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just_trin
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  • 9.5
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    member since: 04/23/05

    The Bottom Line: "Superb"

    The Next Generation of Comedy

    You're flipping through the channels and all you can find are the dozens of Law and Order clones and the typical sitcoms starring a fat guy inexplicably married to a skinny and attractive wife. Just when you're about to toss the remote aside and go complain that there is nothing original on TV anymore, you find something different. You find a murder mystery show that can make you laugh and a comedy that can capture your imagination and appeal to your analytical mind. No longer do you have to ponder whether you feel like laughing at Homer Simpson's antics or want to be swept into a mystery with Detective Brisco. You have found Monk: a show where you can get the best of both worlds.

    Monk, created by Andy Breckman, follows a consultant to the San Francisco police department named Adrian Monk; played by the brilliant yet understated former Wings star Tony Shaloub, who has the ability to solve any mystery with his super-heightened sense of awareness for the details of a scene. His ability to notice small clues and make accurate conclusions is unmatched by anyone in the police department. Monk once solved a case where the reason for a burgler's entry into a home was to steal a small valuable stone that had been accidentally placed at the bottom of a fish tank. That is why Captain Leland Stottlemeyer, played by Ted Levine, calls Monk in for the most difficult of cases. Although Stottlemeyer isn't a bad detective himself, he simply does not have the skills of Adrian Monk. One might ask why the greatest detective in San Francisco is only a consultant and not a full time detective. The answer to that is complex; Mr. Monk has a psychological disorder known as Obsessive Compulsive Disorder which was magnified when tragedy struck and his wife was killed in a car bomb. The mystery of who killed Trudy Monk remains to be the single mystery that Adrian Monk cannot solve. The event is so significant that it is referenced to in almost every other episode. But why is Monk funny? Although OCD is a serious mental disorder, it causes him to do funny and odd things and to worry about matters that not too many people would ever think to worry about. In the episode "Mr. Monk and the Other Detective" he is completely distracted by the presence of dog poop at the crime scene. His assistant asks "Did you step in it?" and Monk replies with a pained expression on his face "If I stepped in it I'd be in that ambulance right now, on my way to the emergency room praying for the sweet release that only death can bring". And when he is asked about his thoughts on the case by the Captain he replies "Ah, I'd say it's a terrier, a Yorkie, maybe a Chihuahua. Probably miles away by now. We'll never catch him" despite the fact that the captain wishes for his opinion about who killed the owner of a jewelry store, whose body is lying not ten feet away from him. Monk's OCD makes him fear a variety of different things, germs most prominently, and this is the source of many amusing moments such as when he reveals that he takes five showers a day and that he once washed his hands 100 times in one day. In "Mr. Monk and the Secret Santa" he was touched when he received a dust pan and brush for Christmas. His disorder also causes him to need things to be even and in order and in the episode, In "Mr. Monk and the Fashion Show" a fashion mogul was about to hire a model until Monk pointed out that one of her eye brows was slightly lower than the other. This would not have been noticed if it wasn't for Monk, so the model was plainly annoyed. Later in the episode Monk was so distracted by a model having only one mole on her back, that while she was turned around he tries to draw another mole onto her back (to make it even) but fails but tries again when her dead body is found latter in the episode.

    Adrian Monk is a character that we both sympathize and admire, and despite his often comical difficulties, he still solves any and all murders that he is asked to take part in. Unlike such impersonal shows like CSI, Monk allows us to view the mysteries from a distinctly personal point of view. CSI gives us such an objective experience; the two-dimensional characters collect the scientific evidence and throw the bad guy in jail. Rarely do we get to see a true genius at work such as a character like Monk, who's past and struggles we know. How he can look at a crime scene and come to conclusions would take CSI half the episode to find in the lab. Unlike shows like Two and a Half Men whose most complex plot involves the slightly dorky Alan trying to get a very attractive girl and the humor of it lying in his fumbling and eventual lack of success; the plots of Monk weaves witty deadpan humor with suspenseful murder mysteries. Almost as if the writers of Frasier and Law and Order: Criminal Intent got together to write a sophisticated and funny murder mystery show, by which Adrian Monk is the lovechild of the comically persnickety and pretentious Dr. Niles Crane and the Holmes-like and slightly disturbed Detective Robert Goren.

    Despite Monk being more interesting than shows like Law & Order and CSI, more smartly comical than Two and a Half Men and Friends, and having the best and funniest detective on television Monk airs on the USA network a channel that only cable subscribers get. The reason for this must be that Monk was the first show Andy Breckman ever created. I'm sure this show would have had a much larger venue if it had been pitched by more noted creators or producers like Dick Wolf or David E. Kelley who have had many shows on the larger networks like Fox and NBC. Fortunately Tony Shalhoub took the role of Adrian Monk, and won two Emmys, a Golden Globe and an SAG award for his role, the consensus is that no one could have played the role better than Mr. Shalhoub and his talent draws further attention to this underrated masterpiece of a television show.

    03/10/2008 8:54pm | report abuse
  • 8.5
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    member since: 04/23/05

    The Bottom Line: "Great"

    This show has worked its way up to being among my top ten favorite shows. Mainly because I haven't seen anything like it, its originality is what drew me in. Whoever thought of having a group of four kids discovering a virtual world had to be a creative genius. Compared to my other shows this one is the most different. Two of my other favorite shows are Justice League and Teen Titans. These shows are similar in that super heroes are trying to save the world with their super powers. That concept has been done many times and I admit it is still a great premise for a TV show. Everyone likes a good superhero show, with all the crime and death in the world people love to see those superheroes solve all the problems of the world. Code Lyoko is interesting in that they all do not have super powers in the real world but when they go onto that virtual world they become powerful and they fight off a virtual threat which can cause catastrophic diaster in the real world. The only thing I can think of that can possibly be similar to Code Lyoko is The Matrix, and even that isn't really very similar to this show when you think about it. I'd have to say my favorite character in this show is Aelita. I've never seen a character like her before; she has the most unique background story and the most unique powers on Lyoko. Aelita is a girl who had a mad scientist for a father who took her onto the virutal world and they got separated from each other. Aelita's memory was lost and she wondered around this virtual world until Jeremie, Odd, Ulrich and Yumi found her. Another thing that makes Aelita interesting is although she isn't that powerful of a character as far as superpowers (on Lyoko) the team cannot take down the enemy without her because she has the ability to deactivate the towers that XANA (the enemy) takes control of to influence the real world. All in all, this show is unique, exciting, different, and excellent and I can honestly say it is one of the best shows on television. In a world where sitcoms and cartoons are beginning to all seem the same and every time a new show comes out you can always say: "This new show is almost like that old show that used to watch". There is Code Lyoko a completely original idea among cliché.

    01/22/2006 9:53am | report abuse
  • 9.0
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    member since: 06/06/05

    The Bottom Line: "Superb"

    Fathers make choices. Those choices have consequences not just for themselves, but for their children. How those consequences impact on the relationship between fathers and their children is explored in this episode and contrasts with the central relationship of the series – that between Veronica and Keith Mars. For Veronica, Keith’s actions define their very existence and half a season has shown us the way Keith’s choices have shaped her life. In “Lord of the Bling,” we see the effect on two other families, the Hamiltons and the Echolls.

    In Keith’s case, his pursuit of Jake Kane for Lilly’s murder was a worthy and selfless cause, as far as we know. That pursuit ruined his life. However, Keith has compensation in Veronica. The motives of Bone Hamilton and Aaron Echolls are very different. Both men have placed a higher value on image and career than on family. Those actions, and the selfishness that underpins them, costs them their children.

    In Veronica’s case, it is her own sins that she reflects upon in losing a potential friendship. She rejects acting in accordance with her own judgment in favor of maintaining her position as Lilly’s best friend.

    Part of the problem with this episode is that neither the A nor the B plot is satisfying for a variety of reasons and, with one exception, neither really sheds much light on the motivations of the central characters. Bone Hamilton, in order to maintain his urban credibility, has assumed responsibility for a crime he has not committed. He has never considered the effect this, and his consequent imprisonment, has on his children. He doesn’t know either of them:

    KEITH: You sure it’s not just some kind of teenage misbehavior. It’s not uncommon for-
    BONE: Maybe your teenager. But Yolanda, she knew the rules. And her friend Gabrielle tells me that she was studying at her place ‘til midnight. Now my son, he finds her car up the block, the door’s open, the light’s still on, a sign of struggle. We’re not talking about teenage misbehavior, man, somebody’s got her.

    Bone is wrong in every possible respect, not least that Veronica might indulge in teenage misbehavior of this nature. Yolanda has done exactly what Keith describes; she has run off, eloping with the son of his enemy. His son Bryce has manufactured the kidnapping to prove to his father that he is not the soft “Urkel” his father believes him to be. The plot is predictable and the characters insufficiently engaging to care about.

    Aaron Echolls has long since alienated his son but it is his inability to recognize or acknowledge it that makes for his rather more interesting story. Aaron indulges in theatrical grief for Lynn and plays patient father. Logan doesn’t buy it and publicly accuses his father of responsibility for Lynn leaving them, through Aaron’s affairs and concentration on his career. The extent to which this has hit home is left open when Aaron quits that career. He is oblivious to his son’s belief that Lynn hasn’t committed suicide but rather has run away, escaped, much like Yolanda.

    Finally, there is the story from the past when Veronica befriended Yolanda and then dropped her on Lilly’s insistence after Yolanda indulged in a drunken kiss with Logan at a party. That’s pretty much all there is to it and whilst the tale gives some interesting insights into Lilly, it doesn’t tell us all the much about Veronica. Does she acknowledge that she wrongly caved to peer pressure, or did she do the right thing at the time, as Yolanda seems to imply? It might have been made more compelling if she had considered these events together with what she learned in “Clash of the Tritons,” when Logan condemns her for forgetting that she was his friend too when she went to Lilly about the illicit kiss. But she doesn’t, the writers didn’t and it doesn’t feel like one knows anything more about Veronica as a result of this episode.

    Lilly is a different matter. Lilly’s glow is starting to tarnish the more we learn about her. She is vindictive in her response to Yolanda and expects Veronica to act similarly. There is a clear, if implied, threat that if Veronica doesn’t do likewise, Veronica will suffer the same treatment. And whilst Lilly is the wronged party here, her response is less justifiable in the light of her being so dismissive of her relationship with Logan earlier in the episode:

    LILLY: Okay, for my next boyfriend, Jude Law type or Colin Farrell type?
    VERONICA: Next? What happened to Logan?
    LILLY: He’s insanely jealous all the time and it’s getting on my nerves.
    YOLANDA: I know it’s not cool to admit this but I like a jealous streak on a man. Keeps ‘em in line.
    LILLY: All yours.

    Obviously, Lilly didn’t mean it.

    Logan takes a huge step in this episode. His truculent response to his father, and his father’s display, is not unexpected. What is unexpected is his reaction to finding Lynn’s lighter. Logan has never been seen to be one looking for hope before. All the signs were that his responses to tragedy were anger and despair. Not this time. Whether or not he is clutching at straws, he is so firm in his conviction that he does the unthinkable; he swallows his pride and goes to Veronica for help.

    Of the other regulars, Keith, Wallace and Duncan, appear but there is nothing to add to what we know of their characters. Weevil doesn’t appear. Of the recurring characters, Aaron gets some time and it is worthwhile. Harry Hamlin does a cracking job of maintaining an ambiguity in the character – is this the actor or the grieving husband and father we see. The things that tell us he is acting, such as his dramatic rendition of “Our marriage had some very high highs and some very low lows,” are balanced by his actions in ending his career. It is almost as if Aaron himself doesn’t know who he is, as if he always has to play a part. He’s just working out which part he wants to play.

    Overall, it was…meh. We didn’t need to be reminded that Keith and Veronica have a strong relationship forged by the tragedy that overtook them. We see it every week. Keith’s bad back seemed a clumsy device to illustrate Veronica’s caring attitude to her father. The Hamiltons were a cliché and, with the exception of Anthony Anderson, poorly acted. Veronica pondered a lot, but it was never really made clear whether she learned anything in recalling her time with Yolanda. The only time that one is captivated by anything on the screen is when one of the Echolls was on it. There was little in the way of information on the central mysteries although a new mystery about Lynn Echolls is introduced. Overall, one is left with this question to the makers on the bulk of this episode. Why bother?

    08/01/2005 6:02am | report abuse

RECENT FRIENDS' BLOGS

  • member since: 08/27/05

    The Christmas and New Year Blog

    This Christmas was pretty good, I got a leather jacket, 100 dollars cash, 50 dollar gas gift card, DVDs. Also I'd like to say Happy New Year to all of TV.com. This year my New Years Resolution is: To get through the 2008 without going crazy

    I'm still enjoying Netflix that I got 12 months free of from being in the audience of Millionaire but a word of advice if you get Netflix you should get 2 at a time unlimited. The free one they gave us is 1 at a time unlimintated which means that I can only have 1 DVD at my house at a time it's annoying because it's slow, and sometimes you want to watch more than 1 movie in a couple of days. When you send the DVD back you get the next one really fast but it's still better to be able to have two at a time. I'm still not sure if it would be worth paying for after my free subscription runs out, but I still do enjoy having it.

    Posted 12/28/2007 7:24pm | views: 16,083
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