Tim Minear ("Angel", "Firefly", "Wonderfalls") this time brings us a dark show dealing with dark and terrifying subjects – but it may be even more terifying and hard to watch than most in its genre because of the questions it makes one ask of yourself.
9.0
I don’t watch crime shows.
I’ve had friends and family enthusiastically declare the virtues of the Law and Orders, CSIs, and Cold Cases out there.
I’ve watched some episodes, and I’ll concede that they are often very well written, and contain mysteries that draw you in, and involve you in the process as you try to solve the mystery before the on-screen detectives do.
But there is one major quality that I look for in a good dramatic series, and it is this quality that keeps me coming back. And it is also this quality, that if lacking, will keep me from returning.
And that is real, believable characters who actually grow, change and are affected in ways that real people are affected.
There are new and interesting villains in these crime shows each week, and often times we learn far more about the minds of these criminals in one episode than we learn about Our Heroic Detectives throughout the entire run of the series.
Why? Because these shows are not about The Heroes – they are about the cases, the criminals.
But how does working a this constantly flowing crew of criminal minds affect those who hunt them down? What are the detectives' reasons for wanting to hunt them down? Why are they good at what they do?
The popular Crime of the Week shows rarely spend time discussing these things – the show is designed to be so self-contained that anyone could watch any episode at any time without having to worry about where the detectives are in their emotional and personal lives. The showrunner can then cram in as much Mystery as they can in an episode, leaving little or no room for the telling the Detectives’ stories. And when for a change the creators of the show actually do tell the story of a Main Character, they are advertised as ‘Very Special Episodes.”
And as I said, that’s perfectly fine. It’s just not for me.
But now there comes The Inside, the new crime drama developed by Tim Minear.
Now I admit – had Tim Minear’s name not been attatched, this show would have never made a blip on my radar, and would have been passed by without my having given it a second thought.
But Tim Minear is involved, and that makes all the difference.
Minear, for those who aren’t familiar with him, is famous for creating absolutely brilliant groundbreaking literary television that becomes swiftly cancelled far before the shows even get a chance to reach their audience.
The longest-running Tim Minear show was Angel, the Buffy the Vampire Slayer spin-off co-run by Buffy creator Joss Whedon.
Minear’s next show was another team up with Whedon, the ridiculously good “Space Western” Firefly, which Fox not only aired its episodes out of order, but also failed to properly promote, resulting in a cancellation before it even had a chance to find it’s audience. The critics and fans loved the show with a passion, and due to the exposure from its DVD release, more Firefly fans are growing every day. And as of the writing of this, a theatrical sequel to the series, Serenity, is making such ridiculously positive buzz from advance screenings that distributors are considering moving the release date forward.
The most recent Minear show to pass into the ether was Wonderfalls. Co-created with Dead Like Me’s Bryan Fuller, this work of brilliance once again fell victim to Fox’s poor scheduling and promotion. After airing only four episodes (of the completed 13), the show was cancelled, forcing the public to wait once again to discover this show on DVD.
If there’s something in common with all of the Tim Minear shows, it’s a healthy portion of heart and emotional truth mixed throughout with unmatched killer wit. They are truly shows that make you howl with laughter in one moment, and shed tears of emotional empathy the next.
Minear features Real People in Otherworldy Situations. Elements of the fantastic are always involved in his shows, but we believe, because the people who inhabit these worlds are so real to us. We laugh with them, we cry when they’re in pain.
Tim makes shows about people we care about.
Which brings us to The Inside, a show without a single drop of the fantastic - but because of how truthful it is, it makes us yearn for that element of escape - but in a way that keeps you enthralled to the end.
It’s a show about darkness. It’s a show about unimaginable things that human being are capable of, and what it takes to understand how these things are done, and why.
And even more important, it’s a show about tempering one’s weaknesses into strengths.
There exists in The Inside a story arc that is going to be explored and developed throughout the run of the show (something else usually lacking in the Crime of the Weeks -COtWs-).
This show features an ensemble cast of characters brought together as a specialized autonomous unit of the Los Angeles Violent Crimes division of the FBI. Each character has been specially chosen by the ringleader for a specific purpose, for special qualities or experiences they’ve had that have been burned deep into who they are. We don’t know what all of them have been through as the show begins. But we do know that the experiences have been painful.
The ringleader is shouted down at one point by one of his agents, with the accusation that he uses his agents’ pain for his advantage.
His response isn't a defense or denial - it's a chilling confirmation. he claims that that the particular agent, “has a gift…forged in pain. And she wants me to use her.”
It is a dark show dealing with dark and terrifying subjects – but it may be even more terifying and hard to watch than most in its genre because of the questions it makes one ask of yourself.
Most people like to bury terrible experiences they’ve had. This show asks you not to bury them, but to use them, manipulate them, take advantage of them. Let your pain and experiences be the Crucible in which you are perfected.
Pain leads to purification. Without firsthand knowledge of the Dark, the Light won’t appear half as brilliant.