Although the buildup from the previous episodes lays out an expansive plot thread that leads to Rory's triumphant return to Ireland to try to free his people using donations from his business, the story seems to run out of steam, both emotionally and content wise. Linda Purl and Simon MacCorkindale are able to reprise their previous charming existence together. However, and this is perhaps an artifact of the typical romance novel, the Rachel - Rory relationship begins to self-destruct, as planned for the storyline, but not as subtly as it could have.
Meanwhile David Soul manages to give his character a little more life and omph but the story seems to shift to a new character, that of John Carpenter (aka Sean O'Manion but not really) played by Nicholas Hammond, who very expertly played Rory's fraternal twin Padric in an earlier installment). As part of the next generation (born or immigrated to as infants) in the U.S., he and Kathleen Beller as Maureen O'Brien take more of a center stage to bring some acting balance to the episode. And along with the steady-as-a-rock performance by Simon Rouse as the doctor Eamon Flemming, the episode moves along well. However it then leads to a somewhat Hollywood style showdown and shootout, until it suddenly comes to a sudden halt, with the death of Caleb and the birth of Rory's first child (a male) to survive after many many attempts. And as the kicker, Rachel dies in the process, purportedly serving to be the ultimate outrage to a lifetime of outrages for the O'Manion clan, yet leaving the story dangling, without a hope for a sequel or some resolution or closure.
At this point, considering the genre, I would suppose it was a decent episode thanks to the steady hand of the supporting cast. But it is marred by its sudden and somewhat unsatisfying ending. However the miniseries as a whole (and not so much as a sum of its parts( does a service in bringing out the historic context of the era, and that to me made it a fascinating view.moreless

