This first episode of The Twilight Zone exhibits all the traits that would go on to make the show so great. We follow the hero of the episode (a man with amnesia) as he tries to figure out who and where he is. The great twist is that he cannot find anyone else to talk to. He is all alone. Slowly, the unnamed man begins to believe he is the last man on earth. Then, shocking events have him wonder if he is not alone, but being watched. The final twist to the story is a classic Twilight Zone ending. While the ending may seem somewhat dated, it ties up the story nicely. Overall, another classic episode that mixes curiosity and dread very effectively. I gave it 9.5 out of 10.
I absolutely adore this episode. I love how our main character goes into paronia and near insanity. The end has to be the best part when they take him and tell him next time it wnon't be an illusion and showing the possible consequences of space travel. Great episode showing how man can never survive loneliness.
a really well written episode. even though there is only one person until the conclusion, the actor keeps the episode going and does not let it get boring. this episode was the first episode i have watched of the twilgith zone and because this episode was so good, i became a hugh fan of the series.
Earl Holliman (who would later star with Angie Dickinson in "Police Woman") gives a fine performance as a man who can't figure out how he ended up in this small town where everyone seems to have gone on vacation. He is perplexed at first, then becomes terrified when he realizes he is completely alone but can't figure out why. I didn't realize that the commanding officer in the end later played Inspector Luger on "Barney Miller" until I had seen this episode a few times.
An exciting beginning to one of the most creative and innovative television programs ever made. This episode strikes a chord because it taps into two of man's greatest fears: autophobia, which is the fear of being alone, and the paranoid feeling that somebody out there is watching us. The episode did an excellent job of creating that terrifying feeling of solitude and how a person can become psychologically unstable eventually in a situation such as this. His fear continues to grow, to escalate until he breaks down completely and cannot take any more.
And of course, we have that twist at the end that has been the staple of "The Twilight Zone". This episode would set the tone for the rest of the series.
This episode is really cool. This guy finds himself in an empty town and has no idea who he is, yet he manages to keep his cool for a surprisingly long time. But eventually he loses it and really needs to talk to people. It's really great acting too, considering that there is only one character for 95% of the episode, and he really does a great job. One of the coolest parts is when the man runs full speed into a mirror and it looks like he's running at the camera. A great twist at the end, and a great way to start one of the greatest mystery series ever.
One of television's most rightly revered series, The Twilight Zone (CBS, 1959-64) stands as the role model for TV anthologies. Its trenchant sci-fi/fantasy parables explore humanity's hopes, despairs, prides and prejudices in metaphoric ways conventional drama cannot.
Creator Rod Serling wrote the majority of the scripts, and produced those of such now-legendary writers as Richard Matheson and Charles Beaumont. The series featured such soon-to-be-famous actors as Robert Redford, William Shatner, Burt Reynolds, Robert Duvall, Dennis Hopper, Carol Burnett, James Coburn, Charles Bronson, Lee Marvin, Peter Falk and Bill Mumy, as well as such established stars as silent-film giant Buster Keaton, Art Carney, Mickey Rooney, Ida Lupino and John Carradine.
A solid beginning to this classic series that suffers from a bit of bad acting and a rather unconvincing ending. It's a brave choice to use only a single actor to carry the episode but it forces that actor to engage in a running monologue that becomes tedious as he yaps on about how much money he has in his pocket and so on. A better actor might have made the monologue seem less awkward or perhaps the script needed some tightening.
There are moments of brilliance to be found in this episode. The camera work is very, very good throughout this episode, in particular during the theatre scene, which is a tour de force of fear and paranoia. The shot of Ferris running into his reflection in the mirror is genius, suggesting the shattering of his own psyche as he is forced to confront the internal terror he feels at being left alone. The Bernard Herrmann score is, of course, very good, with a definite 'Vertigo' sound and feel ('Vertigo' had been released the year before this episode aired).
It is without a doubt a very special episode that marked the beginnings of the new television era. An era when entertainment met depth and when TV started looking into giving more than action or a few laughs to its audience but food for thought as well.
This is not the best episode of the show by far... the storytelling gets stale after about 10 mn and the outcome is outdated by a half century but it remains a classic in the format, in the genre and in the production and it is a must-see for anyone who ever enjoyed high-minded short stories.
This is real scifi, a genre that has been trashed for years, a bare storyline with no special effects that requires suspending your disbelief to learn a valuable lesson on human kind...
I like the entire episode except for the ending explanation. So I feel it is just an average episode with nothing too much special. The strange town where the guy is located at is Hill Valley, California from "Back to the future." Also known as the Universal back lot.