(Synopsis - some spoilers): Homer invites Wayne, a surly and troubled guard from the power plant, to live with the Simpsons after Wayne loses his job. (How Wayne loses his job is kind of a convoluted story, but basically Wayne defends the Moe's Tavern crew from Snake using all sorts of far-out martial arts techniques, Burns attempts to give Wayne an award, Wayne has a flashback to his troubled past and assaults burns). The Simpson family members learn to stop worrying about a former CIA agent prone to unprovoked violent outbursts living in their home and start loving the ways he seamlessly teaches elaborate martial arts tricks to the kids (aside: yet Fox still thinks Homer's animated ass is too "adult" for thechild audience the show increasingly solicits). When Wayne's Ukrainian foes discover that Wayne is in Springfield, they come to Springfield and kidnap Homer, believing Wayne will come to rescue his friend, at which point the Ukrainians will have the chance to exact vengeance upon Wayne.
(Major spoilers here): Homer doesn't die. Wayne saves him and defeats the Ukrainians with some pep squad gear he got from the closet at an ice arena (see, the Ukrainians decided to hold Homer hostageat an ice arena. How they got access to the arena is sort of left up to the viewer's imagination). It is revealed that Wayne accidentallyshot the Ukrainian boss' wife after they (the boss and his wife) got into a cartoonishly silly domestic argument. In one of the episode's few inspired moments, Marge gets Wayne a job at the DMV, where HR takes kindly to borderline psychos. In a completely unrelated epilogue, Ned and Edna announce that they're together. Seymour interjects his disappointment and Agnes gives him predictable grief. Welcome to the 23rd season!
It's never a good sign when the first episode of a new season focuses entirely on a one-time guest character. No one fromOFFgrew, developed or even did anything except Homer, and all that Homer did was serve as an accessory to Wayne's storyline and be the butt of cheap jokes about his (Homer's) stupidity. As you can tell from the synopsis above, the storyline was farfetched, and lacked theirony/satirical witthat made similarly farfetched plots work in the past. E.g. whereas "You Only Move Twice" took a common reality - thatpeople work for evil corporations without really being aware of it - and exaggerated it to great comic effect,there really didn't seem to be any point to this episode.The whole idea seemed to be: take the rough outline of a really bad action movie, fill in all the blanks with Disney Channel cartoon-standard goofiness (to eliminate the possibility of anything being at stake dramatically), sterilize it to the point of unnerving germaneness, dumb down all the humor to Disney Channel levels, and insert a few jokes about Homer being dumb. The writing was atrocious. From the Comic Book Guy's opening speech to maybe five lines each from Bart, Marge and Lisa to nearly a minute of an autotuned Crazy Cat Lady to an introduction to Springfield'sLittle Ukraine (remember when Springfield used to seem like an actual small city?) to Homer cutting away tohisfuturistic dreamsto the predictable Seymour/Edna banter at the end, this episode was an exercise in hackneyed characterizations,Saturday morning cartoonishness and Family Guy-inspired cutaways to uninspired randomness.
End rant.
All that said, it was nice to see that there really wasn't much fo a "B" plot here. Sticking to one storyline - albeit a pointless one - is a step in the right direction.
Look,I don't want to see "The Simpsons" get cancelled. I don't want to see it continue losing viewers. I don't want to see it go down in the books as simply part of a Seth McFarlane-dominated evening of cartoons on Fox. I don't want it to go down in the books as just *a* show. I want it to go down in the books as *the* show, the show that defined the generations that watched it, the show that brought disparate tastes together, the show that never gave up trying to reach new heights, the show that always had something to prove, the show that pushed every limit of the televisual medium and emerged with week after week of unprecedented greatness. Yeah, the show's been in a rut for over a decade, but the rut's gotten a lot deeper over the past couple of years, and it would be really, *really* nice to see the producers try to make this season a special one.Ep.500 is going to spark a lot of renewed interest in the show. People who stopped watching long ago might tune for old time's sake and might keep watching if the quality is any good. People who never watched before might start tuning in due to all the free publicitythat will surround the show over the months to come. What effect, if any, this will have on the show could have a major impact on its future. Based on tonight's episode, it doesn't look good.
For a long time, fans have been saying the same things: fewer guest character-oriented episodes, fewer "The Simpsons do [insert convention here] humor, less distillation of supporting characters to stock caricatures, less Family Guy-inspired humor, less Saturday morning cartoonishness. Honestly, it's nice to see the writers and producers listen to the fans with respect to "Nedna," and I acknowledge that Fox probably deserves more blame thanAl Jean doesfor pandering to elementary school tastesto the exclusion of all others, but it doesn't seem like the show's producers/writers are paying attention to fans' input on things that really matter to the show.