Dallas Roberts |
Angus Partridge (Season 3-) |
Daniela Sea |
Moira/Max Sweeney (Season 3-) |
Jennifer Beals |
Bette Porter |
Katherine Moennig |
Shane McCutcheon |
Laurel Holloman |
Tina Kennard |
Leisha Hailey |
Alice Pieszecki |
Steven Eckholdt |
Henry |
Guest Star |
Heather Matarazzo |
Stacey Merkin |
Guest Star |
Bruce Davison |
Leonard Kroll |
Guest Star |
Kristanna Loken |
Paige Sobel |
Recurring Role |
Cybill Shepherd |
Phyllis Kroll |
Recurring Role |
Aidan Jarrar |
Shay |
Recurring Role |
In one of the deleted scenes available on the official The L Word website on SHO.com, it's revealed that Bette grew up in Philadelphia and used to be a big "Sixers" (Philadelphia 76ers, an NBA team) fan.
Deleted Scenes:
Scene #1: Phyllis tells her husband where to stick it!
Phyllis is preparing her house for the big party. She asks her husband Leonard if the food has been delivered yet. He replies that he hasn't seen it; Phyllis retorts, "It might help if you got up off your ass and looked!"
Scene #2: Max is stressed out and Shane tries to get him to go out
Max is pounding on a punching bag boxers use to practice. Shane walks in and asks what he's doing. Max just replies, "Nothin'", stops punching the bag, and stomps around the house taking his gloves off. Shane thanks him for being so great with Shay. Max confides in Shane and tells her that he almost lost his job; he thought Brooke was going to tell her father about his transsexuality. He feels freaked out about almost outing himself, and Shane suggests that maybe he should tell everyone the truth. But Max says he doesn't want his co-workers to think of him as a mutant, either. To make him feel better, Shane invites him out to a gay club they're going to. Max declines; he says he doesn't feel comfortable in gay clubs lately. Shane replies: "Wouldn't it kinda make more sense to get out of the house for once and go some place where you don't always have to be on your guard?" Max thanks her for the invitation but doesn't think tonight's the night.
Scene #3: Bette at cocktail party where Phyllis pulls her aside to analyze an email from Alice
Bette is mingling at Phyllis' party. She is introduced to Douglas Chibi, a big-time donor who has just underwritten the Earth Sciences Facility (The Chibi Center). They chat about sports for a while until Phyllis shows up. She pulls Bette away to her office to look at an email Alice sent her. Phyllis wants Bette's opinion on what to make of it. Her own phone message to Alice was much more intimate and now she wants to know why Alice's email is so distant and detached. Bette just replies that she's overthinking it, and that some people "don't like to commit themselves too much in writing". Phyllis' husband walks in and she introduces him to Bette. After he's gone, Bette gives Phyllis a disapproving look.
Scene #4: Bette and Jodi investigate Phyllis' bedroom
Jodi's going through Phyllis' underwear drawer. She discovers some kind of pearl strings and waves them at Bette's face. Bette is trying to make Jodi stop snooping around, but Tom encourages her by saying, "Keep looking, I wanna know what Mr. Kroll gets up to." Bette accidentally blurts out that she doesn't think Mr. Kroll gets up much. Jodi wants her to spill the beans but Bette just says she didn't mean to say it like that. She refuses to say anything more of it, so Jodi's next idea is to get Bette stoned so she can dish about the Krolls' (lack of) sex life.
Opening Teaser:
Max is staring at himself in the mirror, dressed in white briefs and a black top. He takes out the fake penis, and then undresses. He stares at his body in the mirror – a woman's body.
The connection: Max is afraid his transsexuality will get him fired but it turns out that Brooke didn't tell his father why she and Max broke up.
Tina: I care about Kit and I don't want her to get hurt.
Bette: Then don't tell her that you saw the man that she loves sucking your nanny's face.
Tina: Well, she's gonna find out eventually and I can tell you from experience it's much more painful seeing it with your own eyes.
Phyllis: I wanna do everything described in that book, every single thing.
Alice: Everything single thing. You're gonna wear me out, woman. I swear to God. I'm gonna need a little pinch hitter, right?
Papi: (to Shane) Now that you're in my solar system, I can't have you dimming my stars and shit.
Alice: Do you know who makes this hat, by the way?
Jenny: Who?
Alice: You don't know. You don't know.
Jenny: I would guess the lead singer of the Village People.
Alice: (explaining how Jenny's supposedly fictional short story is really about their lives) "Jessie" and "Todd" move next door to a lesbian couple "Bev" and "Nina".
Helena: Whoa, that's a little close to the bone.
Alice: It's more like sucking on the marrow.
Alice: (opening a present from Phyllis) Ooh, what is it? (shaking the present) Oh, doesn't sound like a diamond necklace. It's very disappointing. Is it a motorcycle...? (ripping the wrapping paper) Oh... Wow, "The Whole Lesbian Sex Book", huh?
Phyllis: Is it a faux pas?
Alice: No! No.
Phyllis: I was thinking, you know, we're having just a wonderful time and... Just to try and keep everything just fresh and exciting, maybe we could experiment...?
Alice: Right! Right, right, right, right. (browsing the book) Like, uhh, let's see... Oh! Analingus. Yeah?
Phyllis: Sure!
Paige: Sometimes I feel like I'm a million years old, and before you know it, I will be too old and wretched to pick up the pieces.
Shane: No, please, you're beautiful. I don't think you have to worry about that.
Paige: Are you hitting on me?
Shane: (taken aback) Uhh... I wasn't, um... but I'm, I'm sorry to make you uncomfortable if, if... if you think I was.
Paige: No, no. I'm sorry. I was hoping you were.
Bette: My, my, you clean up nice.
Jodi: Thanks. I can't say the same for you.
Bette: Tom, so nice to see you.
Tom: Thank you.
Bette: (to Jodi again) Did you just insult me?
Jodi: No! You're just always so very clean. I can't even imagine you being dirty at all.
Bette: (a beat) I've been plenty dirty.
Jodi: Hmm, I have a hard time picturing that. Sorry, I don't know, just maybe a fetching little smudge right about... (moves to touch Bette's face)
Bette (stopping Jodi's hand): Dirtier.
Jenny: (seeing Stacey and Lindsay approach) Oh my god, you gotta distract them because I don't want them to come over to me. Can you kiss me?
Alice: No!
Jenny: Please kiss me.
Alice: I don't kiss girls who wear doilies.
Papi: Ladies! This is my girl Tasha. Tasha, meet Alice, Jenny and... Vanilla.
Shane: I'm Shane.
Papi: Vanilla. Cause she's like me except in another flavor.
Shane: Right.
Jenny: Hey, Alice, you know there's this crazy, weird thing that happens when you write. As a writer--
Alice: Wait, is this a lesson in writing from Jenny Schecter? Oh fuck, let me grab a pen.
Jenny: Get a pad, too. So this thing that happens when you write is that you draw from your own life and then, in turn, you take those experiences and you use something called imagination, Alice.
Alice: Ohh, imagination! God! So that's the thing you were lacking when you could barely change our names, huh?
Jenny: Just a second. You guys, do you... do you hear that? (pretends to listen to something) Oh my god, it's Monet. Monet has come back from the dead and he wants me to give you a message. He says, "I am so sorry for sitting in front of my pond in France, and sketching those water lilies, and using the water lilies as actual inspiration. Sorry to offend, Alice."
Alice: Right. Oh, wait, he's talking to me. So weird. (pretending to listen) Huh? What? OK, I'll tell her... He said don't ever fucking compare yourself to him.
Shane: (about Shay) He has a playdate with his friend.
Bette: Nice. It's probably the last word on earth I ever expected to be uttered from your lips.
Shane: Well, if the playdate goes well, we might try for a sleepover.
Bruce Davison (Leonard Kroll) receives the "And" credit.
The music playing in the scene where Jenny and Lindsay are at a restaurant is Bring It Back by Alyssa Pridham. She also appears in the episode playing Ruby, the hot girl Shane is eying at the night club.
Music Featured in This Episode:
- Paralyzed by Betty Wright
- 'Tain't Nobody's Bizness If I Do by Mary Stallings
- Bring It Back by Alyssa Pridham
- Blues by Five by Miles Davis
- Runaway by Lazy
- You Ain't Gotta Lie by De La Cruz
- Heavy by Jennifer Johns
- Everything Is in Your Hand by Tigarah
- Shooting Star by Les Baxter
- Tick Tock by Mz Fontaine
- Way Out by Lazy
- Daylight by Lazy
- Tender Love by Jill Sobule
Rose Rollins (Tasha) has been added to the opening credits.
Cybill Shepherd is credited as a Special Guest Star.
In the behind-the-scenes video on OurChart.com, director John Stockwell tells that, although the majority of the show is shot in Vancouver, Canada, the scene of Bette and Tina meeting at Toast was shot in the real Toast in Los Angeles. He thought that they should actually order and eat something because you never see anyone order anything at a restaurant in television. The scene where a waiter (an extra) comes up to take their order wasn't scripted and it really is Jennifer Beals and Laurel Holloman ordering the same thing (Cobb salad) at the same time, unprompted.
He also tells that much of the dialog in the scenes where Jenny and Lindsay are at a restaurant, and where Alice and Jenny are arguing over Jenny's New Yorker piece is ad-libbed.
Les Girls
Jenny's short story that gets published in The New Yorker, "Lez Girls", is a reference to (and a pun of) the 1957 musical Les Girls, starring Gene Kelly, about a group of former showgirls. One of them has written her memoirs and – quite ironically – the other two are trying to prevent her from getting it published.
In Jenny's New Yorker story "Lez Girls", Marina's alter ego is called Karina. This is an inside joke since Marina was played by actress Karina Lombard.
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S 6 : Ep 8
Aired 3/8/09 (1:05:00)
S 6 : Ep 7
Aired 3/1/09 (52:00)
S 6 : Ep 6
Aired 2/22/09 (59:00)
S 6 : Ep 5
Aired 2/15/09 (55:00)
User Score: 329
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