The Outer Limits - Original

Season 2 Episode 5

Demon With A Glass Hand

2
Aired Monday 8:00 PM Oct 17, 1964 on ABC
9.3
out of 10
User Rating
53 votes
2

EPISODE REVIEWS
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Episode Summary

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A man with a computer inside of his glass hand attempts to unravel the mystery of who he is, and why genocidal aliens from the future are trying to capture him.

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SUBMIT REVIEW
  • TOL--"Demon With a Glass Hand"

    8.0
    "Demon With a Glass Hand" is a very good episode. Robert Culp is great in the lead role as "Trent", the last man on Earth left to battle an alien race and save humanity. Byron Haskin's direction really recreates the isolation of the Trent character. The story is perhaps the most action-oriented script of all Outer Limits episodes. Trent has a glass hand that is missing three fingers. The hand is actually a computer that guides him through his battle against the alien race called the Kyben. Both Trent and the Kyben need to complete the assembly of the hand. For Trent, it holds the secrets of what happened to the human race. For the Kyben, it will reveal where the human race went. You see, the entire population of Earth simply disappeared before they could be wiped out by the Kyben. The hand is a convincing and neat looking effect, but it's got to be. Along with Trent, it is the center point of the story. The ending of "Demon" is perfect. It leaves you with a feeling of loneliness.



    What doesn't work here is the cheesy effort to create what is supposed to be an alien race that conquered the Earth in just 19 days. The Kyben are such a letdown from an effects perspective, its a distraction. Not much should be expected from '60s special effects, but panty hose and black circles around the eyes?!? Even with the limited budget, you'd think the Outer Limits braintrust could have done something more when creating the Kyben.



    One other thing that Schow mentions in his book, The Outer Limits Companion, is also tough to get past...why does Trent not so much as check on the "force bubble" that confines him to the Dixon Building? It seems unbelievable that he would not even verify it's existence. Perhaps it is not a concern to him because he knows his mission will only be accomplished from within the confines of the building.



    Those items aside, it's easy to understand why "Demon With a Glass Hand" is considered by many to be a classic science fiction story.



    My Rating: 8 - Very Goodmoreless
  • Today's aspirants want this. The future-glance episode, so well realised, would be best as a noire film, and all original contributors, are foremost in my mind. Gilgamesh indeed, alone but purposeful at end. The best of writing, acting and construct.moreless

    9.1
    Mr. Harlan Ellison: So gifted but out of kilter re current time with his insights, exorcised through short story or script writing. A man who feels the pain of "televising" the vision but continues, making compromises to ensure the vision-intact rockets on-through;

    US SCI-FI TV 1960s : Stridently versus the Gleasons etc - future-thought against pantomime,and

    Stevens/Stefano : Thinking always to the audience that thought "hey...what if?"

    The Directors, Set Makers : Making so much with little, and, even adults hide behind couches.



    Even now I hide but think. Forget "Monster of the Week" - just read the paper and what is coming tomorrow.moreless

Trivia, Notes, Quotes and Allusions

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  • TRIVIA (2)

    • When Trent sneaks into the Dixon building, he "talks" to his hand, and the glove covering it is a much lighter shade than in all subsequent shots, where it is a dark brown verging on black.

    • In the opening narration, the word "Sumerican" is used by mistake instead of Sumerian. This was due to a typing error during production of the scripts.

  • QUOTES (7)

    • Control Voice: (opening narration) Through all the legends of ancient peoples--Assyrian, Babylonian, Sumerian, Semite--runs the saga of the Eternal Man, the one who never dies, called by various names in various times, but historically known as Gilgamesh, the one who has never tasted death...the hero who strides through the centuries...

    • Trent: I was born ten days ago. A full-grown man, born ten days ago. I woke on a street of this city. I don't know who I am, or where I've been, or where I'm going. Someone wiped my memories clean. And they tracked me down and tried to kill me. Why? Who are you? I ran. I managed to escape them the first time. Then the hand, my hand, told me what to do.

    • Consuelo: I'm sorry, it's just that I can't stand violence.
      Trent: When it's gone this far, it's more than just violence.

    • Battle: I'm prepared to die.
      Trent: How prepared? Why not give yourself a couple of minutes?
      Battle: We all knew we would die when we came on this mission. It was worth it.
      Trent: You can stay alive in this time.
      Battle: I don't care about that. Helping my race is more important.
      Trent: Bargain week on patriots.
      Battle: Call it what you like. I'm not afraid to die.
      Trent: Really? Then why are you whispering? You Kyben were always super patriots, especially when you bombed Earth from ten miles out. How does your patriotism sit with burning women and children alive?
      Battle: That's war.
      Trent: So's this

    • Trent: (referring to death) I was in a dark place. Someone was calling my name, over and over, down in a long corridor.

    • Trent: To save all of Man, I have to become a killer.

    • Control Voice: (closing narration) Like the Eternal Man of Babylonian legend, like Gilgamesh, one thousand plus two hundred years stretches before Trent. Without love. Without friendship. Alone: neither man nor machine, waiting. Waiting for the day he will be called to free the humans who gave him mobility. Movement, but not life.

  • NOTES (4)

  • ALLUSIONS (0)

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