The Chart: We find out through the branching chart at the very end of the episode that Jenny and Lara are connected through Robin and her ex Claybourne.
Lara comes over to Alice's place and they make out. They have obviously been hooking up for a while.
The connection (highlight for a spoiler): All the hook-ups in the opening teasers of this season are part of a bigger picture when the intricate web of relationships that is The Chart is revealed. It all comes full circle when Marilyn, the nervous housewife in 1973 in the season premiere, is revealed to be the wedding commissioner who had a passionate affair with Peggy Peabody.
This episode takes place 6 weeks after the previous one.
Shane finds out she has a half-brother named Shay.
Highlight below for a spoiler:
Kit finds out she's pregnant.
Lara tells Alice that she has a younger sister and three brothers.
Scene #1: Jenny and Max have a fight
Jenny and Max fight at the parking lot after spending a night with Max's co-workers. Jenny doesn't want Max to fraternize with the people who treat women as second-class citizens just for the sake of his job. She refuses to pretend to be someone else because she's worked too hard to get healthy again.
Scene #2: The ladies take a limo ride
Carmen and Shane, Alice, and Helena and her mother Peggy are riding in a limo to Canada. Helena is apologetic that her mother wants to come but Peggy explains that she wants to get to know her daughter again by spending time with her. According to some psychologists she has consulted, Helena is a lesbian because she never received her mother's love as a child.
Scene #3: Max, Jenny and Claude at the Cigar Lounge
Jenny is spending time with Claude, the French travel writer, smoking cigars, as she tells about the foreign places she's visited. Max shows up and Jenny explains to him that she is gay and misses sleeping with women. She is not asking for Max's permission to have sex with Claude; just telling him beforehand.
Scene #4: Shane spots Gabriel in the hallway
Shane emerges from her hotel room just as she spots her father walking down the hallway, carrying a bag. She goes after him.
Scene #5: Carla and Shane at the bus station
Shane is sitting at the bus station with Carla, her father's wife, keeping her company as they wait for the bus. Carla says that she always knew Shane's father would leave her one day; she's surprised that he lasted this long. She tells Shane that she's not taking him back anymore. Shane replies that she shouldn't. Then the bus arrives and Carla leaves, leaving Shane standing alone at the station.
Alice: I want to believe my friends. Believe me I do. Because my friend Shane is getting married this weekend. And I wanna believe for Shane, and I wanna believe for all the rest of us who are flailing around in this abyss, trying to feel what we're supposed to feel in order to connect in meaningful ways. I wanna believe that real true connection among human beings is actually possible. And supposedly, marriage can access, I mean, supposedly it improves our moral fiber and all. Which begs the question, I mean, why do these crazy creepy defending-the-family-crusaders" think it's a bad things for gays. Why can't they just wish us well.Hypocrites. Cos we're going to Canada, people, wether you like it or not, to take our best shot at this connection. And if we fail, it is not because we are less wholesome then you are, please, I mean, you guys have been feeling like this miserably since the beginning of the court of history. And if we succeed, and our love connections actually flourish, and there's a little less loneliness in the world, then even I might start believing in miracles.
Claude: What is sex then?
Jenny: Sometimes it's a revelation. Sometimes it's fun. Sometimes it's scary. Sometimes it's tepid.
Claude: Which is it with your friend? I'm interested, I've never been with a transsexual.
Jenny: That's a personal question.
Claude: I only ask questions that are personal. Questions that cannot be answered by a textbook.
Jenny: Okay, everyone, we would like to make a toast to our dear friend, Shane.
Alice: Yes. Shane we have been through a lot together as friends, especially in the last few months.
Jenny: Shane, a thing you taught us about friendship is how to be fearless. So, thank you very much for convincing me to cut off my lustrious, mink-like, long, long mane as short as humanly possible. (Shane laughs.) And Shane, thank you very much for not making it look like yours.
Alice: (toasting Shane at her bachelor party) And Shane, thank you as friend for saving me from going home with that girl that one night, you know the one I'm talking about. And then as a friend taking her home that night for yourself instead. (Everyone laughs.) Thank you.
Jenny: Shane, only you can make a two-piece pleather outfit look good.
Alice: At 7:30 in the morning.
Alice: After a one night stand. (Everyone laughs.) But in all seriousness, you are our best friend.
Jenny: Shane, you are the most loyal friend I -- and I think that I can speak for the group -- that we have ever met. And you've never left our sides when things have become dark, and I think you've taught the whole group that people's rough edges can be beautiful.
Peggy: So, Shane, where is your lovely bride?
Alice: Peggy, this is Shane's bachelor party, bachelor excluded.
Peggy: My goodness, I had no idea that you were such role-playing lesbians.
Peggy: Sweetheart, sweetheart. I am cutting you off financially. From this moment forth you're going to have to make relationships with people that love you for yourself and not your money.
Helena: You're not serious.
Peggy: This is gonna turn your life around, darling. You're such a wonderful girl, such a beautiful girl. You have such a surprisingly kind heart; you need to know that people love you even if you're penniless.
Gabe: Wow, getting married, who knew?
Shane: Not me.
Shane: (to Bette and Tina) In any event, I think that kids are a beautiful gift because, I don't know, I mean, I look at that little one (Angelica) and I see the love that you two have for her, and the love that you actually have for each other despite the things that you're going through. I mean, I don't know, it seems that love just doesn't last the way that you hope it will, but if you get through that pain, it can last in ways that are more precious. Maybe... possibly...
Alice: Hi, Alice, nice to meet you. (Shane laughs)
Tina (after going for a ride in a horse-drawn carriage with Angelica): Ah, that was incredible. Did you see her face?
Bette: I know, so sweet.
Tina: That was almost as good as her first step.
Bette: I wouldn't know.
Alice: (before going zip-lining) I vow to stop medicating myself with sex and drugs and allow myself to feel again.
Gabe: (to Shane, after he picks up a girl in a bar) I'm sorry. I'm not proud of this, it's just who I am. (a beat) And I think you know what I'm talking about.
Alice: Jenny, what did you wear when you got married?
Helena: You were married?
Jenny: Oh, yes. I wore a beautiful pair of black converse, a great pair of ripped tights with dirt on them, a jean skirt, and the I wore this beautiful old, stained, ripped pink sweatshirt.
Alice: Scratch me. Harder!
Lara: I don't want to hurt you.
Alice: It's OK. I just wanna feel something.
Helena: What is Shane doing? Is she wearing a traditional tux?
Jenny: No. It's Shane so she's not gonna do anything traditional.
Carmen: (about Shane) Am I really trying to marry the most unobtainable person on the face of this planet?
Jenny: I didn't really have that childhood thing of, you know, getting married. You know that all little girls are supposed to have that kind of dream.
Alice: Not little gay girls.
Jenny: How come you guys didn't get married?
Bette: Tina thought it would be too conventional. She didn't want to cleave to the heterosexual paradigm.
Alice: Now it's cleaving all over her.
Carmen. Oh god. Come back to us, Tina, come back on our side.
Bette: Fuck that, they can have her.
Bette: I think I'm gonna take that job.
Joyce: Excellent! That will play very well in court. Dean of a prestigious art school... and it can't hurt when it comes to pulling in chicks.
Bette: Excuse me?
Joyce: Lots of pretty, young art students. You'll be like a kid in a candy store!
Gabe: So what's he do, your guy?
Shane: (after a pause) She's a DJ.
Claude: Do you hate skiing also?
Jenny: I just hate all the bullshit that you have to go through with all the equipment.
Claude: Me too. I don't do any leisure activities that require me to use more than one piece of equipment. Except sex.
Alice: (pointing at Shane and Max) I see my friends down there.
Marilyn: The two boys on the snowboards?
Alice: Well, they're not boys. Uhh, well, one of them is... sort of.
Original International Air Dates:
Czech Republic: April 29, 2012 on Prima LOVE
Erin Daniels is still included in the opening title sequence although she has no scenes.
Music Featured in This Episode:
- Smooth Moves by Girlpatch
- Sonata for Piano and Arpeggione (D.821), composed by Franz Schubert, performed by Maria Kliegel and Kristin Merscher
- Sleepless by Sylvia Tosun
- Little Heart by Natalia Zukerman
- Ain't Like You by Candy Ass
- Hold Me Down by Heather Greene
- Patterns on Your Fingertips by Papillon
- Lick It by God-des & She (performed live at the bachelorette party)
- Need a Little Help by Powder
- Words We Don't Say by Lesley Gore
- Air from Water Music, Suite in F-major, HWV 348, composed by George Frideric Handel, performed by the Royal Philharmonic Orchestra
- Pachelbel's Canon (Canon in D major), composed by Johann Pachelbel, performed by the Royal Philharmonic Orchestra
- What Are You Doing the Rest of Your Life? by Peggy Lee
- All I Want by Joni Mitchell
When Jenny first meets her, Claude, the French travel writer, is reading Never Let Me Go by Kazuo Ishiguro, a 2005 novel of a British boarding school for children who share a common feat that is slowly revealed in the book.
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