Twin Peaks

Season 1 Episode 4

Episode Three "Rest In Pain"

1
Aired Thursday 9:00 PM Apr 26, 1990 on ABC
9.0
out of 10
User Rating
154 votes
2

EPISODE REVIEWS
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Episode Summary

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The next morning, Cooper meets with Audrey, who confesses to leaving him the note about One Eyed Jack's. Cooper tells Truman he can't remember who the killer was in his dream, but insists the dream is a code to solving the crime. Albert, after offending everyone in town, is forced to end his autopsy early. Albert and Truman come to blows. Bobby, James and Leland all make a scene at Laura's funeral. Laura's identical cousin, Maddy, arrives in town. Norma's husband, Hank Jennings, is up for parole. Cooper has suspicions about Dr. Jacoby. Leland shows signs of cracking.

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SUBMIT REVIEW
  • The Da Lynchi Code

    9.3
    Like the previous episodes, the quick pace and atmospheric locations never let up, with Twin Peaks being as impressive as always. In the episode, Cooper believes a code from his dreams can help discover Laura's killer whilst Laura's funeral brings out the true feelings of some of the locals.



    One scene I found particularly interesting in this episode was Laura's funeral. In the scene, Bobby puts the blame of Laura's murder on all the residents of Twin Peaks, since they all knew she had problems and nobody even tried to help her. It's a powerful moment, as Dana Ashbrook does so well with the material (and is quickly becoming one of Twin Peaks' most interesting characters) and the excellent camerawork showing each leading character, looking mainly regretful or guilty over their part in the murder.



    This episode marks the introduction of Madeleine Ferguson, Laura's cousin, who is also played by Sheryl Lee. Inspired by the Hitchcock movie Vertigo, the idea of two identical cousins, one blonde, one brunette, adds an illusion of film noir to the series and continues to the mind games David Lynch and Mark Frost have already created for the audience.



    I was also impressed by Harley Peyton's writing; in particular of the dialogue he gave to Cooper. His almost robotic speech patterns are hilarious and the way he has become almost obsessed with tiny little details about the town and his anger whenever somebody says anything bad about his new residence made for some of the best scenes this episode.



    Of the supporting cast, I'm slightly concerned of what part Norma has to play in the series. I'm a big fan of Peggy Lipton and I hope she's soon given a storyline a little more connected to the Laura Palmer murder, as her own personal dilemmas are becoming slightly tedious. On the other hand, the Mill storyline is becoming increasingly entertaining, mostly due to the scene-stealing Piper Laurie, who's amazing when it comes to psychopaths.



    Director: Tina Rathbourne

    Writer: Harley Peyton

    Rating: A-moreless
  • Touch Of Evil

    9.0
    Coming on the heels of a Lynch-directed episode, this episode has a tough act to follow. It is a more subdued affair, containing a lot of sitting and chatting between various characters. As compared to other episodes in the series, it is comfortably average and it contains little in the way of surreality or dream logic.



    The episode opens by deftly stepping away from the cliffhanger bombshell dropped by Cooper at the end of the previous episode. As Truman and Lucy wait anxiously for Cooper to reveal the identity of Laura's killer, Cooper describes the entirety of his dream with a clipped precision before ultimately admitting that he has forgotten the name whispered in his ear by Laura. But no matter, he beams, "Break the code, solve the crime!"



    Overall, the events of this episode all seem to serve the end of revealing an underbelly of evil in the fair town of Twin Peaks. We learn that Laura had a drug habit, that many in the town are either indifferent or wracked with guilt over her death and that there is some hidden dark evil out in the woods. The introduction of Maddy's doppelganger-like character adds a noirish element into the mix, which further darkens the emotional atmosphere.moreless
Royce D. Applegate

Royce D. Applegate

Minister

Guest Star

Jed Mills

Jed Mills

Mr. Mooney

Guest Star

Robert Bauer

Robert Bauer

Johnny Horne

Guest Star

Grace Zabriskie

Grace Zabriskie

Sarah Palmer

Recurring Role

Miguel Ferrer

Miguel Ferrer

Agent Albert Rosenfield

Recurring Role

Walter Olkewicz

Walter Olkewicz

Jacques Renault

Recurring Role

Trivia, Notes, Quotes and Allusions

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  • TRIVIA (3)

  • QUOTES (6)

    • Truman: There's a sort of evil out there. Something very, very strange in these old woods. Call it what you want. A darkness, a presence. It takes many forms but... its been out there for as long as anyone can remember and we've always been here to fight it.

    • Albert: Oh yeah, well I've had about enough of morons and half wits, dolts, dunces, dullards and dumbbells ... and you, you chowder-head yokel, you blithering hayseed. You've had enough of me?
      Truman: Yes I have. (Punches Albert in face)

    • Cooper: Nothing beats the taste sensation when maple syrup (claps his hands) collides with ham.

    • Log Lady intro:There is a sadness in this world, for we are ignorant of many things. Yes, we are ignorant of many beautiful things--things like the truth. So sadness, in our ignorance, is very real. The tears are real. What is this thing called a tear? There are even tiny ducts--tear ducts--to produce these tears should the sadness occur. Then the day when the sadness comes--then we ask: "Will this sadness which makes me cry--will this sadness that makes me cry my heart out--will it ever end?" The answer, of course, is yes. One day the sadness will end.

    • Albert: Look...it's trying to think.

    • Johnny Horne: Amen! Amen! Amen!

  • NOTES (2)

  • ALLUSIONS (2)

    • Les Miserables:
      Hank Jennings prisoner number is 24601, the same as Jean Valjean's in the classic novel Les Miserables by Victor Hugo.

    • Laura Palmer's identical cousin, Madeleine Ferguson, gets her name from two characters in the film Vertigo: Madeleine and Scott Ferguson. The idea of the identical "Laura" comes from the noir classic Laura.

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