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Episode Summary

With Carrie despondant that her looks may be fading as she nears 35, Doug arranges for construction workers to give her self-esteem a boost. Meanwhile, Arthur looks to get her just the right present.
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  • Good overall episode

    8.5
    "Great"
    Good episode but could of been better.Leah Remini's husband, Angelo Pagan, starred again.

    In this episode Carrie is turning 35. She starts recognizing wrinkles and other things that would make a woman crazy. So Doug gets constructing workers to make good comments to her while walking past to get Carrie in a better mood. It works but in a bad way. Carrie wants to be more active. So instead of watching tv on saturday nights, they go bike riding. Doug can't take that anymore so he goes back to the construction workers and tells them to make her want to be less active but then backfires.

    It was again another funny episode. The construction workers were funny and when Doug kept going back to them to make them holler at Carrie is a typical male thing.moreless

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Trivia, Notes, Quotes and Allusions

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  • Trivia

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    • The last scene in this episode has the bouncer pull the door open and smash chain lock from the door frame. In the shots from the bouncer's perspective the door frame clearly shows where the frame has been cut out and then glued back into place to weaken it. Edit
  • Notes

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    • The German episode title is "Zickenalarm", meaning "Bitch Alert". Edit
  • Quotes

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    • (Doug wants the construction workers to hit on Carrie) Tim: I could say, "Is that a mirror in your pocket, because I can see myself in your pants." Doug: Yes, that's it! Don't be afraid to speak up. Hector: I could say something like, "Hey, mamasita, shake those marracas! Doug: Yeah, now we're cooking with gas! What else you got? Gus: I could say, "I love your hair, and I wanna cut it off and put it in a box." (Everyone gives him an awkward stare) Edit
    • Doug: I think you're more beautiful than the day I— Carrie: Oh, shut up. Edit
  • Allusions

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    • The episode title is a play on title of Woody Allen's 1997 movie Deconstructing Harry. Edit
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