Plus: The Office's goodbye will be a long one, The Americans promotes Martha and Nina, and The IT Crowd is coming back!
"The Colonel" was a solid season finale that expertly represented a show both similar to and far different from the one introduced in the pilot.
The Americans has maintained a steady sense of purpose all season long, and this penultimate episode hinted that an assured finish just around the corner.
We're coming to a close pretty soon here on The Americans, and with two more likely very intense episodes after this one, it makes sense that "Covert War" played things fairly low-key. Or at least it felt that way coming…
"Only You" was a heart-wrenching hour that demonstrated how investing in humanity pays off in a war normally fought with weapons and intrigue.
This week, a shocking event added a major layer to the already complex KGB parallel, blurring the fuzzy lines that determine who The Americans is really about.
This literally explosive eighth installment (because bombs) saw the KGB tasking the Jennings with neutralizing its own hard-to-find hired killer, and Phillip attempting to apologize his way out of the doghouse with his wife.
"Duty and Honor" fleshed out Phillip's romantic history (and plain "history," for that matter) at a precarious time in the Jennings' relationship.
It ain't NBC, that's for sure!
Episode 6 explored the public unrest an impostor causes, and on a larger scale the notions of faith and trust.
Thematically centered on the act of deciphering secret codes, "COMINT" (short for "communication intel") examined the role the transmission of info plays in relationships.
The Cold War continues, hooray! A boost from DVR viewing makes the decision a lot easier for the network.
With a universe shown through individuals whose lives wholly revolve around the hypothetical conflict of two disparate nations, "In Control" gave us some tangible examples of what the crucial step just before war might actually look like: political machinations, unburied weapons, and scoped-out targets.
"Gregory" was a mostly solid episode that briefly sacrificed momentum in favor of addressing broader plot points.
Plus: The BBC cancels The Hour, Andre Braugher surfaces on a new show, and Arrow promotes a fan favorite.
This week it was Elizabeth Jennings' turn to experience parental misgivings—spy-style—as she and Phillip took on a risky, last-minute assignment that had the usual go-getter sobered by the reality of potentially orphaning her children.
More credits! How do the intros of Guys With Kids, Nashville, and Arrow stack up?
FX's new drama is much more than spy vs. spy; in fact, espionage is secondary to what's crucial to the series.
FX's answer to Homeland debuts this week, but are Russian spies playing house worth tuning in to? We've got some intel.
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