The X Factor

Season 1 Episode 11

LIVE Performance Show 2

3
Aired Wednesday 8:00 PM Nov 02, 2011 on FOX
7.7
out of 10
User Rating
12 votes
1

EPISODE REVIEWS
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Episode Summary

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LIVE Performance Show 2
AIRED:

The top 11 contestants perform songs from the movies as they compete to get America's votes.

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SUBMIT REVIEW
  • There are times when I legitimately think that The X Factor is a fun and refreshing update of the formula American Idol pioneered, and then there are times where I really wonder why we need both shows in our crowded entertainment universe.moreless

    6.5
    The latter thought usually comes up when The X Factor drops all pretenses of even trying to be a different show than its predecessor. Case in point: Movie Night. On Idol it's often such an all-around disappointment that one wonders why the producers wouldn't either tweak the guidelines or get rid of it wholesale. There's only so many times a performer can come out with some Chris Brown track that was supposedly featured in their cousin's basketball team season highlights reel on YouTube before the whole theme starts to seem pointless. And then there's the obligatory Hollywood movie premiere, which doubles as the contestants' first big media event and their first chance to show their future handlers how good they are at spewing BS on the red carpet.

    If that was the sole criterion by which these folks were being judged, Drew would be leaving the rest of the competition in the dust. "Justin Bieber is my favorite musician in the whole world, but Adam Sandler is my favorite actor!" she squeals, which made me question her sincerity for a moment before I remembered, oh right, it's Drew. This taste question ends up foreshadowing her performance that night, a halting rendition of Coldplay's "Fix You" that is in no way helped by a background of splatter paint, neon ponytail extentions, and a dress that looks like something made in a Project Runway unconventional challenge sponsored by Hefty. And just as Paula is insulting the whole look, surprise! Simon reveals that it was all Drew's creation. Robbed of the what's pretty much become the de facto method of sidestepping criticizing the performer by criticizing the mentor, Paula gets flustered and snippy, but it was kind of cool to see Paula accidentally slam someone; she should try doing it deliberately now and then.

    Prior to that we started off with Stacy Francis singing some song nobody had ever heard of off the Bodyguard soundtrack, and while I'm grateful that she, unlike so many before her, resisted the urge to do the obvious number from that film, "Queen of the Night" wasn't necessarily a smarter choice. Stacy shrieked and stomped across the stage wearing a pained expression through most of the number, and like Chris Rene last week, made the unfortunate decision of baring a part of her head she had heretofore kept wrapped in secrecy; in this case, her forehead. Simon said she looked "cute," but Simon also said that You, Me and Dupree was one of his favorite movies of all time tonight.

    Following in the tradition of Movie Nights past, many of the contestants were off their game tonight. Leroy squandered one of his first truly smart song choices by again failing to connect with the audience and never quite reaching the emotional heights the song demanded. Loathe as I am to say it, Josh didn't bring anything particularly new or interesting to "With a Little Help From My Friends" even though it seemed like the most natural song choice in the world for him. Melanie delivered a fairly forgettable performance of "Man in the Mirror," and the stodgy stage production, and Simon's effusive overpraising felt like a sabotage from top to bottom. I find it impossible to try to figure out what Simon's goal is as far as shaping the audience's perception of Melanie or any of the contestants, but my best guess is that he just wants his little show to be exciting. That doesn't make any of this shameless manipulation any less dumb.

    The two remaining groups both stayed more or less in their comfort zone, which is probably a smart idea: if it is in fact harder for the audience to connect with groups than it is with individuals, then it's probably best to pound their "style" into everyone's head, rather than try to branch out just yet. For Stereo Hogzz, that means more retro-tinged R & B and for Lakoda Rayne, it's going back to the most generic, inoffensive pop-country they can muster. Neither group particularly stood out, but Lakoda Rayne at least got to shake off the staidness of last week's number and have a little fun.

    So who actually did well tonight? LA all but tied Marcus to the mic stand in an effort to rein him in and more effectively show off his vocal skills for "I'm Going Down," and it paid off. I still have a hard time watching Rachel Crow play "grown up" on stage, but vocally, her performance of "I'd Rather Go Blind" was just shy of flawless. Maybe it's time to stop Shirley-Temple-izing Rachel – after all, she's just a year younger than angst princess Drew and her vocal control is every bit as mature. She was much more subdued on stage tonight, the forced cuteness all but vanished, but from what I understand the platform heels Simon put her in were killing her and she very well may have been about to burst into tears the whole time.

    If it's weird to think about Drew being just a year older than Rachel, then it's just as odd to think about Astro, despite his babyfaced looks, being a year older than Drew. I've been ripping a bit on Brian Bradley these last couple weeks just because the kid is so precocious and snotty, but tonight I have to admit he won me over. It may seem like a bit of a gimmick to have a 15-year-old rapper on a show like this, but it's still very true that Astro is an underdog for the win. There's not typically a lot of nuanced appreciation for hip hop on mainstream TV, and I guarantee that a lot of The X Factor's core demographic would look at Astro's electric, well-written take on "Lose Yourself" and Chris Rene's limp, muddled reinterpretation of "Gangsta's Paradise" and dismiss them both on the grounds that they just don't like "rap" that much. I feel a bit badly for Chris Rene for being run circles around by a kid in fake glasses, but humility and a troubled backstory do not always equal superior talent. And Astro may not be humble in demeanor, but he attacked the song like a person who is keenly aware that they have to work hard for their audience's respect, which in many ways is a more important kind of humility.

    And now, my picks for the week, which I'll start including from here on out.

    Best: Astro

    Worst: Stacy Francis

    Most Improved: Rachel Crow

    Going Home: Leroy Bellmoreless

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