It's really hard for me to review 'I know what you did last summer' without taking consideration of 'Heaven and Hell', since the two of them are so closely intertwined that it is almost impossible to discern them. The only possible difference I can make is that 'I know what you did last summer' is like the theoretical preparation for the factual execution that will be fulfilled in 'Heaven and Hell'. And, of course, 'I know what you did last summer' is all about the necessary background - mythological both in concern to the show and the over-arching lore of Demons and Angels - that viewers needed half-way through Season Four.
As such, in this episode we discover what happened to Sam while Dean was in Hell. And as we see him destroying himself in a downward spiral of guilt and desperation, coupled with too much alcohol and a reckless attitude bordering perilously on suicide attempt, we get a chance to see how Ruby cleverly sneaked inside his sorrow and anger, making him believe that, if not reparation, he could at least have revenge over Lilith. On a side note, I must add that - already knowing what happens in 'Lucifer Rising' - makes this episode even more interesting to re-watch, because this way we can satisfyingly see how well every piece falls right into place.
'I know what you did last summer' introduces also Anna Milton, which was clearly intended to be Ruby's counter-party, but turned out a lot more fascinating than her. Julie Niven is quite good in portraying her, but it was the revelations Anna had that made the whole storyline all the more interesting: Anna knows about Lilith and the Seals, she can hear the Angels talking and knows how Dean was saved from perdition. It's obvious that the Demons want her, but when the episode finish with the Angels revealing that they want Anna dead, 'Supernatural' - thanks, and it should come to no surprise, Sera Gamble and one other of her wonderful scripts - shows once again that its strength comes from the moral ambiguity that lavishes every character, making them not only more believable and consistent, but also more compelling and riveting, not to mention that this ambiguity adds another layer to what was already a surprisingly complex, flourished mythology.moreless





