This was an episode that, once upon a time, I watched repeatedly. I loved the fact that it took place during Prohibition and involved gangsters and G-men and all those good sorts of things. (I also enjoyed it because of getting to hear Paul Popowich play the jazz piano.) And I still love those elements. But when I watched this episode again recently, I found something very strange that reminded me of why I don't agree with the show's premise anymore and which seems to contradict everything.
Othniel says to Charlie during the life review that he has been paying for his crimes ever since he was arrested. He has "paid his debt to humanity, but now must pay his debt to himself." So he is sent back to be able to keep Rose as his love. But if he never got arrested, he never paid his debt to humanity, and all the good things he did are null and void because, frankly, they never happened. When I realized this, it seemed to me that the episode was saying that love was more important than anything else. True, they did go out of their way to show that Charlie was a basically good person, who loved his music, but he was still involved in the moonshine racket. And judging from the beginning of the episode, after Charlie got out of prison, he later went around teaching children about the dangers of getting involved with gangs and such. Mr. Smith makes no mention of Charlie doing any such things in his "new life." It was apparently only important for him to get Rose. Nothing else mattered, including the fact that all the people whose lives Charlie had touched before would now never have those experiences.
If one wishes to ignore all of that and to just enjoy the story, however, they will not likely be disappointed; especially if, like me, they enjoy the time period this episode is set in. And there's always Mr. Smith's excellent piano playing, not to mention that the fedora looks perfect on him.moreless
