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Episode Score

 
9.4 Superb
625 votes

Your Score

Air Date

Thursday March 20, 2008

Production Code

3T6314

Episode Summary

Clark is kidnapped by a mysterious team of mercenaries, and when Chloe and Lana go to Lionel for help, he expresses his suspicions that Lex is responsible. Chloe and Lana then convince Kara to go with them to the Fortress to ask Jor-El to restore Kara's memory because she's the only person who can rescue Clark.

Read Full Recap » (warning: possible spoilers!)
  •  
    1 Abysmal

    I think member "petef20" said it best in his review of this poorly written dreck... hide show

    "I kept telling myself that as I've watched the first six and a half seasons know I might as well see it out to the finish and that's still my only real reason for watching the show." -petef20

    With this simple statement "petef20" has summed-up my feelings toward this show completely!

    I've always been a huge fan of comic book superheroes, (Spider-Man is my personal fave) but never watched Smallville during its initial run. I only started started watching this show after a "friend" told me how great it was. I saw that seasons 1-6 were available on DVD, so I got them. I watched the first few episodes totally unimpressed. The only thing that held my attention was watching Clark's abilities manifest, and the "knowledge" that it would eventually get better. (Remember, my friend told me it was great!) Yet, here we are, 7(!) seasons into this sh*t, and I'm *still* waiting for it to be great. (Actually, I've given up on it ever achieving greatness. Right now I'd settle for "'Fair' or 'Decent', even. Contrived situations; Characters that change 'character' depending on the situation; And my biggest peeve: Abilities that are only acknowledged or used when the story dictates. Why, Why, Why would Clark need to walk to the edge of the stairs in his loft to see who had come in? Why not just look down with x-ray vision? How is it that 8-10 mercs wearing boots and body armor, and carrying click-clacking weapons can sneak up on a guy who has super-hearing?! Hell, even the dog (with his normal ears) would've been barking had he been there. And why would Clark just stand there after being hit by the first Tazer? Um... Doesn't he have super-speed??? (Oh that's right, this is the same speedster who we've seen on countless occasions let a bad guy escape because he arrived at the scene just as the bad guy walked off-stage.)

    Maybe the writers think that the viewing audience can't handle strong writing, believable situations, and relevant storylines? Thus far all we've gotten is sticky-sweet, teen-style romance, garbage stories, generic-flavor-of-the-month bands/background songs, and excessive product placement! (Yes, DELL/TOYOTA/STRIDE I'm looking at YOU!) Ugh! And who in their right mind rates this poorly written trash a "10"????

    Someone wake me when this show gets GREAT.

    -Slaughter

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  •  
    10 Perfect

    Girl power! hide show

    Lana, Chloe, and Kara team up to save Clark. This episode I liked a lot. First of all becaus Kara gets her memory back. Whch is amazing. Finally! And Chloe convinced Jor-El, she might as well be Kryptonian. Anyways I also like dthis episode because it shows Patricia Swan to carry one her Dad's legacy. Sucks she had to die, she could of been Clark's best friend. Lionel trapped him to protect him. I amn sick and tired of hearing him say that. It annoys me greatly. Finally Clark & Lionel's bond is over. Glad to see that happen. Anyways a very good episode.

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  •  
    8.5 Great

    Lionel detects threats to Clark, and takes dangerous steps to protect him through imprisonment, while Lana and Chloe try for a rescue by attempting to restore Kara to her former self. hide show

    Lionel receives a sealed letter in his office, but we get no clue to the contents, only that it's somehow disturbing, but the scene is nicely synchronized with an operatic aria. A shift to the farm has Clark checking the location of the spaceship/cave key in it's hiding place. Somehow a gang of armed kidnappers appear and fire into Clark a number of green electrodes which pump him with meteor rock fluid - he's paralyzed into submission, as the bad guys surround him in a circle with their automatic weapons all aimed at one another. If they fired, Clark wouldn't be the one to be hurt, so this is all for dramatic effect. And how could Clark be taken by surprise in this manner - he didn't even super-hear this crowd come into the barn?

    Continuing the story from last week, Lana and Chloe recite dialog telling us that Clark intended to go to the Fortress to help restore Kara's identity. Chloe finds the key is still in the barn, so Clark did not get to the Fortress - Lana finds one of the taser-injectors used to subdue him. By now, Clark is in a small cell with bars which activate to green to confine him. He bleeds, he cannot escape, and the voltage is ramped up by his captor.

    Lionel helos to a pad in Metropolis, where he's met by Patricia Swann, whom he identifies as the daughter of Virgil Swann, the discoverer of Kal-El and the one who pushed Clark toward his destiny in Season 3. She has now received all the results of her father's research, and has been sending Lionel cryptic messages about it. She refers to the "Traveler," from another galaxy, who landed in Smallville in a meteor shower. Several families were involved in this discovery - Swann, the Queens, the Teagues, and...Lionel, who tries hard to deny all this. Patricia presses on - the four families formed "Veritas," an organization to protect the Traveler. This is a huge backstory - can all of it be found plausible given the many other storylines that have unfolded about these characters? The others all died, except Lionel - she accuses him of their murders to gain control of the Traveler for his own purposes. She threatens to release evidence linking him to the murders, unless Lionel takes her to the Traveler. He stonewalls her and departs.

    Kara is next for an update on her amnesia - someone has created en entire identity for her, school annuals, personal history, and more, but she tells Lex she does not feel that she was that person. Lex proposes a study by his neurologists, as he appeals for her trust. She agrees. Lex orders the tests to start immediately.

    Clark is still being tortured, when Lionel bursts in - it's shocking to find that he is the head kidnapper, but he wants no torture. He'd better have some pretty good reasons for all of this, or I'm going to start thinking badly of Lionel again. He's a bag of lies when Lana and Chloe later enter his office with the electrode. Lionel deflects their investigation by promising to look into a secret lab where Clark may be hidden, at LX Dynamics. By now, the various plots are getting so complicated that Lana and Chloe are given lengthy dialog to explain everything that has happened.

    Lana and Chloe hatch a plot to use Kara to rescue Clark by taking her to the Fortress for help from Jor-El. But first, how to get her out of Lex's clutches? He's busy with another visitor, Patricia, who looks much different than in earlier scenes. They have a bit of childhood history, and she gives him a drawing he made for her when young, which looks like kryptonian symbols; Lex does not remember. She's setting him up with stories of the "astronomy club" that Lionel used as a cover for Veritas.

    Lex is interested, and to his credit, shows Lionel the drawing and gives him the story as he heard it from Patricia. Lionel continues his denials; Lex asks why he killed the others. Lex leaves to get more information from Patricia - Lionel calls her, ready to make a deal.

    Lana and Chloe successfully defeat the mansion security and ask Kara to go with them, as Lex tries a lockdown, but Kara is gone. Back at the warehouse, Clark's torturer is pushing harder. Without the intervening step of the key and the cave, Chloe and Kara have transported to the Fortress, where Chloe calls out for Jor-El's help, and at last Kara is lifted by a shaft of light and her memory is restored. "Clark needs our help," Chloe tells her.

    In another surprising scene, Patricia is brought to the lab, where Lionel asks for her damning evidence against him, while she asks to see the Traveler. She sees Clark, imprisoned and suffering, and wants to meet him face to face. But that's not going to happen; Lionel's guard clubs her to the floor, and Lionel orders her sent home to Europe, and Clark sent back to the farm. But in a change of plans, head goon turns rogue, and pulls a gun on Lionel, threatening to terminate Clark. He bashes Lionel and ups the voltage on Clark, whereupon Kara to the rescue! She's a one-gal wrecking crew, blowing in the wall, zapping the controls with heat-vision, and ripping out the cage to free Clark. But the guard isn't done yet - he aims his weapon, requiring one more dramatic rescue, by Lionel!

    The wrapup is going to have to be extra long in this episode with so many hidden agendas. Patricia is at the farm with Clark, so she recovered from her head injury, and has her father's journal for him. It's filled with data and kryptonian symbols, referring to the Traveler. Can Clark live up to those prophesies from Krypton? She explains that Lionel is behind the murders - and one of many who would exploit Clark.

    Back at Luthorcorp, we have one more chance to learn what Lionel is up to, when Clark appears. Lionel claims to have been protecting Clark against potential threats, and that he built the cell to imprison other Travelers. But Clark is seeing Lionel as a never-ending threat. Lionel: "I'm a different man." Clark: "No, you're not." That sounds final, but Lionel will have more chances in the future to explain his motivations.

    At the barn, Clark returns Kara's bracelet, and tells her the Luthors are a lost cause, capable of doing the right thing only when it benefits them. Bad scene for an ending - on a bridge near Metropolis, Patricia is murdered by her driver - who was behind it? We see Lex wiping blood from her necklace, as he gazes at his childhood drawing. A shame to end this way, as the Patricia character was engaging and interesting, and would have created an opportunity for some good story lines. Still, it's good drama, although Mr. Welling gets to do little but writhe in agony for the entire episode, while Mr. Glover gets most of the good acting opportunities. Depending on how future episodes carry on with the Veritas story line, this might be a must-see. Re-run rating B.

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  •  
    9.6 Superb

    I take it back - this is the best episode of the season hide show

    A gripping struggle scene as Clark is very forcefully kidnapped by a mysterious team of mercenaries in his barn on the way to the Fortress. Chloe and Lana naturally go to Lionel for help, where he expresses his suspicions that Lex is responsible. Of course the whole thing was orchestrated by the man himself! Lionel is such a brilliant character who has evolved from the villain's daddy back in Season 1 to Jor-El's vessel in Season 5 to Clark's unlikeliest ally. A very tension-filled episode that had me hooked from start to finish and as Clark is cruelly tortured by a meteor freak-a-phobe in a kryptonite cage, Kara gets her memory back in pure elegance and the Kents are reunited! But Clark has lost complete trust in Lionel - something he may later regret...

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  •  
    8.5 Great

    supergirl to the rescue... hide show

    as usual this is another powerful episode except that it isn't clark that saved the day but kara with the help of lana and chloe. i wonder what got into lionel's mind when he kidnapped clark and caged him. did he really think that he wouldn't be found out? but to give him the benefit of the doubt, i think he really did mean well, i mean he instructed the guard to drop him off back at kent's farm so i guess he didn't really wanna harm clark but still, just the thought of caging him is stupid.

    after watching this episode, i couldn't help but question some scenes. where was lana when chloe and kara entered the fortress of solitude? who killed patricia? is lionel really good now or is he still manipulating the life of clark? i guess i just have to find out once i finish the whole season...

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Episode Cast and Crew

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  • When Kara is looking at the papers on her bed, the "Citizenship Award" has Minnesota spelled with only one "n." []
  • When Clark pulls out the first dart that hits him, there is no red shirt scrap attached to it. Yet when Lana and Chloe find it, there is a red scrap on the prongs. []
  • For some reason Lana and Chloe are doing research on Lex at the Daily Planet computers. The same computers that Chloe determined in the previous episode were being monitored by Lex. []
More Trivia
  • International Air Dates:
    Norway: Monday, April 14, 2008 10.50 pm on TVNorge
    Denmark: Monday, June 2, 2008 on TV3
    Australia: Thursday, June 26, 2008 on TEN HD
    UK: Tuesday, August 19, 2008 on E4
    Sweden: Friday, August 29, 2008 on TV6
    Greece: Sunday, October 19, 2008 on Star
    Belgium: Saturday, November 8, 2008, 18.20 on 2BE
    New Zealand: Friday, May 1, 2009 on TV2 []
  • In the opening scene, Lionel Luthor is listening to the Queen of the Night's aria from Mozart's "The Magic Flute." The Queen is singing about revenge against Sarastro, the high priest who kidnapped her daughter. Her anger is disingenuous, though, because she is actually the villainess of the opera, and she has an ulterior motive – she wants to have Sarastro killed so that she can gain ultimate power. []
  • Aaron Douglas previously played Deputy Bertigo in the first season episode "Obscura." []
More Notes
  • Pierce: (to Lionel) You know in all the time that I worked for Lex, not once did he put the interests of a meteor freak above the safety of the world. He knew when to terminate a project. But you, you're not your son. And I'm gonna terminate it for you. []
  • (After she rescues Clark)
    Kara: Clark, how could I have ever forgotten you? []
  • Patricia: (to Clark) My father often reminded me that despite the power of the sun, it's always night on half the planet. For all the good you do, there will always be darkness. People who would kill you or abuse your power for their own gain. []
More Quotes

Allusions

  • Chloe: Now, maybe we can Polar Express Kara there ourselves.
    The 3-D CGI movie The Polar Express (2004) is about a boy who doesn't believe in Santa Claus and then has an adventurous journey to the North Pole. The film stars Tom Hanks and was directed by Robert Zemeckis. []
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