There's a danger with all fictional media that once the fourth wall has been broken, things may begin to fall apart.
8.0
"Great"
There's a danger with all fictional media that once the fourth wall has been broken, things may begin to fall apart. While it is undoubtedly a great deal of fun for writers to abandon their self-imposed restrictions and mess around with things like intertextuality and self-reflexivity, there is always the risk of running slightly amock, of going so far over the line so often that it's no longer visible, and your audience becomes tired of being forced to watch you disappear up your own arse week in, week out. Fortunately for Supernatural, that has yet to happen, which is largely thanks to the considerable talents of the script writers, but with 'The Real Ghostbusters', the fifth, yes, fifth achingly self-aware episode of the show in a row, you'd be forgiven for thinking that it is perhaps time to stop playing clever and get on with the business of writing a fantasy drama show.
The problem, essentially, is that there isn't enough here that's truly impressive. 'The Real Ghostbusters' has a distinctly postmodern concept at its core - the metatextual levels are off the scale, seriously: Sam and Dean attend a fan convention? About them? As fictional characters? Christ on a bike! - and this certainly raises a few eyebrows and stokes sufficient intrigue within the first ten minutes or so, but when it becomes apparent that this is the only thing that the plot really has to offer, the script begins to have trouble keeping everything afloat. Kripke just about manages it (yes, this is the creator's effort, an odd departure for someone so engrossed in the mythology, but then, perhaps it was nice for him not to have to deal with the arc plot for once), but occasionally, it's touch and go.
Becky is as annoying a caricature now as she was when she was first introduced in 'Sympathy for the Devil' and stretches credulity to its absolute limits. Come on guys - this is a completely unbelievable exaggeration, created entirely to enable the writers to have a good giggle at those unfortunate, overly dedicated fans. It feels a little cheap and just a tad insulting. There's also the LARPing, which seems neat at first, when the joke's fresh, but after umpteen instances of Sam and Dean imitation, it quickly becomes stale. There's the substance of the story itself too, which, frankly, is a little scant. Sure, it's nice to get back to basics every once in a while, and the trope is sufficiently creepy, we'll give it that (those kids give me the willies!), but it does feel rather like a retread. Hell, one well-informed 'fan' even balks at the idea of using children 'again'... it's a risky business guys, acknowledging the flaws in your scriptwriting within the dialogue. Tough one to pull off.
Ultimately, it's the little things that save 'The Real Ghostbusters', the less important intricacies that add up collectively to give the impression of a story chock full of delicious moments and containing a considered attention to detail. Chuck's speech, his appearance as the guest of honour, is just genius, a work of brilliantly understated comedy that perfectly reflects the absurdity of the whole experience. His ad-libs at episode's end are priceless and continue to make an already fantastically likeable character even more endearing. Then there's Sam's complete indifference to Becky (a response probably mirrored by the audience), Dean's disgust at the activities and behaviour of the LARPers, whikch generates some awesome dialogue, and the 'alternative' Sam and Dean themselves, who manage to transform from irritating stereotypes (your usual nerds) to well-rounded, rather insightful human beings by the time the credits roll. They make some highly astute observations on the nature of Sam and Dean's relationship and the beauty of what they have together, which genuinely comes as something of an epiphany following the bleak miserablism of the last season or so. Plus, they turn out to be a pair of homos without displaying one iota of a conventional signifier, so bravo Supernatural, bravo!
On the whole, 'The Real Ghostbusters' stands up to scrutiny and provides some good, wholesome, self-referential entertainment. It's just that, after five episodes, it would be nice if the writers put down Postmodernism for Dummies, stepped away from the 'humour' button and concentrated squarely on their mythology... or at least, if they have to be metatextual, to do it without lapsing into repetition or, worse still, irritation. It hasn't disappeared up its own arse yet, but it seems like it's having a very brief think about it.moreless