Kept
Dance
Thursday 23 June 2005 on VH1

Jerry sends the eight remaining guys to face their most fearsome challenge yet -- the British press. And when Jerry throws a costume party, the guys are sent to dancing school to learn some new moves. They'll have to strut their stuff for Jerry and her friends before one gets elimnated.

In 2007, Yoko’s chauffeur was arrested for allegedly trying to blackmail and kill her. It’s claimed he told Yoko that he would release photos and audio tapes of her unless she paid him $2.5 million. He denied the charges. (edit) Yoko has produced the following films:
Lennon Legend: The Very Best of John Lennon (2003) (executive producer)
Gimme Some Truth: The Making of John Lennon's Imagine Album (2000) (executive producer)
John Lennon Live in New York City (1986) (executive producer)
Erection (1971)
The Museum of Modern Art Show (1971)
Ten for Two (1971)
Apotheosis (1970)
Fly (1970)
Freedom (1970)
Up Your Legs Forever (1970)
Rape (1969)
Honeymoon (1969) (producer)
No. 5 (1968)
Two Virgins (1968)
Eyeblink (1966)
No. 1 (1966) (edit) After her husband, John Lennon, was fatally shot, Yoko took a photograph of his bloodstained eyeglasses laying on the pavement. In 2002, this photo sold for thousands of dollars. (edit) The term "Yoko factor", referring to the influence of wives or girlfriends on a band's business, comes from Yoko’s constant presence at Beatles recording sessions - John broke the longstanding no-wives-or-girlfriends rule the Beatles had in the studio, to bring her there. (edit) Yoko owns the copyrights and masters to her Apple Records releases, including Two Virgins and Life With The Lions, recorded with John Lennon. (edit)

Yoko: When I met John I was at the point of disappearance, in the eyes of other people and myself. Where could I go after I'd done the silent music and they still didn't catch up on it? You see, the things that I did then I feel were in a field that no one has really touched on yet. I think I had something to offer but people did all sorts of things to misunderstand me and I was very lonely. I just can't stand that loneliness and always being at the point of disappearing. So I'm quite happy screaming and all that, making my presence clear, and it's a healthier thing to do. (edit) Yoko: (on John Lennon) He was always jumping on the newest things and new media. He would be creating art on computers now. That's where he'd go. (edit) Yoko: (on John Lennon) He was very astute about his work. If he didn't like it he'd immediately throw it in the trash can because he was fully aware that he was famous and it might get out there someday. (edit) Yoko: I think John's art, for the most part, represents old-fashioned family traditions. He made a lot of social statements, but there's a lot about the family in his works. Sean was his main inspiration. From the moment he was conceived, John was gloriously happy. (edit) Yoko: (on John Lennon‘s life) His life was a very driven one, a very compressed one, ... In his very short life, he did a lot for us. (edit)

Guest Star
Arena (1975) Imagine Imagine Herself	Aspel & Company John Cleese, Boy George, Yoko Ono Herself
Aspel & Company Keith Floyd, Yoko Ono, Charlotte Rampling Herself	Friday Night with Jonathan Ross Martin Freeman, Jo Brand, Yoko Ono, Moloko. Herself
Frost on Saturday John & Yoko, Blossom Dearie, Stan Freberg Herself	Good Day Live May 8, 2003 As Herself