This moderately interesting episode has two main story lines - one concerns Cromartie's increasingly dangerous pursuit of the Connors; the other continues Agent Ellison's close encounters and his arrest on a murder charge.moreless
8.0
Ellison answers his door, which is smashed in to reveal his replicant, aiming a gun at him as he is pushed to the floor. But first a rod, then a hand smashes through the replicants chest, and it falls to the floor, presumably deactivated. Behind is Cromartie, who tore out the replicant's control module, as he says, "You will lead me to the Connors." That's a strange piece of dialog- the terminators are totally rational, and only indulge in trivial conversation when necessary to cover their identity. Why would it want Ellison to know it's objective?
Shortly after, the police come to Ellison's home and arrest him for the murder of Peter Meyer, but we know he didn't and doesn't know the man. Ellison is identified in a lineup as the murderer, and is interrogated. From the questions, we surmise that the Terminator who almost killed him had appeared in the usual way from the future, and had to kill Meyers moments after his time-travel trip. We get no further background on this Terminator, nor why it was sent back to kill Ellison. And no one, including Ellison, questions this further. Weaver comes to see Ellison in jail. "Thank you for believing in me," he says. Her reply - "What good is faith if we don't use it?
Sarah, John, and Cameron return to the house - it has been robbed, but the perps have gone. She discovers that the alarm system was turned off, by John, so Riley could leave via the window. Again, a self-indulgent act by John puts them in jeopardy. "Canada, we should move to Canada," says Cameron. Ms. Glau gets little dialog in this episode, but every line is somehow memorable. Sarah calls Derek about the break-in, but he does not reveal that he is with Jesse. Once more, a member of the team is letting everyone down, and given Derek's hidden agenda - fun with Jesse? - he has little room to criticize John for his immaturity on security of the family.
At the youth shelter, the counselor has a photo of Cameron, and this somehow appears on the monitor screen of Cromartie's car - he's on the cruise looking for them. He comes to the shelter, showing her a photo of Cameron. But Jody, Cameron's companion from "Allison," sees him with the photo - he claims to be her uncle. Jody blurts out that John Baum is her brother, and she identifies him in a photo too, so now Cromartie smiles - he has obtained valuable data. Both John and Cameron share in the blame for this serious security breach - and now they should question Cameron's decision not to kill Jody. Jody then offers to search for Cameron with him, seeing a chance to get some revenge for Cameron's attack, but she does not think Cromartie's strange ways to be frightening. When Jody finally tires of the search and demands to return to the shelter, he simply shoves her out the door onto the street. This girl now should have enough experience with this group of folks to stay far, far away!
Knowing that their stolen diamonds would have to be fenced, Derek locates a dealer, and takes Sarah and Cameron to confront him. The fence, Moishe, chatters about the theft and and eye for an eye, mentioning the Brothers of Nablus, so here we get the episode title reference, from a story about revenge, in Genesis 34. He shows them a tray of diamonds, which Cameron analyzes, identifying some as belonging to the Connors. Derek manages to keep her under control but demands the name of the seller - he gives them the name Walter Ostrowski, who works out of Toluca Lake. Derek and the others hear also the name Jesse, but Derek lies to Sarah, saying Jesse was someone who came back with him, and was killed. Again, this quick discussion left me dangling, as I could not understand how-why Jesse was having dealings with a fence.
Sarah and Cameron go to the Ostrowski's dental office - he tries to escape but Cameron is way too quick, ripping off his car door and grabbing him by the throat. "Tell Moishe I'll pay him," he pleads, thinking they have been sent by the fence to retrieve an unpaid debt. When Sarah detects that he had no part in the burglary, they return to the fence, Moishe, Cameron threatening him with a pistol. The Ostrowski character involved a lot of dialog and scenery for a dead-end plot line, but TSCC leads you this way when everything seems so significant. Then we realize all that script was throw-away arbitrary side lines. Keeps your mind bouncing around, sometimes in a futile attempt to keep up with the story.
Moishe now fesses up - the head thief was Tristan Dewitt. "You killed Bardo!" (the store guard) he says. Cameron retorts, "Not yet." I like the utter lack of pretension in her dialog, but it means she'll never be a successful politician.
Sarah and Cameron meet Dewitts' parents, who are willing to talk about their wayward son, as long as they're not calling in the police. But this scene, too, is of a couple throw-away characters, as are the four perps. Since Sarah and Cameron learn little but the possible location of the thieves, the whole "Meet the Parents" scene is rather unnecessary.
Cameron summarizes Genesis 34 - the Brothers of Nablus. "Your kind of story," Sarah remarks. "Yes, my kind of story," Cameron replies. Sarah then receives a call about a charge on her credit card, and they head to the scene. Somehow Cromartie has that same information from credit card services (how did he know about the burglary?), so he continues on their trail.
Sarah and Cameron find the thieves at a bowling alley, as the three young burglars fantasize about making their own film. Cameron gets to repeat that often-used Terminator line, "My jacket, give it to me," as she pulls a gun. After they give up the credit card, Cameron shoots them all dead - "They knew where we live." We can see that Sarah has little stomach for such cold-blooded murder, so she goes in search of one other member of the gang, finding a young man huddled in a men's room stall, terrified. She warns him to say nothing about these events, but lets him go. Sarah is now making her own mistakes, and endangering them all. But she is human, and should we not see some difference between her and Cameron?
John then heads out for shopping with Riley, barely missing Jody and Cromartie - she brought him to the grocery where Cameron was arrested. There's a bit of contrived tension here when they walk along adjacent aisles, but just miss seeing each other.
Cromartie next finds Kacy's house, asking about his niece (Cameron). She tries to delay him, but John and Riley have just arrived from the store, when Cromartie comes calling. In the most tense scene of the episode, John sees it's Cromartie, he is instantly in a panic, grabbing a shotgun, but Riley remains rather calm, opening the door, and trying to deflect him. Now I have to wonder if Riley knows more than she lets on - is she so familiar with the Terminators that she feels confident in handling them? Or is she just ignorant of the threat? Cromartie barges in, searching, while Riley follows him around and John barely avoids detection. "Thank you for your time," he says as he leaves.
Derek returns to Jesse's apartment, finding her sunning at the pool. Moishe was dropping her name, but she seems unconcerned. Why does she know him, and why is is Derek not suspicious of her? They look at the peaceful life by the pool, as if it can never be for them, but there they are.
Ellison's still in jail - the eyewitness is interrogated about the killing of Meyers - his statement seems far-fetched, and the detective presses the man, whose story of a Terminator appearing of course is going to sound far-fetched. The detective knows more than he should, and the witness is disgraced and discounted. This leads to Ellison being released from custody because the witness was not credible. But the interrogator is not what he seemed to be - outside, he becomes Weaver - that's a nice little shock. It's a low-cost scene - there's no real morphing special effects at all, just a film cut. But having this transformation take place on the street in view of others is not credible - no self-respecting Terminator would take that risk.
Derek and Jesse meet at Moishe's place, taking all the diamonds.
Outside Ellison's old home, he watches his ex. inside with her new husband, until she comes out to talk. He wanted to see something familiar, and she invites him in, but he refuses. This brief scene is intended to show us more about Ellison, but it's purpose is pretty thin.
Sarah and Cameron return home, Sarah insisting that John can't bring anyone to the house again, especially Riley. Cameron says simply, "She's a security risk." John continues his rebellious attitude, angrily throwing back "She never tried to kill me," an accusation against Cameron. "My job is to protect you," Sarah hisses at him, while he is still angry that she did not protect him from killing Sarkissian, surely his first direct experience with death, and it is a nightmare for him.
Ellison comes back to see Weaver at the office suite. She talks about the witness report, and knows there was a twin of Ellison. "I think I'm being tested," Ellison says, followed by Weaver noting parallels with the Biblical story of Job, and in this modern-day version of someone losing everything but his life - who spared Ellison?
In the finale, Cromartie finds the bowling alley and the last surviving burglar - the young man, who tells him about the credit cards. Cromartie promises that she (Sarah) won't kill him, but it's apparent that he will learn more about Sarah and Cameron, as evidenced by his other-worldly smile. It won't take much coercion of the young man to learn where the burglary took place, so we have to expect the next episode to feature a re-visit by Cromartie to the Connors.
"Nablus" has some character development, but for the Connors, it's mostly backsliding into decisions that risk their security - and all are involved. Their near-discovery by Cromartie is evidence of their human frailties - a desire for companionship by John, a desire for mercy by Sarah, and a desire for love by Derek. For Ellison, there's much to contemplate - his inner self is difficult to discern, so subtle is his performance in this episode, but he continues to be drawn into the sphere of Weaver, which still puzzles me - it all seems like a huge risk to hobnob with Cromartie after Ellison has seen the capabilities of these machines. Does he have his own hidden agenda - it has to be more than just curiosity? Terminators coming back to impersonate him...does this mean Ellison is a key figure in the fight against Skynet? But Weaver seemed to know about this, so that indicates she is of another Skynet/Terminator faction. It's getting deep, hope I can keep up. Re-run rating C+.moreless