and it's a nice change of pace from the country road (even though I do want Supernatural to end on the highway). Plus, an episode in the city allows tPtB to include the scariest part of all of Supernatural – the Boys' uncanny ability to park anywhere downtown AH!
So let's try to have an intelligent discussion about this episode. I really liked it. Maybe this is just because I've been watching some of my not-so-favorite season one episodes, and everyone involved with Supernatural has really grown, but I think that "Heart" had a great deal of merit by itself.
One such merit is the nice mixture of twist and straight-shooting that is involved in the writing these days. That is to say – that Madison was the werewolf, which you weren't to have expected, as was that Kurt was just a creepy guy ("People are just crazy"); on the other hand, I think everyone knew as soon as we saw the stereotypical "bake a casserole" guy hanging out in Madison's apartment that he was some type of el que no es humano.
I took great pleasure in the cinematography of this episode. I'm pretty sure that tPtB have been playing around with the tinting, these last two episodes (or else I need to work on fixing my television set?) The color seemed a little washed out, a little bleak, and it had a nice effect and granted a good tone to the episode. The very brief shot of Madison's scared face (yay red herrings!) in the rearview mirror was also beautiful. I always wonder – do the establishing shots of major city skylines come from stock footage? Do all networks share the same stuff or are there various rolls in every network's vaults? I can't imagine that every production will fork over the money to get a helicopter just for some establishing shots, especially in today's digital age.
More random notes, but still on the production – was the "Supernatural" title effect more explosive than usual or was it just me? It was quite wonderful, regardless. Another little quirk was briefly in the final shot of the first interrogation, where Dean's in the frame, looking at Madison, who is off-camera to the left, it almost looked like his eyes were cross-eyed. I didn't think he was cross-eyed...I puzzled upon that over the next scene, and decided it was probably just a trick of the shot, which is certainly possible; he was at one angle to the camera and was looking at another angle. Not really all that important, but then again, what do I talk about that is?
I'm going to go ahead and directly refute that last statement right now. I'm a little conflicted about Madison as a feminist character. On the one hand, as she admitted, she took control of her life after the mugging. As I wrote; "YAY control! Go team!" But she still works as a gatekeeper. And this is the second time in a row that el que no es humano has turned out to be the female who seemed to be the damsel in distress. Also in both cases, said damsel proved herself to be intelligent, compassionate, and a strong character. Is this a continuation of the witch archetype, as exemplified by Meg in the first season? On the other hand, much as I don't really like her...at all...Jo is a strong character, as is Ellen (whom I do like), as are some other weekly-spot guest actors. I guess the point is that I'm not accusing Supernatural as a show of advocating the witch archetype, but just saying that it's present – it's prevalent in society, unfortunately.
Some thoughts – when I thought Madison was going to be the first victim, I was going to write more about the whole "love your neighbor" thing – I had written, "Also, just love each other kids, then you won't get killed as you're walking to your car by yourself!" Obviously she had nothing to worry about. Keeping in terms of the whole "try to survive the horror movie" theme, I think the boys should have FBI style radio earpieces. "Maintain radio contact!" (spoken in Brock Samson voice, of course) is running through my head. Sam's pick-up line of "You're smart because you have books," while not quite as obtuse as I just made it out to be, reminded me too much of the line from Anchorman, "I have many leather-bound books and my apartment smells of rich mahogany" for me to take it seriously. (By the way, I love books like "Eats, Shoots and Leaves," and habitually frequent sites like "Common Errors in English," but I was just reading about some words used in the wrong context and I had to triple check that I wanted to use "obtuse" because the reading had thrown my brain for a loop.) Finally, I'm counting the white vest the male werewolf's potential victim had on as a White Clothing Article of DOOM™. I haven't been keeping count of them through season two, though, so I don't know the count.
So...now for the bad stuff. I have a serious problem with the damsel-in-distress a week. Before I get started on that, the pathos of the final scene was ruined a little bit for me because of Madison's line, "I'm a monster" – which was fine writing and delivered well, but reminded me of Buster from Arrested Development. I couldn't stop laughing, picturing his hand. Anyway. Yes, the scene is filled with pathos. Yes, the Boys can make themselves cry. Yes, Sam's sad that he has to kill this woman that he had sex with.
But he met her three days ago. You can get to know someone in such a short amount of time, but it's still just a shallow emotional impact. Love at first sight? Maybe. But how many people can be their One True Love at First Sight™? I've spoken before about the flaws of different media. Books allow you a great insight into characters but thrills are by necessity the deep, long-winded kind. On the opposite end of the spectrum are movies, who obviously are at break-neck pace, especially compared to books, but by necessity can't dwell as much on character insight as books are. They rely more on inferences and stereotypes for the audience to understand and identify with characters.
Television falls somewhere in the middle, and for that reason the guest-star-a-week deal really is the one greatest flaw of the show. Obviously it's necessary to the style of "saving people, hunting things, doing what Dad wants us to do," etc. I get it. But that style limits the amount of character depth that can be explored in everyone except for the Boys, leaving us with variations on the two archetypes: damsel-in-distress, or witch-incognito. Like I've said before, I can't believe that every person they've helped can just go on and live their life as if nothing has happened, at best being like the man from "Phantom Traveler," who calls them up when he thinks he has another el que no es humano. Why not reemploy some actors and actresses and show how they have evolved? Supernatural is a show rich in continuity, rich in mythology, but it cheats because beside the two topmost tiers (the top being the Boys, the second regular guest stars which are countable on one hand: John, Jo, Ellen, Ash, Bobby [well, and Meg. So – countable on Hannibal Lector's hand.]) anyone who is recurring (primarily Yellow-Eyes) can be possessing whomever he wants.
I want to see Missouri again. Much as I disliked the episode, I want to see the siblings from Wendigo again. And so on. We're supposed to feel like the Boys are changing these peoples' lives. "Don't just say the fat lady sings – bring her on and make her sing," as my absolute favorite Mark Twain quote goes. What if Madison had not been Madison, but had in fact been the girl from "Skin" (whose name escapes me, I've talked about how bad I am with names, and I can't check just now) who was friends with Sam? Then we have the implied background, which we learned from "Skin," plus the relationship that we as viewers had with her. Then it would make more sense to explain why Sam could feel so emotionally broken – he hasn't fallen in love with this random character in the space of three days, but knows her intimately, intellectually, and emotionally. That, little ones, is drama.
Granted, I also am among those who complain at the attempts to have long-term relationships (e.g. Jo), but I have to argue that that was primarily because of "Isxoda Net," and not because of the fact that there was a relationship (in my defense, I'll cite my adoration of Bobby and Ellen.) I hear that tPtB cast two female Hunters for season three. Good. I hope they're in almost every episode. I hope that they're good actresses, and that the Boys develop healthy relationships with them, and then they die – because it would be good drama!